Chinmay: Satish, collegemadhe asatana tula ‘AAMBA’ ekantikekarita sarvotkrushta vinodi abhinetyache paritoshik milale aani tyanantar kahi varshan nantar ‘MRUGJAL’ cinemachi jahirat me mothya falkavar pahili. Tyat katha-pathkata, sawat, digdarshan mhanun tuzhe nav vachalyavar me thakka zhalo hoto. Madhalya varshat tu neamake kay keles?
Satish: me mithibhai college madhe admission ghetale, ti natakat kam karata-karata abhyash karata yava ya udeshane. Aamhi ‘AAMBA’ he ekantika keli, toparyanta mithibhai college tarfe Marathi ekantika sadar zhaleli nhavati. ‘AAMBA’til mazhe kam pahun mala kedar shindene ‘TURTUR’ madhe kam dile. Yach ekantikemule ‘ALL THE BEST’ natakatil dusarya sanchatil ‘BAHIRA’vyaktirekhekarita mazhi nivad zhali.me English ‘ALL THE BEST’ madhehi bahira sakarala.mag govind nihalaninchya groupshi parichay zhala.’HAJAR CHOURASI KI MAA’, ‘SANSHODHAN’, ‘VASTAV’, ‘NIDAN’ ya hindi chitrapatant hi me kam kele.mahesh manjarekar, govind nihalaninchya barobar kam karatana tyanchi digdarshanachi padhat mala prabhavit karit hoti. Survatipasunach mazha odha abhinayapeksha itar tantric babinkade hota.me editing hi shikalo. Tyanantar ya sagalya anubhavatun me ‘MRUGJAL’ ya Marathi chitrapatadyare katha-pathkata, sawat lekhak, digdarshak mhanun samor aalo.
Chinmay: ‘MRUGJAL’ sathi tula anek puraskar milale. ‘MRUGJAL’ chitrapak 2001 madhe aala. Tyanantar aata 2008-09 madhe ‘EK DAV DHOBI PACHAAD’ sathi digdarshan tu kele. Digdarshak mhanun 2 citrapatat evadhi mothi gap ka?
Satish: ‘MRUGJAL’ ne mala bharpur naav milavun dile. Chitrapat digdarshanachya anek offers aalya. Pan je naav mala ‘MRUGJAL’ ne milavun dile tya navala japun mala project karayacha hota. Akshay kumar la ‘MRUGJAL’ ha chitrapat hindi ta karayacha hota,pan me spashta shabdat nakar dila. ‘MRUGJAL’ mule mala ‘zee marathi’ var duniyadari malika milali. Mag ‘KINARA’, ‘OON-PAUS’,’ASAMBHAV’ asa pravas me digdarshak mhanun kela.me bharam-bhar project karanyapeksha nivadak; pan uttam project karanyala mahatva dile. Tyakarita kahi kal thambave lagale tari chalel.Ashok saraf yani digdarshana karita mala ‘DHOBI PACHAD’ sathi bolavane ha tar avisarmaniya divas hota.
Chinmay:mag ya ‘waiting period ‘ madhe kamakade baghanyacha drushtikon nemaka kasa hota?
Satish: mazhi thambayachi tayari hoti aani aahehi. Market madhe je chalale aahe tech karuya,he mala kadhich manya nhavate. Mazhi swatachi ashi kahi tatva aahet. Tya tatvanshi me kadhich tadjod keli nahi. Mazhyasathi ‘mazhe kam’ hich mazhi olakha aahe. Mazhya kamane mala dileli olakha mahatavachi aahe.
Chinmay:lahanpani tu prasidha hotas ka?
Satish :ho, pan eka vegalya arthane. Me vile-parle yethil madhavrao bhagavat English madhyamacha vidyarathi . shalemadhil atyanta mastikhor vidhyarthi ashi mazhi prasidhi hoti. Me kharatar uttam athalit hoto. Natakat kam karu shakat hoto. Pan me mastikhor asalyamune mazha shikshakankadun tiraskar kela jayacha. Ek bai tar kahi zhale tari ‘RAJWADE OUT’ ase mhanun mala baher kadhayachya.
Chinmay: shalemadhe tu kelela sarvat motha gunha konata?
Satish: shikshak mazhyabarobar vait vagat asalyamule mazhya manat hi rag hota. Ek divashi me tharavale ki udya shalet prathana hovu dyayachi nahi. Sakal satrachi shala sampun duparachi shala suru honyamadhe 40 minute cha vel asayacha. Me screw-driver ghevun shaletil sarva speakers kadhun takale,wires todun takalya. Dusarya divashi shalet prathana speakers varun eiku javu shakali nahi. Mag me swatahun pracharyankade javun speakers parat kele va mazhya gunhyachi kabuli dili. Mala aathavadabhar ghari basave lagale. Me mazha ha gunha karnyache karan sangitale. Shikshak satat mazha tiraskar karat asalyane ek sudachi bhavana mazhya manat nirman zhali hoti. He karan lakshat aalyavar shikshakanchya aani mazhya vaganyat nantar farak padala. Mag 9th madhe malach ‘head boy’ karanyat aale. Me halu-halu shanta zhalo.
Chinmay: aata tuzha mulaga hi shalet jato , tyachyashi kasa vagatos?
Satish: mazha mulaga pahilit aahe. To sudha khup mastikhor aahe. School-bus madhe sudha to khup masti karato, ashi tyachya shalekadun takrar yet asate. Pan me tyala shantapane samajavanyacha prayatna karato. Karan he masti tyachyat nirman zhali aahe ti mazhyakadunach tyachyat aali aahe.
Chinmay: tu ‘bap’ honar he kalalyavar tuzhi pahili pratikriya kay hoti?
Satish: tyaveli ‘AABHALMAYA PARVA-2’ madhe kam karit hoto. Jevha mala kalale
ki me ‘bap’ honar tevha me khup emotional zhalo. Mala praghalbhatechi janiv zhali. Me mazhya kutumbachya babtit khup sanvedanshil aahe. He god batami kalalyanantar mazhya swabhavat thoda farak padala. Me shanta hovu lagalo.
Chinmay: tula tuzhya bayako kadun ya shetra sathi kasa support milato?
Satish: mazhi bayako mhanje ‘pallavi’ jevha me ‘ALL THE BEST’ karit hoto, tevha mala milanari ‘night’ fakta 100 rupaye hoti, mag 150 rupaye, mag 200 rupaye ‘night’ milayachi. He utapana farach kami hote. Shevati 890 prayog zhalyanantar me ‘ALL THE BEST’ sodanyacha nirnay ghetala. Tyaveli pallavi ne mazhyavar dakhavilela vishwash far mahatvacha hota. Kadhitari, kuthetari thambayala have hote, kahitari navin karayala have hote, tevha mala bayakone dileli sath khup mahatvachi hoti. Ti mazhi preranastan aahe. Nantar fakta baykoch nhave; tar mazhe aai-vadil, mazhe sasu-sasare he dekhil mala kayam pathimba detat.
Chinmay: tuzhe anek mitra mhanje college madhale mitra shreyas talpade, vivek oberoi aaj stars zhale aahet. Aapali ekhadi katha mhan kinva ekhadya project sathi aapan tyanchya kade jave ase tula vatate ka?
Satish: me, shreyas aani vivek oberoi aamhi khup changale mitra aahot. Pan aaplya mitrancha upayog me kadhich ‘shidi’ mhanun kela nahi. Tasa karane mala aavadanarach nahi. Mala tyanchya barobar kam karayala nakkich aavadel. Aamhi ek-mekanchya vadhadivasala aavarjun bhetato.
Chinamy: vyavhar aani maître ya don goshti veg-veglya thevavyat ka?
Satish: mala ase vatate ki maitrit jevha vyavhar yeto , tevha ti maitri tutnyachi shakyata asate. Tyamule vyavhar aani maitri ya don goshti vegalya asavyat ase mazhe mat aahe. Pan kadhi-kadhi vyavharatun maitri hote. Mhanje ase ki aadhi vyavharachya nimitane aapan ekatra yeto. Mag olakh vadhate aani maitri hote.
Chinmay: tula saglyat mothi bhiti kasali vatate?
Satish: mazhya pachyat(nantar) mazhya mulana kadhich kahi kami padata kama naye.asatitva sathi mazhya mulana mazhya pachyat struggle karava lagu naye, hi mahzi icha aahe. Ase kahi ghadanar nahi na ashi ugachach bhiti vatate kadhikadhi! Me mazhya kutumba babat khupach savedanshil aahe.
Chinmay: ya shetratalya tuzhya ‘shala’ konatya?
Satish: amitabh bacchan,john woe,mukul aanand aani manmohan desai ya mazhya babtitalya ya shetratalya shala aahet. Ti mazhi prerana stane aahet. Sarvat mahatvache mhanaje me devala manato. Me je karato, te mala kase suchate, ka suchate, ya sarva che prerana stan mhanje ‘dev’ aahe.
Chinmay: tuzhe swapna kay aahe?
Satish: ‘Oscar’ he mazhe hi swapna aahech. Aankhi ek, mala amitabhjinchya sobat digdarshak mhanun kam karayache aahe.
Chinmay: tu jar amitabh jina film offer kelish tar tyana kay bhumika deshil?
Satish: Amitabhjina me ‘angree young man’ ch manato. Tyanchya bhumiket je’ agression’ disate , te mala aavadate.mhanun tar ‘VIRUDHA’ chitrapatatala hatash amitabh mala nahi aavadu shakala. Amitabh mhatalya nantar ti action movie ch asali pahije. Me dekhil tashich ek katha amitabhjina eikavali hoti. Tyana ti aavadalihi hoti. Baghu kahi bhavishyat ghadtay ka te……………..
Chinmay: tu jar ‘mumbai kar’ nastas tar ya industry madhe asatash ka?
Satish: arthatach, karan bhartat kuthehi janamalo, vadhalo tari tithe amitabhjinche chitrapat aahetach na! lahanpan pana pasunach tyana mala prabhavit kele. ‘MUKADAR KA SIKANDAR’ , ‘SHOLE’ bhagun tar me chakka radalo hoto.
Chinmay:’STRI’ kade konatya drushtikonatun pahatos?
Satish:’STRI’ kade me atishay aadarane baghato. Karan ‘stri’ nahi, tar ‘aai’ nahi, ‘aai’ nahi tar ‘baba’ hi nahit aani ‘aai-baba’ nahit, tar ‘aapan’ hi nahi. ‘stri’ hi mazhi prerana aahe. Tyamule strivaril kuthalahi anyay me sahan karu shakat nahi.
Chinmay: tula tuzhya mulani kay karayala aavadel?
Satish: mazhya mulani pramanik asave, aapalyamule konala tras honar nahi, ase tyanche vyaktimatva asave. Tyani mazhya peksha ek paul pudhe takave, mazhya mulankade man var karun baghayala mala aavadel.
Chinmay: tu kiti sadetod aahes aani mutsaddi aahes?
Satish: mazha sadetod pana me niyantrit karato. Karan sadetod pan
e bolanyache dushparinam me bhogale aahet. Ekhadi goshta patali nahi tar gappa basave, ugachach aapale spashta mat devun dusaryala dukhavu naye, ase mala vatate. Aapan ‘politically correct’ asave.
Chinmay: tu mala kay salla deshil?
Satish: chinmay, tu ek hushar lekhak aahesh. Tevha likhan satat chalu thev tuzhyatala lekhak mala jasta bhavato. Aaj ya industry madhe changalya lekhakanchi garaj aahe.
Chinmay: tu roj sakali oothun swatala kay sangatosh?
Satish: me mala ase sangato, ki jevadhe mazhe mazhya kamavar prem asel, tevadhe itaranche tyanchya kamavar aselach ase nahi. Tevha ashyan barobar kam kar ki te kam, mazhyapramanech tyanchi ‘passion’ asel. Karan mala tya veli kama vyatirikta kahi disat nahi.
Thursday, February 12, 2009
LET US WAKE UP 28th Nov PRAHAR
Salaam aaplya police departmentla, aaplya suraksha dalaanna, je swatahchya jeevavar khelun majhya-sarkhya saamanya mansala surakshit thevtat. Salaam tumhala, je tumhi bedhadakpane ghusun shatruchya dolyala dola bhidta. Salaam. Aaj paristithi haatabaaher geli aahe. Garaj aahe ekatra rahnyachi. Ekmekanvar vishwas daakhavnyachi. Ekmekanna saath dyaychi. Dil se kehta hun, united we stand, divided we fall. Aaj deshala garaj aahe aapli. Deshane mala kay dila, hya peksha mi deshala kay dila ha prashna vicharnyachi. Darpok aahet je lok jyanni samanya, niraparaadh, nishastra mansanna vethis dharun swatahchi dahashat daakhavnyacha prayatna kela. Kaaran tyanna mahitiye samorasamor 2 divas-hi te tiku shaknaar nahit. Pan mitranno, dahashatvadyanni ughadpane pukaarlelya ya yuddhala bhyaad halla mhanaychi aani swatahla shuur samajnyachi chuuk aapan Mumbaikaranni punha karu naye. Prtyek hallya-nantar, pratyek bomb-sphotanantar dusrya divshi kodgepane 'suralit' jeevan jagnarya Mumbaila salaam karnyapeksha sadaiva jagruk aani saavad rahnarya Mumbaila dil se mujra karna mala nakkich abhimaanaspad vaatel. Let us wake up before its too late. Dil se, Jai Hind
SATISH RAJWADE
SATISH RAJWADE
There has to be a way! [27th Nov 2008][PRAHAR]
‘Mrugjal’ chi katha mala majhya bhavane dili. Tyala ti college madhe natkacha workshop kartana milali hoti. Ti katha majhya dokyat itki basil ki hyach kathevar chitrapat banavnyacha tharavla. Majha mitra aani tya music companychya CEOlahi katha aavadli aani aamhi kamala suruvaat keli. Sachin Khedekar ne vishwas daakhavla. Tushar dalvine hi lagech hokaar dila. Reshamlahi katha aavadli. So far so good.
Mag vel aali patakatha-sanvaad lihaychi. Eka prasiddha lekhakakade aamhi gelo. Tyanehi hokaar kalavla aani nantar khup helpaate ghalayla lavle. Kadhi Pune, kadhi Churchgate, kadhi ghari, kadhi office. Pan lihun matra kahich dila nahi. 3 mahine asech gele. Majha mitra aani company che CEO asvastha vhayla lagle. Bhai ne mag mala suchavla ki, tujhya dokyat jya prasangancha maanda aahe kivhan te kalakaar kay boltil, hyacha arakhada asel tar to kaagdavar utarav. Mi hya aadhi kadhihi kahihi lihilela navhata. Pan aaplyasathi kunala vel nasel tar aapanahi thamabaycha nahi, asa mi tharavla aani bhavane saangitlya-pramane mi prasanga, majhya paatraanche swabhaav, bolnyachya paddhatikaagdavar utravu laglo. Kuthlya prasangi kay sanvaad, kase abhipret aahet, he lihun kaadhla aani tyacha vaachan kela.
Te sarvanna aavadla. Hich ti final script. Mala chitrapatasathi milalelya anek abkshisanmadhye katha-patakatha-sanvaad hyanchihi paritoshika aahet. Pan problems sample navhate, te suru zale hote. Shooting-chya aadlya divshi aamcha tharavlela cameraman (punha ek pratishthit naav) mhanala, mi ha chitrapat karnaar nahi. Tyane pratyek goshtit khot daakhvayla suruvaat keli. Majha mhanna evadhach ki, manya aahe aamhi navin aahot; pan aadlya divshi?
Parat majhya bhavane tyachya eka mitracha naav suchavla, jo add-films cha cameraman hota, to Santosh Sivan barobar kaam karaycha. To Mumbait kami aani southlach jasta asaycha. Tyacha naav Suhas Gujhrathi. Shooting-chya aadlya raatri mi tyala bhetlo. Tyalahi katha aavadli. 7 chi shift aamhi 9 chi karun ghetli aani mi eka navya cameraman barobar shooting-la suruvaat keli. Majhya hya cameraman-la tya varshi sagli sarvotkrushtha chayachitranachi paritoshika aahet. Mhanje jya goshti duravlya tya changlyasathich mhanta yeil.
Shooting darmyan-hi aamhala bharpur problems aale. Kadhi stock nahi, kadhi cheques nahit, kadhi yogya kapade nahit. Hya saglyavar math karun aamhi aamcha banavla. Ek divas 7 chya shift la ravivaar aslyamule 9:30 paryanta majhyakade stock-ch navhata. Mi lab madhe jaun special letter deun to stock aanla. Toparyanta camera ikdun tikde firvat vel nibhavun nheli. Tyamule kunachya lakshaat aala nahi, pan nashibane aani devane khup saath dili aani majha pahila chitrapat purna zala. To release zala, pan tya pudhchahi kahi mahiti navhata. Ek divas majhi aai paper-var kothimbir nivdat astana Zee Marathi Gaurav Puraskar cha entry form tila tya paper-at disla. Tine mala phone kela, tovhar aamhala tyabaddal kahihi mahiti navhata. Paper-at na number gheun mi Zee Marathi la phone kela, tar toch divas nemka entry cha shevatcha divas. Request karun aamhi dusrya divshi form bharla. Tyanantar pudhe je zala tyane majha aayushya sampurnapane badalla. Majhya chitrapatala tya varshi sagle puraskar milale. Sangaycha itkach aahe ki kitihi problems aale tari mi sodun dila nahi. Devane bharpur saath dili, adchani dilya pan marga-hi dila. Mi taavun-salakhun baher padlo aani ‘Mrugjal’ astitvaat aala. Kaaran, ‘dil se’ karma tha. Himmat nahi haarna, bas koshish karte rehna. Where there is a will, there has to be a way!
SATISH RAJWADE
Mag vel aali patakatha-sanvaad lihaychi. Eka prasiddha lekhakakade aamhi gelo. Tyanehi hokaar kalavla aani nantar khup helpaate ghalayla lavle. Kadhi Pune, kadhi Churchgate, kadhi ghari, kadhi office. Pan lihun matra kahich dila nahi. 3 mahine asech gele. Majha mitra aani company che CEO asvastha vhayla lagle. Bhai ne mag mala suchavla ki, tujhya dokyat jya prasangancha maanda aahe kivhan te kalakaar kay boltil, hyacha arakhada asel tar to kaagdavar utarav. Mi hya aadhi kadhihi kahihi lihilela navhata. Pan aaplyasathi kunala vel nasel tar aapanahi thamabaycha nahi, asa mi tharavla aani bhavane saangitlya-pramane mi prasanga, majhya paatraanche swabhaav, bolnyachya paddhatikaagdavar utravu laglo. Kuthlya prasangi kay sanvaad, kase abhipret aahet, he lihun kaadhla aani tyacha vaachan kela.
Te sarvanna aavadla. Hich ti final script. Mala chitrapatasathi milalelya anek abkshisanmadhye katha-patakatha-sanvaad hyanchihi paritoshika aahet. Pan problems sample navhate, te suru zale hote. Shooting-chya aadlya divshi aamcha tharavlela cameraman (punha ek pratishthit naav) mhanala, mi ha chitrapat karnaar nahi. Tyane pratyek goshtit khot daakhvayla suruvaat keli. Majha mhanna evadhach ki, manya aahe aamhi navin aahot; pan aadlya divshi?
Parat majhya bhavane tyachya eka mitracha naav suchavla, jo add-films cha cameraman hota, to Santosh Sivan barobar kaam karaycha. To Mumbait kami aani southlach jasta asaycha. Tyacha naav Suhas Gujhrathi. Shooting-chya aadlya raatri mi tyala bhetlo. Tyalahi katha aavadli. 7 chi shift aamhi 9 chi karun ghetli aani mi eka navya cameraman barobar shooting-la suruvaat keli. Majhya hya cameraman-la tya varshi sagli sarvotkrushtha chayachitranachi paritoshika aahet. Mhanje jya goshti duravlya tya changlyasathich mhanta yeil.
Shooting darmyan-hi aamhala bharpur problems aale. Kadhi stock nahi, kadhi cheques nahit, kadhi yogya kapade nahit. Hya saglyavar math karun aamhi aamcha banavla. Ek divas 7 chya shift la ravivaar aslyamule 9:30 paryanta majhyakade stock-ch navhata. Mi lab madhe jaun special letter deun to stock aanla. Toparyanta camera ikdun tikde firvat vel nibhavun nheli. Tyamule kunachya lakshaat aala nahi, pan nashibane aani devane khup saath dili aani majha pahila chitrapat purna zala. To release zala, pan tya pudhchahi kahi mahiti navhata. Ek divas majhi aai paper-var kothimbir nivdat astana Zee Marathi Gaurav Puraskar cha entry form tila tya paper-at disla. Tine mala phone kela, tovhar aamhala tyabaddal kahihi mahiti navhata. Paper-at na number gheun mi Zee Marathi la phone kela, tar toch divas nemka entry cha shevatcha divas. Request karun aamhi dusrya divshi form bharla. Tyanantar pudhe je zala tyane majha aayushya sampurnapane badalla. Majhya chitrapatala tya varshi sagle puraskar milale. Sangaycha itkach aahe ki kitihi problems aale tari mi sodun dila nahi. Devane bharpur saath dili, adchani dilya pan marga-hi dila. Mi taavun-salakhun baher padlo aani ‘Mrugjal’ astitvaat aala. Kaaran, ‘dil se’ karma tha. Himmat nahi haarna, bas koshish karte rehna. Where there is a will, there has to be a way!
SATISH RAJWADE
Aapan fakta jinkaycha! [26th Nov 2008] PRAHAR
Editing kartana baryach goshti clear hot gelya. Ya madhyamatun katha kashi sangitli jaate, he navyane kalla. Khara saangaycha tar vaachanamula mala hyachi kalpana hoti, pan sankalanamule tya kalpanecha vaastav-rupaat kasa aavishkaar ghadvaycha he kalla. Mala ajun pudhe jaycha hota. Mala katha majhya paddhatine saangaychya hotya. Mala digdarshak vhaycha hota. Pan majhya vayakade aani anubhavakade pahata kunich majhyavar vishwas thevayla tayaar navhata. Majha ek mitra aahe, Navin Upadhyay. Tyane mala vicharla ‘tu nemka kay kartos? Halli disat nahis?’ Mi tyala editing baddal saangitla. Ekda neun daakhavla. Tyane mala madat karaychi tharavli. Pan punha tech. aadhi ‘majhyavar’ kuni vishwas thevat navhata aani aata ‘aamchyavar’ kuni vishwas thevenasa zala.
Pan where there is a will there is always a way! Mohan Joshi aani Rima taine majhyavar vishwas daakhavla aani mi majha pahila Hindi episode digdarshit kela. Tya episode cha naav hota ‘Pal’. ‘Pal’ kartana khup shiklo. Aaplyala jya goshti yetat tya kiti apurna aahet te kalla. Jya yetat tya aankhikiti yayla havya te kalla. To episode gheun eka navya umeed-ne channels kade jau laglo. Khadtar pravaas suru zala hota. Aamhala kalla, aamhala kunihi vaali nahi. Fakta episode banvun chalet nahi. To saglyanna aavdunhi chalet nahi. Tyasathi aankhin kahitari lagta. Kay? Nashib, aamhi nishkarsha kaadhla.
Pan ek darwaja banda hoto, tar dusra ughadto mhantat na, te kharay. Majhya hya mitracha ek mitra music companyit kamala hota. Tyane aamchi meeting tyanchya CEOshi karun dili. Aamhi tyala aamcha episode daakhavla. To nehmipramane tyannahi aavadla aani aamhi vichar kela,zala, aavadla yanna! Saglech aavadla mhantat aani pudhe kahich nahi karat. Pan ithe maatra aamhi chuklo. Tyanni mala tyanchya music company che music video direct karayla dile. Mala majhya kananvar vishwas-ch basat navhata.
Mi aani majha mitra aamhi kamala laaglo aani aamhi aamcha pahila music video banavla. Pahilyanda film medium var kaam kela. Aamchi mehenat vaya geli nahi. To music video music chart madhe baryapaiki gaajla. Tya companyla hi baryapaiki mileage milala. Tyanni mala vicharla ‘tujhyakade kahi katha aahe ka? Aamhala ek hindi cinema banvaycha aahe.’ Ha majhyasathi aankhi ek dhakka hota. Mi tyanna mhantla ‘ek chotasa hindi cinema banavnyapeksha aapan ek changla Marathi cinema banvu.’ Tyanni kahi kshan vichar kela aani mala hokaar dila. Aani mag pravaas suru zala majhya pahilya chitrapatacha. Majhya swapnacha. Majha pahila chitrapat ‘Mrugjal’.
He majha swapna kharokhar saakaar honaar hota, ki ‘mrugjal’ch tharnaar, asa prashna majhyapramane anekanna padla. Pan majhyakade majhya prashnacha uttar hota. Te itaranna fakta dyaycha hota. Mag punha navyane suruvaat, punha ek kathin, khadtar pravaas suru zala, jo nehmich havahavasa vatto. Mi aani majhya mitrane ek-ek karun goshti gola kelya. Avishwas daakhavnare satat astat, ajunahi aahet aani kaayam rahnaar. Pay khechnare khechat rahnaar. Pan mhanun harnaaryaatle aapan nahi, he tyanna daakhavna jasta garjecha asta. Pudhe yenaryala saath dyavi, sadaiva haath dyava. Mala majhya mitranni donhi dila aani mi hi hech karin. Mala majhya mitrane ‘dil se’ saath deun swapnanchya daari aanun thevla. Tyasathi thankyou, mitra! Ekdum ‘dil se’!
SATISH RAJWADE
Pan where there is a will there is always a way! Mohan Joshi aani Rima taine majhyavar vishwas daakhavla aani mi majha pahila Hindi episode digdarshit kela. Tya episode cha naav hota ‘Pal’. ‘Pal’ kartana khup shiklo. Aaplyala jya goshti yetat tya kiti apurna aahet te kalla. Jya yetat tya aankhikiti yayla havya te kalla. To episode gheun eka navya umeed-ne channels kade jau laglo. Khadtar pravaas suru zala hota. Aamhala kalla, aamhala kunihi vaali nahi. Fakta episode banvun chalet nahi. To saglyanna aavdunhi chalet nahi. Tyasathi aankhin kahitari lagta. Kay? Nashib, aamhi nishkarsha kaadhla.
Pan ek darwaja banda hoto, tar dusra ughadto mhantat na, te kharay. Majhya hya mitracha ek mitra music companyit kamala hota. Tyane aamchi meeting tyanchya CEOshi karun dili. Aamhi tyala aamcha episode daakhavla. To nehmipramane tyannahi aavadla aani aamhi vichar kela,zala, aavadla yanna! Saglech aavadla mhantat aani pudhe kahich nahi karat. Pan ithe maatra aamhi chuklo. Tyanni mala tyanchya music company che music video direct karayla dile. Mala majhya kananvar vishwas-ch basat navhata.
Mi aani majha mitra aamhi kamala laaglo aani aamhi aamcha pahila music video banavla. Pahilyanda film medium var kaam kela. Aamchi mehenat vaya geli nahi. To music video music chart madhe baryapaiki gaajla. Tya companyla hi baryapaiki mileage milala. Tyanni mala vicharla ‘tujhyakade kahi katha aahe ka? Aamhala ek hindi cinema banvaycha aahe.’ Ha majhyasathi aankhi ek dhakka hota. Mi tyanna mhantla ‘ek chotasa hindi cinema banavnyapeksha aapan ek changla Marathi cinema banvu.’ Tyanni kahi kshan vichar kela aani mala hokaar dila. Aani mag pravaas suru zala majhya pahilya chitrapatacha. Majhya swapnacha. Majha pahila chitrapat ‘Mrugjal’.
He majha swapna kharokhar saakaar honaar hota, ki ‘mrugjal’ch tharnaar, asa prashna majhyapramane anekanna padla. Pan majhyakade majhya prashnacha uttar hota. Te itaranna fakta dyaycha hota. Mag punha navyane suruvaat, punha ek kathin, khadtar pravaas suru zala, jo nehmich havahavasa vatto. Mi aani majhya mitrane ek-ek karun goshti gola kelya. Avishwas daakhavnare satat astat, ajunahi aahet aani kaayam rahnaar. Pay khechnare khechat rahnaar. Pan mhanun harnaaryaatle aapan nahi, he tyanna daakhavna jasta garjecha asta. Pudhe yenaryala saath dyavi, sadaiva haath dyava. Mala majhya mitranni donhi dila aani mi hi hech karin. Mala majhya mitrane ‘dil se’ saath deun swapnanchya daari aanun thevla. Tyasathi thankyou, mitra! Ekdum ‘dil se’!
SATISH RAJWADE
Dil Se Karo, Dost! [25th Nov 2008] [PRAHAR]
Eka madhyam-vargiya kutumbaat majha janma zala. Aai-vadil doghehi Railway-et hote. Tyamule majhi jababdari majha motha bhau Shirish-var padli. Majhyapeksha 6 varshanni motha. Bhai mhanto mi tyala. Ashya samanya gharaat janmala yeun ya chanderi duniyet aapla career ghadavna ek kathin swapna hota. Kutumbatla kunich hya vyavsayat naslyamule suruvaat kuthun he hi mahiti navhata.
Lahaanpana-pasun vaachanachi aavad. Tyamule goshtincha pustak, tyatil chitra, katha sangnyache prakaar nakalat ka hoi na, samju lagle.
Hya-kherij, high-way varchya naalyat utrun gappi maase pakadna, rastyavar dhaavat jaun kaaplela patanga pakadna, ghara-samorchya junya banglyachya kaacha phodna hya aavdi-nivdi hi hotyach aani mag satat fatke khayche. Mag eka suttit, majhya aai-ne majha traas nako mhanun mala baal-naatya shibiraat paathavla.
Je kaahi karaycha te ‘dil se’ ha mantra hotach. Mag kay, chukun jaana zala aani aapla janma yach goshtisathi zalay he jaanavla. Itar saglya goshti duyyam vaatu laaglya. Majhyasamor nava vishwa, nava jag, nava swapna ubha rahila. Ya kaalpanik aani make-believe jagaat mi ramlo. Mi itar kahihi vichar karma sodla. Ekun 50 kivhan tyahun adhik baal-naatyaat vegveglya bhumika kelya. Bhai Mithibai mahavidyalayat jaat hota. Tikde abhyasabarobarach naatak, ekankika spardhanna khup mahatva hota. Mi 10th honya-aadhich tharavla hota ki hyach collegela jaycha. Degree gheta gheta mi ekankika spardhet kaam karayla laglo, mala abhinayachi paaritoshika milu laagli. INT spardhet sarvotkrushta vinod abhinayacha paritoshik milavlyavar mala majha pahila vyavsayik naatak milala Kedar Shindencha punarujjivit ‘TurTur’ hya naatkache mi 50 prayog kele. Hyat majhi eka Gujratyachi bhumika hoti. Pan mala khara motha break Chandralekhachya ‘All The Best’ ne milala. Ya naatkachya dusrya sanchaat mi bahiryachi bhumika karaycho. Marathi aani English ya donhi bhaashant mi hi bhumika saadar karaycho.
Eke divshi ya naatkachya prayog-darmyan mala Govind Nihalaninchya casting directorne tipla. Abhineta mhanun mala pahila Hindi chitrapat milala. Pan mala jaanavla ki aaplyala ajun pudhe jaychay. Kuthe, kasa he mahiti navhata. He vicharnyasathi mi Govindjinna bhetayla tyanchya editing studio-t gelo aani mala jaanavla ki khara cinema ithe banto. Punha ekda majhya aayushyala kalaatni milali. Mi tharavla editor vhaycha. Je kahi karma-dharma-sanyogane milaycha hota te milala hota. Aata kashta karun milvaycha hota. Mi tyanchi parvangi gheun editingla jayla laglo. Tyanni ek-don thikani majha naav suchavla. Saglikade niyam ekach. Prashna vicharayche nahit, jitka shikta yeil titka shikaycha. Majhi hi jidda aani chikati tikvun thevayla majhi bayko Pallavi hicha mala khup support milala. Naatak sodla aani varshabhar kaslihi apeksha na thevta, ekahi paisa na milavta mi kaam karat rahilo. Darmyaan, mi, B. R Chopranchya television department madhe 8 mahine editor mhanun kaam kela, binpagari. Aaplyala jyachi aavad aahe, tech karayla milna kathin aste. Pan gharchyancha paathimba hota. Honarya baykochi ‘dil se’ saath hoti. Tichya gharchyancha vishwas hota. Kashtala paryay nahi. Jar mi karu shakto, tar kunihi karu shakta. Bas dil se karo, dost!
SATISH RAJWADE
Lahaanpana-pasun vaachanachi aavad. Tyamule goshtincha pustak, tyatil chitra, katha sangnyache prakaar nakalat ka hoi na, samju lagle.
Hya-kherij, high-way varchya naalyat utrun gappi maase pakadna, rastyavar dhaavat jaun kaaplela patanga pakadna, ghara-samorchya junya banglyachya kaacha phodna hya aavdi-nivdi hi hotyach aani mag satat fatke khayche. Mag eka suttit, majhya aai-ne majha traas nako mhanun mala baal-naatya shibiraat paathavla.
Je kaahi karaycha te ‘dil se’ ha mantra hotach. Mag kay, chukun jaana zala aani aapla janma yach goshtisathi zalay he jaanavla. Itar saglya goshti duyyam vaatu laaglya. Majhyasamor nava vishwa, nava jag, nava swapna ubha rahila. Ya kaalpanik aani make-believe jagaat mi ramlo. Mi itar kahihi vichar karma sodla. Ekun 50 kivhan tyahun adhik baal-naatyaat vegveglya bhumika kelya. Bhai Mithibai mahavidyalayat jaat hota. Tikde abhyasabarobarach naatak, ekankika spardhanna khup mahatva hota. Mi 10th honya-aadhich tharavla hota ki hyach collegela jaycha. Degree gheta gheta mi ekankika spardhet kaam karayla laglo, mala abhinayachi paaritoshika milu laagli. INT spardhet sarvotkrushta vinod abhinayacha paritoshik milavlyavar mala majha pahila vyavsayik naatak milala Kedar Shindencha punarujjivit ‘TurTur’ hya naatkache mi 50 prayog kele. Hyat majhi eka Gujratyachi bhumika hoti. Pan mala khara motha break Chandralekhachya ‘All The Best’ ne milala. Ya naatkachya dusrya sanchaat mi bahiryachi bhumika karaycho. Marathi aani English ya donhi bhaashant mi hi bhumika saadar karaycho.
Eke divshi ya naatkachya prayog-darmyan mala Govind Nihalaninchya casting directorne tipla. Abhineta mhanun mala pahila Hindi chitrapat milala. Pan mala jaanavla ki aaplyala ajun pudhe jaychay. Kuthe, kasa he mahiti navhata. He vicharnyasathi mi Govindjinna bhetayla tyanchya editing studio-t gelo aani mala jaanavla ki khara cinema ithe banto. Punha ekda majhya aayushyala kalaatni milali. Mi tharavla editor vhaycha. Je kahi karma-dharma-sanyogane milaycha hota te milala hota. Aata kashta karun milvaycha hota. Mi tyanchi parvangi gheun editingla jayla laglo. Tyanni ek-don thikani majha naav suchavla. Saglikade niyam ekach. Prashna vicharayche nahit, jitka shikta yeil titka shikaycha. Majhi hi jidda aani chikati tikvun thevayla majhi bayko Pallavi hicha mala khup support milala. Naatak sodla aani varshabhar kaslihi apeksha na thevta, ekahi paisa na milavta mi kaam karat rahilo. Darmyaan, mi, B. R Chopranchya television department madhe 8 mahine editor mhanun kaam kela, binpagari. Aaplyala jyachi aavad aahe, tech karayla milna kathin aste. Pan gharchyancha paathimba hota. Honarya baykochi ‘dil se’ saath hoti. Tichya gharchyancha vishwas hota. Kashtala paryay nahi. Jar mi karu shakto, tar kunihi karu shakta. Bas dil se karo, dost!
SATISH RAJWADE
ASAMBHAV NAHI SAMBHAV [24th Nov 2008] [ PRAHAR]
Namaskar,sarv rasikanna majha namaskar.aaj mala tumchyashi sanvad sadhaychi sandhi milali ahe,tumchya mayemule,premamule! marathi manasasarkha chokhandal manushya nahi aani ashya chokhandal manasakadun jevha aaplya kamachi dakhal ghetli jaate,shabaskichi pavati milte,tevha tyachi nashe veglich aste.hi nashach majhyasarkhya kaikanna ankhin changla karnyas pravrutt karte.
Tar,punha ekda abhar manun mi aaplya sanvadala survaat karto.je kahi mi aplyasamor mandu ichhitto te ekdum ‘dil se’ aahe.kaaran mulat balkaduch asa milala ahe,’je karshil te manapasun kar,ardhvat nahi. karaychay mhanun karaycha asa nahi.jo bhi karma hai pure dil se.’ agdi lahanpanapasun ha kanmantra angavalni padla.khelayla gelo ki, mag jevan,ghardar visraycha,kaal-vel visaraychi.apla astitva fakt ya khelsathich aslyasarkha vagaycha.maitri keli ki mag to mitra aapla sarvasva aslyasarkha tyachyasathi jagaycha.ha jo kanmantra milala tyanech mala swatantra banavla .it made me independent.ekhadi gosht karaychi mhantli ki, ti purna hoiparyanta manapasun karaychi.mag ti jamlich pahije ani ashi tashi nahi,agdi shambhar takke aani tyamulech xtra efforts karaychi savay lagli. aaivadilanna khatri hoti ki aapla mulga gairvartan karnar nahi.je kahi karel te yogya karel aani mukhya mhanje changla kaam karel ,maan lavun karel.tyanchich shikvan na tyamule perfection chi savay lagat geli aani halu halu tyashivay gammat nahi he janavayala lagla.je kahi karaycha te ekdum ‘dil se’. mag tyt compromise nahi .hi savay halu halu attahaas banu lagli aani kadachit hi savay asel tarach aapan vegla kahi karu shaku, ashi mala khatri patu lagli.’ killer instinct’ mhantat te bahuda asach yet gela.karan manapasun keleli goshta kadhich vaya jaat nahi aani aapan je manapasun karto te lokanparyant nakkich pohochta . lok tyachi pavti detat aani hich pavati jinknyachi prerna det rahte .kaaran mag satat changla kahitari karnyachi toparyanta savay jhaleli aste na.mag satat lokanparyant sarvotkrushta sadar karaychi talmal suru hote.mag swatahshich spardha suru hote.
kuthe tari aaplya ya dil se pravruttichi maskari keli jaatech jaate. murkhat kadhtat lok,pan mag yach lokanpeksha aapan vegle aahot, mhanun tar aapan aapan aahot,he janavta.haach attitude mala majhya kamat khup upyogi padla.je karaycha te agdi ‘dil se’ swatahla jhokun deun aani mhanunach kadachit majhya pahilya filmla vividha puraskar milale anek adchanit adkunhi aani mhanunach kadachit asambhav sarkhi vegli aani kathin mallika sarvat lokpriya ahe.kaaran mulat ‘as the captain of the ship’(..... ....) saglyanna mi hach mantra dila ahe .jo bhi hai sab ‘dil se’ mag ka nahi yash milnar? tumhi pan apply karun bagha ha formula sagli ganitach badaltat.ayushyakade pahnyacha approach badalto. dil se kar dost,fir chahe voh kaam ho, pyar ho ya kuch aur dil se kar. asambhav asa kahich nahi.atta vishay nighalach ahe, tar mala sangitlashivay rahvat nahi.’asambhav’ miss karu naka. awak karnare twists ani turns pahayla milnar ahet, kahi goshti aapan lahan aslyapasun aikto,pan jya goshti kalpane palikadchya aahet tya asambhav aahet.aani tya’asambhav madhe hi aahet.
SATISH RAJWADE
Tar,punha ekda abhar manun mi aaplya sanvadala survaat karto.je kahi mi aplyasamor mandu ichhitto te ekdum ‘dil se’ aahe.kaaran mulat balkaduch asa milala ahe,’je karshil te manapasun kar,ardhvat nahi. karaychay mhanun karaycha asa nahi.jo bhi karma hai pure dil se.’ agdi lahanpanapasun ha kanmantra angavalni padla.khelayla gelo ki, mag jevan,ghardar visraycha,kaal-vel visaraychi.apla astitva fakt ya khelsathich aslyasarkha vagaycha.maitri keli ki mag to mitra aapla sarvasva aslyasarkha tyachyasathi jagaycha.ha jo kanmantra milala tyanech mala swatantra banavla .it made me independent.ekhadi gosht karaychi mhantli ki, ti purna hoiparyanta manapasun karaychi.mag ti jamlich pahije ani ashi tashi nahi,agdi shambhar takke aani tyamulech xtra efforts karaychi savay lagli. aaivadilanna khatri hoti ki aapla mulga gairvartan karnar nahi.je kahi karel te yogya karel aani mukhya mhanje changla kaam karel ,maan lavun karel.tyanchich shikvan na tyamule perfection chi savay lagat geli aani halu halu tyashivay gammat nahi he janavayala lagla.je kahi karaycha te ekdum ‘dil se’. mag tyt compromise nahi .hi savay halu halu attahaas banu lagli aani kadachit hi savay asel tarach aapan vegla kahi karu shaku, ashi mala khatri patu lagli.’ killer instinct’ mhantat te bahuda asach yet gela.karan manapasun keleli goshta kadhich vaya jaat nahi aani aapan je manapasun karto te lokanparyant nakkich pohochta . lok tyachi pavti detat aani hich pavati jinknyachi prerna det rahte .kaaran mag satat changla kahitari karnyachi toparyanta savay jhaleli aste na.mag satat lokanparyant sarvotkrushta sadar karaychi talmal suru hote.mag swatahshich spardha suru hote.
kuthe tari aaplya ya dil se pravruttichi maskari keli jaatech jaate. murkhat kadhtat lok,pan mag yach lokanpeksha aapan vegle aahot, mhanun tar aapan aapan aahot,he janavta.haach attitude mala majhya kamat khup upyogi padla.je karaycha te agdi ‘dil se’ swatahla jhokun deun aani mhanunach kadachit majhya pahilya filmla vividha puraskar milale anek adchanit adkunhi aani mhanunach kadachit asambhav sarkhi vegli aani kathin mallika sarvat lokpriya ahe.kaaran mulat ‘as the captain of the ship’(..... ....) saglyanna mi hach mantra dila ahe .jo bhi hai sab ‘dil se’ mag ka nahi yash milnar? tumhi pan apply karun bagha ha formula sagli ganitach badaltat.ayushyakade pahnyacha approach badalto. dil se kar dost,fir chahe voh kaam ho, pyar ho ya kuch aur dil se kar. asambhav asa kahich nahi.atta vishay nighalach ahe, tar mala sangitlashivay rahvat nahi.’asambhav’ miss karu naka. awak karnare twists ani turns pahayla milnar ahet, kahi goshti aapan lahan aslyapasun aikto,pan jya goshti kalpane palikadchya aahet tya asambhav aahet.aani tya’asambhav madhe hi aahet.
SATISH RAJWADE
MUMBAI TIMES [ 28th Oct 2008]
An article has appeared in 28th Oct’s Mumbai Times. I could not find its link. Here is what the article quotes…
‘Saas-bahu’nchya malikanmadhun break milvun denari ‘asambhav’ hi malika prekshakan madhye khupach lokpriya aahe. Hya lokapriyatemagcha ek kaaran mhanje hya maliketil abhineta & digdarshak Satish Rajwade aani malikecha lekhak chinmay mandlekar. Pan production house barobar zalelya vaadanmule madhyantarach hya doghanchi hi gacchanti zali aani malikecha trp ghasarayla suruvaat zali.
Hya doghachyahi exit mule maliketil interest tar kami zalach, pan tyach barobar malika banda kara mhanun orad hi suru zali. Sarteshevti channel aani production housela prekshakanchi dakhal ghyavich lagli. Hya mule asambhav madhun anek diwas haravlela chehra insp. Vikrant Bhosle mhanjech Satish Rajwade diwalichya muhurtavar punha entry ghetoy. Ya babat tyala vicharlyavar “mi asambhavcha avibhajya bhag aahe. Madhlya kaalat kahi tantrik karnane mi malikebaher aslo tari malikeshi matra mi kaayamach nigadit aahe. Ya pudhe anek goshti ghadnaar asun tyatla natya prekshakanna khelvun thevel” asa Satish Rajwadenni Mumbai Times chi boltana sangitle.
Malika pakad ghet astanach tyachya achanak adrushya honyala anek artha lavle gele. Itkach navhe tar to digdarshan karat astana malikevar asleli pakad tyachya janyane dhili padlyachahi bolla jaat hota. Pan ya pudhe tyala parat yenya barobarach maliketil anek rahasymay ukalali jayla suruvaat honaar aahe.
[Finally ti baatmi ali jyachi sarvach jan khup vaat pahat hote. Satish Rajwadenni punha ekda Asambhav chya direction chi jababdaari swikarli. And to quote the Satish Rajwade himself: Mi asambhavcha avibhajya bhag aahe. He je Satish na ani aplyala mahit hota te producers na dekhil patla ani Asambhav chi rulavarun ghasarleli gaadi punha halu halu rulavar yeu lagli. Chaar mahinyat jyanni asambhav baghna sodlela ashya anekanni punha serial baghayala suruvat keli. Digdarshak: Satish Rajwade he pahun aplya sarvanna kay vatla he mala ithe lihaychi garaj nahi. Ani Priya ani Vikrant chi ti pahili bhet tar apan kadhich visaru shaknar nahi. Tyachveli fanclub che members suddha 10 divsat 100ni vaadhle!! Mumbai Times madhe ‘te’ article]
‘Saas-bahu’nchya malikanmadhun break milvun denari ‘asambhav’ hi malika prekshakan madhye khupach lokpriya aahe. Hya lokapriyatemagcha ek kaaran mhanje hya maliketil abhineta & digdarshak Satish Rajwade aani malikecha lekhak chinmay mandlekar. Pan production house barobar zalelya vaadanmule madhyantarach hya doghanchi hi gacchanti zali aani malikecha trp ghasarayla suruvaat zali.
Hya doghachyahi exit mule maliketil interest tar kami zalach, pan tyach barobar malika banda kara mhanun orad hi suru zali. Sarteshevti channel aani production housela prekshakanchi dakhal ghyavich lagli. Hya mule asambhav madhun anek diwas haravlela chehra insp. Vikrant Bhosle mhanjech Satish Rajwade diwalichya muhurtavar punha entry ghetoy. Ya babat tyala vicharlyavar “mi asambhavcha avibhajya bhag aahe. Madhlya kaalat kahi tantrik karnane mi malikebaher aslo tari malikeshi matra mi kaayamach nigadit aahe. Ya pudhe anek goshti ghadnaar asun tyatla natya prekshakanna khelvun thevel” asa Satish Rajwadenni Mumbai Times chi boltana sangitle.
Malika pakad ghet astanach tyachya achanak adrushya honyala anek artha lavle gele. Itkach navhe tar to digdarshan karat astana malikevar asleli pakad tyachya janyane dhili padlyachahi bolla jaat hota. Pan ya pudhe tyala parat yenya barobarach maliketil anek rahasymay ukalali jayla suruvaat honaar aahe.
[Finally ti baatmi ali jyachi sarvach jan khup vaat pahat hote. Satish Rajwadenni punha ekda Asambhav chya direction chi jababdaari swikarli. And to quote the Satish Rajwade himself: Mi asambhavcha avibhajya bhag aahe. He je Satish na ani aplyala mahit hota te producers na dekhil patla ani Asambhav chi rulavarun ghasarleli gaadi punha halu halu rulavar yeu lagli. Chaar mahinyat jyanni asambhav baghna sodlela ashya anekanni punha serial baghayala suruvat keli. Digdarshak: Satish Rajwade he pahun aplya sarvanna kay vatla he mala ithe lihaychi garaj nahi. Ani Priya ani Vikrant chi ti pahili bhet tar apan kadhich visaru shaknar nahi. Tyachveli fanclub che members suddha 10 divsat 100ni vaadhle!! Mumbai Times madhe ‘te’ article]
'ASAMBHAV’ punha Satish Rajwadenkade [SAKAL] 19th Sept 2008
Natyapurna ghadamodi:vikrant bhoslenche punaragman
zee marathi varil asambhav ya malikeche bhavitavya kitpat sambhav aahe,ashi charcha T.V industryit chalu astanach aata natyapurna ghadamodi ya maliket ghadnar aahet.yapurvi ya maliketun baher gelele lekhak chinmay mandlekar punha paratla ahe.tyachyapathopat aata digdarshak satish rajwadedekhil punha hi malika take over karnar ahe;shivay vikrant bhoslechi bhumikahi to sakarnar ahe.
‘atharva communication’ya bannerkhali pallavi joshi yani ‘asambhav’ hi malika anli.punarjanmavar adharit asleli hi malika sadhya janmansat changlich lokpriya tharli ahe;matra madhyantarichya kalat ya malikela vadache galbot lagle hote.digdarshak satish rajwade aani lekhak chinmay mandlekar yanni ya maliketun baher padne pasant kele hote. tyamule avadhoot kadam yanni ya malikechya digdarshanachi; tar ambar hadap yanni lekhanachi javabdari sambhalli hoti.tarihi aata hi malika aapla gasha lavkarach gundalnar, ashihi ek aavai uthli hoti.
abhimanchi bhumika sakarnara chinmayhi paratla aahe aani tyachyapathopat aata vikrant bhoslechi bhumika sakarnara satish rajwadedekhil paratnar aahe.abhinayabarobarach digdarshanachi sutre dekhil to hati ghenar ahe,yababat zee marathi che programming head nikhil sane mhanale,ki satish chitrapatat busy hota mhanun to ya malikepasun thode diwas dur rahila hota.aata tyachyashi aamchi charcha jhali ahe.to ya malikesathi vel denar ahe.
[Chaar mahine asambhav pasun satish rajwade door rahile. Ani hya chaar mahinyat hya lokpriya serial chi adhogati apan saglyanich baghitli. Hya kaalat anek rumours hotya, satish chya punaraagamanachya. Ani mhanunach kadachit Sakal madhe satish chya punaraagamanachi baatmi chapun ali asun suddha lokanni tyachyavar sahaj vishwaas thevla nahi. Te fakta vaat baghat hote ki Satish aplya chahtyanna swataha tyanich suru kelelya community var [ Asamabhav with Satish Rajwade] kalavtil. Sakal madhla to lekh]
zee marathi varil asambhav ya malikeche bhavitavya kitpat sambhav aahe,ashi charcha T.V industryit chalu astanach aata natyapurna ghadamodi ya maliket ghadnar aahet.yapurvi ya maliketun baher gelele lekhak chinmay mandlekar punha paratla ahe.tyachyapathopat aata digdarshak satish rajwadedekhil punha hi malika take over karnar ahe;shivay vikrant bhoslechi bhumikahi to sakarnar ahe.
‘atharva communication’ya bannerkhali pallavi joshi yani ‘asambhav’ hi malika anli.punarjanmavar adharit asleli hi malika sadhya janmansat changlich lokpriya tharli ahe;matra madhyantarichya kalat ya malikela vadache galbot lagle hote.digdarshak satish rajwade aani lekhak chinmay mandlekar yanni ya maliketun baher padne pasant kele hote. tyamule avadhoot kadam yanni ya malikechya digdarshanachi; tar ambar hadap yanni lekhanachi javabdari sambhalli hoti.tarihi aata hi malika aapla gasha lavkarach gundalnar, ashihi ek aavai uthli hoti.
abhimanchi bhumika sakarnara chinmayhi paratla aahe aani tyachyapathopat aata vikrant bhoslechi bhumika sakarnara satish rajwadedekhil paratnar aahe.abhinayabarobarach digdarshanachi sutre dekhil to hati ghenar ahe,yababat zee marathi che programming head nikhil sane mhanale,ki satish chitrapatat busy hota mhanun to ya malikepasun thode diwas dur rahila hota.aata tyachyashi aamchi charcha jhali ahe.to ya malikesathi vel denar ahe.
[Chaar mahine asambhav pasun satish rajwade door rahile. Ani hya chaar mahinyat hya lokpriya serial chi adhogati apan saglyanich baghitli. Hya kaalat anek rumours hotya, satish chya punaraagamanachya. Ani mhanunach kadachit Sakal madhe satish chya punaraagamanachi baatmi chapun ali asun suddha lokanni tyachyavar sahaj vishwaas thevla nahi. Te fakta vaat baghat hote ki Satish aplya chahtyanna swataha tyanich suru kelelya community var [ Asamabhav with Satish Rajwade] kalavtil. Sakal madhla to lekh]
A Blog: 14th Aug 2008
Director Satish Rajwade’s sudden exit from the popular Marathi TV serial “Asambhav” has deprived a good story of its great story teller. Sudhir Raikar spoke to the unassuming talent whose innovative style statement in editing and direction marks a new chapter in Marathi entertainment.
At 34, Satish Rajwade wears the reassuring smile of a seasoned professional. He’s unassuming to the core, unfazed by success and controversies but ask him about his trade and the conviction comes alive in his gleaming eyes. “I love my work. Whatever little I have achieved till date has been the result of my unflinching devotion to my work. Nothing else matters”
Rajwade’s arrival in the entertainment industry seemed destined in an unlikely way, ever since he participated in an acting workshop in suburban Ville Parle as a kid of 12. School and college years were replete with awards and mementos that recognized his acting skills.
“I joined the commerce stream of Mithibai College only for its conducive theatre environment. Thanks to my passion, I acted in over 158 one-act plays in English, Hindi, Marathi and Gujarathi” He reveals.
His first tryst with success came in the form of the Marathi play “All the best” where his co-artiste was class mate Shreyas Talpade, long before the latter stuck gold in tinsel town. “It was director Mahesh Manjrekar, my mentor and well wisher, who was instrumental in offering me the Hindi version of “All the best”. The Marathi version followed, for a good 890 shows.”
During one of these shows, Rajwade won the attention of director Govind Nihalani’s crew. Before he knew, he bagged a role in Nihalani’s offbeat film “Sanshodhan” alongside the likes of Manoj Vajpayee. This was followed by two-bit roles in “Hazaar Chourasi ki Maa” and Manjrekar’s “Vastaav” and “Nidaan”. The association with Nihalani introduced Rajwade to the world of film editing and he found his purpose, waiting for him at the cross roads.
“I suddenly realized this is where the actual film happens. The sheer thrill ignited my passion and I began learning the ropes, assisting Nihalani as a trainee editor sans stipend and conveyance”
This marked the second innings of Rajwade – as a director. His debut happened through a music album “Na Jaane Kyun” starring model Samir Dharmadhikari. The album was well received and the producers, happy with the unexpected success, urged Rajwade to direct a Hindi film.
“I suggested a cost effective route in the form of a Marathi film – such that if it bombed, the loss, like the profit, would be lower. This argument got the buy-in and work on “Mrigjal” began.” But the cakewalk ended there.
Rajwade never realized “Mrigjal” could be such a litmus test of his tenacity. At the eleventh hour, he found his prospective screen play writers shying away. “In the heat of the moment, I wrote the story myself. If this was not enough, my cameraman did a vanishing act – I had to pull my personal contacts to rope in Suhas Gujarathi at the last minute”
Even as Rajwade took things in his stride with bated breath, “Mrigjal” bagged 23 awards including story, screenplay and cinematography – all products of accidental afterthought. This was the first grand proof of Rajwade’s genius.
“Mrigjal” won critical acclaim for Rajwade but the offers that followed were not heartening. They came either from fly-by-night operators trying to make hay or from one-time directors looking to utilize government grants, employing shoe-string budgets only to fill their pockets. Rajwade chose to stay away, at the cost of being without work for a substantial time. “It was my family that saw me through these difficult times. I owe my success to them”
Zee TV played his savior too, offering him serials like “Duniyadari” and “Oon Pawus”. Then “Asambhav” happened. And the rest is history.
Rarely has any Marathi serial won worldwide attention for the quality of its production. It was Rajwade’s astute direction and debutant Chinmay Mandlekar’s dialogues that has made “Asambhav” such a huge hit, even among non-maharashtrian households. For an audience nauseating in the overdose of mindless melodrama, “Asambhav” proved a breather. In a record achievement, it bagged five awards at the 33rd Radio and Television Advertising Practitioners’ Association of India (RAPA) awards function. The serial won Rajwade celebrity fans including the veteran composer Pyarelal of Laxmikant-Pyarelal fame who called him to his residence to congratulate him.
The story deals with the controversial and tabooed theme of rebirth but thanks to Rajwade’s treatment, the story is an entertaining mix of tradition and innovation. On one hand, it upholds traditional values seeped in religious thought. On the other, it questions beliefs and dogmas. In exploring the abnormal, normal and the paranormal, all in the same breath, it does not make any exclusive claims to truth.
Rajwade intersperses a dark sinister look of a racy whodunit plot and a sober family drama with amazing flair and authority. The serial does lose its rhythm at times, led by a wayward storyline and some mediocre players, but few enduring performances – notably that of Sharvari Patankar (Priya), Sagar Talashilkar (Chandu), Kishore Kadam (Saranjame), Chinmay Mandlekar (Abhimaan), Rajwade himself (Inspector Bhonsale) and to some extent, Anand Abhyankar (Dinanath Shastri) - are of such high quality that they unknowingly raise the bar for Marathi television, otherwise known for its shallow production values.
In a recent development, Rajwade has chosen to part ways with the team, close on the heels of Mandlekar’s exit. He asserts his reasons are purely personal and do not stem from any hostile difference of opinion with the producers, as media reports blatantly conclude. Though emotional, he is not bitter in the aftermath of the separation.
“I have thoroughly enjoyed the “Asambhav” experience and I am indebted to Nikhil Sane of Zee Marathi for this wonderful opportunity. I also thank my well wishers and the audience from the world over who have appreciated my work” he acknowledges.
His admirers want him back as the captain of the “Asambhav” ship and they have formed fan clubs on social networking sites like Orkut, urging the producers to call back their “director” hero.
For Rajwade however, this exit, though painful, is not a full stop. He is busy on some interesting projects and chooses to look ahead. One of his much-talked about Hindi venture was “Akhand” – a story set in pre-independent India that was to cast super star Akshay Kumar in a negative role, besides Abhishek Bachchan and Suneil Shetty in pivotal roles. “Unfortunately, the project had to be shelved. But the subject being so close to my heart, I hope to revive it soon. I keep my fingers crossed”
“Akhand” or no “Akhand”, “Asambhav” or no “Asambhav”, Satish Rajwade has arrived. A director by choice, he has no qualms about sacrificing the fine actor in him. In the process, he brings with him such finesse which would make the stalwarts proud.
[A blog entry by Sudhir Raikar wherein we again find a mention of the fact that Satish Rajwade’s absence is as much felt as his presence[in asambhav] was appreciated.
A BLOG: [http://www.coastaldelights.blogspot.com/ ] ]
At 34, Satish Rajwade wears the reassuring smile of a seasoned professional. He’s unassuming to the core, unfazed by success and controversies but ask him about his trade and the conviction comes alive in his gleaming eyes. “I love my work. Whatever little I have achieved till date has been the result of my unflinching devotion to my work. Nothing else matters”
Rajwade’s arrival in the entertainment industry seemed destined in an unlikely way, ever since he participated in an acting workshop in suburban Ville Parle as a kid of 12. School and college years were replete with awards and mementos that recognized his acting skills.
“I joined the commerce stream of Mithibai College only for its conducive theatre environment. Thanks to my passion, I acted in over 158 one-act plays in English, Hindi, Marathi and Gujarathi” He reveals.
His first tryst with success came in the form of the Marathi play “All the best” where his co-artiste was class mate Shreyas Talpade, long before the latter stuck gold in tinsel town. “It was director Mahesh Manjrekar, my mentor and well wisher, who was instrumental in offering me the Hindi version of “All the best”. The Marathi version followed, for a good 890 shows.”
During one of these shows, Rajwade won the attention of director Govind Nihalani’s crew. Before he knew, he bagged a role in Nihalani’s offbeat film “Sanshodhan” alongside the likes of Manoj Vajpayee. This was followed by two-bit roles in “Hazaar Chourasi ki Maa” and Manjrekar’s “Vastaav” and “Nidaan”. The association with Nihalani introduced Rajwade to the world of film editing and he found his purpose, waiting for him at the cross roads.
“I suddenly realized this is where the actual film happens. The sheer thrill ignited my passion and I began learning the ropes, assisting Nihalani as a trainee editor sans stipend and conveyance”
This marked the second innings of Rajwade – as a director. His debut happened through a music album “Na Jaane Kyun” starring model Samir Dharmadhikari. The album was well received and the producers, happy with the unexpected success, urged Rajwade to direct a Hindi film.
“I suggested a cost effective route in the form of a Marathi film – such that if it bombed, the loss, like the profit, would be lower. This argument got the buy-in and work on “Mrigjal” began.” But the cakewalk ended there.
Rajwade never realized “Mrigjal” could be such a litmus test of his tenacity. At the eleventh hour, he found his prospective screen play writers shying away. “In the heat of the moment, I wrote the story myself. If this was not enough, my cameraman did a vanishing act – I had to pull my personal contacts to rope in Suhas Gujarathi at the last minute”
Even as Rajwade took things in his stride with bated breath, “Mrigjal” bagged 23 awards including story, screenplay and cinematography – all products of accidental afterthought. This was the first grand proof of Rajwade’s genius.
“Mrigjal” won critical acclaim for Rajwade but the offers that followed were not heartening. They came either from fly-by-night operators trying to make hay or from one-time directors looking to utilize government grants, employing shoe-string budgets only to fill their pockets. Rajwade chose to stay away, at the cost of being without work for a substantial time. “It was my family that saw me through these difficult times. I owe my success to them”
Zee TV played his savior too, offering him serials like “Duniyadari” and “Oon Pawus”. Then “Asambhav” happened. And the rest is history.
Rarely has any Marathi serial won worldwide attention for the quality of its production. It was Rajwade’s astute direction and debutant Chinmay Mandlekar’s dialogues that has made “Asambhav” such a huge hit, even among non-maharashtrian households. For an audience nauseating in the overdose of mindless melodrama, “Asambhav” proved a breather. In a record achievement, it bagged five awards at the 33rd Radio and Television Advertising Practitioners’ Association of India (RAPA) awards function. The serial won Rajwade celebrity fans including the veteran composer Pyarelal of Laxmikant-Pyarelal fame who called him to his residence to congratulate him.
The story deals with the controversial and tabooed theme of rebirth but thanks to Rajwade’s treatment, the story is an entertaining mix of tradition and innovation. On one hand, it upholds traditional values seeped in religious thought. On the other, it questions beliefs and dogmas. In exploring the abnormal, normal and the paranormal, all in the same breath, it does not make any exclusive claims to truth.
Rajwade intersperses a dark sinister look of a racy whodunit plot and a sober family drama with amazing flair and authority. The serial does lose its rhythm at times, led by a wayward storyline and some mediocre players, but few enduring performances – notably that of Sharvari Patankar (Priya), Sagar Talashilkar (Chandu), Kishore Kadam (Saranjame), Chinmay Mandlekar (Abhimaan), Rajwade himself (Inspector Bhonsale) and to some extent, Anand Abhyankar (Dinanath Shastri) - are of such high quality that they unknowingly raise the bar for Marathi television, otherwise known for its shallow production values.
In a recent development, Rajwade has chosen to part ways with the team, close on the heels of Mandlekar’s exit. He asserts his reasons are purely personal and do not stem from any hostile difference of opinion with the producers, as media reports blatantly conclude. Though emotional, he is not bitter in the aftermath of the separation.
“I have thoroughly enjoyed the “Asambhav” experience and I am indebted to Nikhil Sane of Zee Marathi for this wonderful opportunity. I also thank my well wishers and the audience from the world over who have appreciated my work” he acknowledges.
His admirers want him back as the captain of the “Asambhav” ship and they have formed fan clubs on social networking sites like Orkut, urging the producers to call back their “director” hero.
For Rajwade however, this exit, though painful, is not a full stop. He is busy on some interesting projects and chooses to look ahead. One of his much-talked about Hindi venture was “Akhand” – a story set in pre-independent India that was to cast super star Akshay Kumar in a negative role, besides Abhishek Bachchan and Suneil Shetty in pivotal roles. “Unfortunately, the project had to be shelved. But the subject being so close to my heart, I hope to revive it soon. I keep my fingers crossed”
“Akhand” or no “Akhand”, “Asambhav” or no “Asambhav”, Satish Rajwade has arrived. A director by choice, he has no qualms about sacrificing the fine actor in him. In the process, he brings with him such finesse which would make the stalwarts proud.
[A blog entry by Sudhir Raikar wherein we again find a mention of the fact that Satish Rajwade’s absence is as much felt as his presence[in asambhav] was appreciated.
A BLOG: [http://www.coastaldelights.blogspot.co
'अभिमान', 'विक्रांत' गेले तरी कुठे? 29/06/08 ma.ta
गेली दोन वर्षं दररोज न चुकता साडेआठ वाजता टीव्हीवर 'असंभव' मालिका लावून बसणाऱ्या मराठी प्रेक्षकांना गेले दोन आठवडे 'अभिमान सरंजामे' आणि 'इन्स्पेक्टर विक्रांत भोसले' यांचे दर्शनच झाले नाही. ही कॅरॅक्टर्स गेली कुठे, याबाबत प्रेक्षकांच्या मनात शंकेची पाल चुकचुकली असतानाच 'अभिमान' चिन्मय मांडलेकर यांनी पटकथा, संवादलेखक म्हणून तर 'विक्रांत' सतीश राजवाडे यांनी दिग्दर्शक म्हणून 'असंभव'मधून अंग काढून घेतल्याचे खात्रीशीररित्या समजले आहे. त्यामुळे, या गूढ मालिकेचे गूढ अजून वाढले आहे.
लोकप्रियतेच्या शिखरावर असणारी 'असंभव' दोन महिन्यांत संपणार, अशी बातमी 'मुंबई टाइम्स'ने दिली होती. तेव्हा 'झी मराठी'ने याचा इन्कार केला होता. मालिका महत्त्वाच्या वळणावर आली असताना अभिमान आणि विक्रांत गायब झाले आहेत. हा कथेचाच भाग असेल, असे वाटत असेल, तर मालिकेची श्रेयनामावली पाहा. लेखक चिन्मय मांडलेकर आणि दिग्दर्शक सतीश राजवाडे यांची नावे दोन दिवसांपासून तिथूनही गायब आहेत. या दोघांनी महिन्याभरापूवीर्च ही मालिका सोडली असल्याची कबुली दिलीय.
'निर्मात्यांशी काही गोष्टीत मतभेद झाल्यामुळे आम्ही दोघांनी मालिका सोडण्याचा निर्णय घेतला',असे स्पष्टीकरण चिन्मयने दिले. मात्र निर्माती पल्लवी जोशी यांनी याचा इन्कार केला. 'ही मालिका आहे. एकच दिग्दर्शक शेवटपर्यंत राहण्याची गरज नाही. प्रत्येक मालिकेचे टेक्निशियन, कॉस्चुम डिझायनरही बदलत असतात. तेव्हा हा काही मोठा बदल नाही आणि आमच्यात काही वाद झालेले नाहीत,' असं त्या म्हणाल्या. 'निर्माती आणि आम्ही काम करण्यासाठी एक कालावधी ठरवला होता. तो संपला. काही गोष्टींवर चर्चा केली. काही गोष्टी व्यवस्थित होऊ शकत नाहीत, असं लक्षात आलं आणि आम्ही मालिकेतून बाहेर पडलो. पण आमच्यात कोणत्याही प्रकारचे भांडण झालेलं नाही', असं सतीशने सांगितलं. कुटुंबाची अतिरिक्त जबाबदारी हेही कारण त्याने दिलं.
गेली दोन वर्षांची यशस्वी टीम बदलण्याचं कारण विचारलं असता पल्लवी म्हणाल्या की कधी कधी चिन्मयचं स्क्रिप्ट तयार नसायचं, ते आम्ही इतरांकडून करून घ्यायचो. कधी सतीश डिरेक्ट करायचा नाही तर त्याचा असिस्टण्ट डिरेक्टर करायचा, असंही झालंय. अशा गोष्टी होतच असतात.' सतीशने मात्र 'मी ४०९ भाग एकटा उभा राहून पूर्ण केले आहेत. कधीच असिस्टण्ट डिरेक्टरवर जबाबदारी दिली नाही. एका वेळी मी एकच काम करतो. त्यामुळे दुसऱ्या कामासाठी गैरहजर राहण्याचा प्रश्ान्च येत नाही
[Satish Rajwadenni asambhav 1st July la sodli. Sodnyacha nemka karan kadhich samor ala nahi pan tyancha absence prekshkanna khup janavala. Ani eka mahinyat maharastra times ne toch prashna chapun anla jo anekanna padlela, amcha vikrant gela kuthe? Tyavelchya ma.ta. madhla he article.]
लोकप्रियतेच्या शिखरावर असणारी 'असंभव' दोन महिन्यांत संपणार, अशी बातमी 'मुंबई टाइम्स'ने दिली होती. तेव्हा 'झी मराठी'ने याचा इन्कार केला होता. मालिका महत्त्वाच्या वळणावर आली असताना अभिमान आणि विक्रांत गायब झाले आहेत. हा कथेचाच भाग असेल, असे वाटत असेल, तर मालिकेची श्रेयनामावली पाहा. लेखक चिन्मय मांडलेकर आणि दिग्दर्शक सतीश राजवाडे यांची नावे दोन दिवसांपासून तिथूनही गायब आहेत. या दोघांनी महिन्याभरापूवीर्च ही मालिका सोडली असल्याची कबुली दिलीय.
'निर्मात्यांशी काही गोष्टीत मतभेद झाल्यामुळे आम्ही दोघांनी मालिका सोडण्याचा निर्णय घेतला',असे स्पष्टीकरण चिन्मयने दिले. मात्र निर्माती पल्लवी जोशी यांनी याचा इन्कार केला. 'ही मालिका आहे. एकच दिग्दर्शक शेवटपर्यंत राहण्याची गरज नाही. प्रत्येक मालिकेचे टेक्निशियन, कॉस्चुम डिझायनरही बदलत असतात. तेव्हा हा काही मोठा बदल नाही आणि आमच्यात काही वाद झालेले नाहीत,' असं त्या म्हणाल्या. 'निर्माती आणि आम्ही काम करण्यासाठी एक कालावधी ठरवला होता. तो संपला. काही गोष्टींवर चर्चा केली. काही गोष्टी व्यवस्थित होऊ शकत नाहीत, असं लक्षात आलं आणि आम्ही मालिकेतून बाहेर पडलो. पण आमच्यात कोणत्याही प्रकारचे भांडण झालेलं नाही', असं सतीशने सांगितलं. कुटुंबाची अतिरिक्त जबाबदारी हेही कारण त्याने दिलं.
गेली दोन वर्षांची यशस्वी टीम बदलण्याचं कारण विचारलं असता पल्लवी म्हणाल्या की कधी कधी चिन्मयचं स्क्रिप्ट तयार नसायचं, ते आम्ही इतरांकडून करून घ्यायचो. कधी सतीश डिरेक्ट करायचा नाही तर त्याचा असिस्टण्ट डिरेक्टर करायचा, असंही झालंय. अशा गोष्टी होतच असतात.' सतीशने मात्र 'मी ४०९ भाग एकटा उभा राहून पूर्ण केले आहेत. कधीच असिस्टण्ट डिरेक्टरवर जबाबदारी दिली नाही. एका वेळी मी एकच काम करतो. त्यामुळे दुसऱ्या कामासाठी गैरहजर राहण्याचा प्रश्ान्च येत नाही
[Satish Rajwadenni asambhav 1st July la sodli. Sodnyacha nemka karan kadhich samor ala nahi pan tyancha absence prekshkanna khup janavala. Ani eka mahinyat maharastra times ne toch prashna chapun anla jo anekanna padlela, amcha vikrant gela kuthe? Tyavelchya ma.ta. madhla he article.]
Yashacha Sambhav Marga [MUMBAI TIMES]
Q: ...ani hya varshichi sarvotkrushtha malika ahe 'asambhav'..ashi ghoshana MA TA sanmaan madhe zali tyakhsani tuzya bhavana kay hotya?
A: to kshanach mazyasathi sonyacha hota. eka vegalya vishayavar adharit malika digdarshit karna khup avhanatmak kaam hota. Tyatach tharavik vishayanchya chalti madhe prayog karna mhanje dhadasach hota. Matra nirmatya mhanun pallavi joshi pathishi ubhya rahilya ani amhi karu pahat aslela ha vegla prayog yashaswi zala. Kharatar hya malikechi nirmiti mhanje kaathavarcha pravaas hota.karan ti andhashraddhekade zuku dyaychi navhti, punarjanmachi katha mandtana vastavacha bhaanahi balgaycha hota, bayo chya paatratach vulgarity astanahi sophistic panacha samatol sadhaycha hota. Tyamulech hyatil kontihi ek baab ayashaswi zali asti tar malikechya apayashacha dhoka hota. Pan tarihi mi ani mazya team ne ha pravas yashaswi karat malikechya paardyat yash taku shaklo.
Q: hya malikecha tula sarvotkrushta digdarshakacha puraskar milala tyavishayi...
A: amhi digdarshak mandali MA TA sanmanachi varshabhar aturtene vaat pahat asto. Ha sanmaan milavnyachya irshene jeev otun kaam karto. MA TA sanmaan ha malikechya tantrik vibhagasathi denyat yenara ekameva puraskar ahe. Tyamule hya puraskarala mazya ayushyat khup mahatvacha sthaan ahe.varshabhar kelelya pramanik prayatnanchi hi pawti ahe.
Q: tuzya abhinayachi jadan ghadan shaley jeevanapasun?
A: khara sangaycha tar mi shalet astana kadhich kontya natkat kaam kelela nahi. Pan khup mastikhor hoto, tyamule suttit nidan 2 taas tari shantata milavi, asa v4 karun aaine mala natyashibirat ghatla ani tithech mazya ayushyala kalatni milali. Mala rangamanchachi godi lagli.keval natkaat kaam karnyachi sandhi milel mhanun mi mithibai clg madhe pravesh ghenyacha attahaas kela. Mazya clg jeevanat mi 75 ekankika kelya. Hya kaalat ek abhineta mhanun yash milat hota.ashach eka ekankikechya veli mohan wagh ani mahesh manjrekar yanni maza kaam pahila ani mala all the best natkat kaam karnyachi sandhi dili. All the best chya marathi ani hindi natkanmadhe bhumika vathavli.hya natkaat bahiryachi bhumika karat 890 prayog kele. Tyanantar art film hya veglya dhaatanichya ani kalecha kas lagnarya chitrpatatun kaam kele. Pan tyaahi veli mala asa vataycha, ki nahi aplyala fakta abhineta vhaycha nahiye. Technical kaam karaycha hota. Tyamule mi tya margachya shodhat hoto.
Q: pan abhinayat yash milat astanahi tantrik bajucha akarshan ka?
A: abhineta mhanun kaam karat astana apan cameraman vhava asa vataycha. Mi mazi hi iccha govind ji nna [govind nihalani] bolun dakhavli. Te mhanale mag he ka karto ahes, ja, shik tantrik baabi. Pan asa mhantana mazyakade shik asa mhantle nahit. Shik, asa mhanun tyanni mala dyanachya vishal saagarat sodun dila. Pan tech yogya hota ani mhanunach mi maza marga shodhu shaklo. Ek varsha vegveglya studiot kaam kela. Tyanantar B.R chopranchya studiot binpagari kaam kela. Pan hyach kalat mala mazya career chya marga sapadla. Ekda achanak tithe mala ektyala kaam sambhalnyachi vel ali ani tyanantar maza atmavishwaas vadhatach gela.
Q: ‘Mrugjal’ hya tuzya pahilya chitrapatabaddal....
A: mi natya shibirat astana mala mrugjalchi theme line milali hoti. Tevhapasunach ti mazya dokyat pakki hoti. Pan mi navin aslyamule mazyasathi katha, patakatha lihayala koni tayar hoina. Tevha maza bhau mala mhanala, ki tuzya dokyat jar tula kay sangaychay te pakka ahe, tar tuch ka nahi swataha lihit? Tyachya bolnyane maza vishwaas vadhla ani mi mrugjalchi patakatha lihili. Ya chitrapatacha lekhan, digdarshan ani sankalan mi swatahach kela ani mazya hya pahilyach chitrapatala 23 puraskar milale. Tyanantar duniyadaari, reshimgathi, kinara, uunpaus hya malika kelya.
Q: asambhavvishayi.....
A: hya malikela khup kangore ahet. Tyamulech sarva bajuncha samatol sadhat hi malika ghadvaychi hoti. Punarjanmavar aslyamule tyavar faar kami lokancha vishwaas basnyaci shakyata. Tyat maliketil flash back ha mahatvacha bhaag. Tyamulech he sagla lokanchya gali utravaycha hota. He asa nastach asahi lokanna vatnarach. Tyamulech tyanchach pratinidhitva karnara ek patra amhi amchya serial madhe sahabhaagi kela. Maliket family drama ahe, thrill ahe ani tarihi malikecha samatol sadhata ala ahe. Yashivay anek kalakar saras hote. Ekach veli junya kalatil ani vartamanatil bhumika saadhnyachi kathanakachi garajhi kalakaranni apratim saakaar keli ani tyamulech malika yashaswi zali.
Q: tula attaparyanta milalele puraskar....
A: 2001 te 2005 hya kaalavadhit mala 35 puraskar milale. Manache samajle janare V. shantaram, MA TA sanmaan, zee gaurav, rajya sarkarcha puraskar milale ahet. Yash hi keval devachi krupa ahe. Ya barobarach mi yasacha shreya mi mehnat, jidda, kashtachi tayari ani mazya kutumbala dein.
Q: kamavyatirikta chanda konte; ani tu ya kshetrat yeun icchinarya tarunanna kay salla deshil?
A: salla denyaitka mi kharach motha nahi. Pan khup mehenat karaychi tayari karun ya. Engineer, doctor hona jevdha avghad ahe tevdhach hya kshetrat yashaswi hona hi. Tyamulech khup shikaychi tayari theva ani kamavar nishta asu dya. Kaamavyatirikta mala gaani aikayala avadtat. Hindi romantic songs cha mi fan ahe. Prachanda vachan karayala mala avadta agdi zapatlyasarkha.
Q: bhavishyache plans kay? Tula swatahchi konti olakh adhik avadte?
A: khup kahi tharavla nahi. Pan mala changla kaam karaycha ahe. Agdi selective pan khup changla. Attaparyanta mala mrugjal mule olkhat hote. Ata mrugjal ani asambhav mule olakhtat. Tyamulech bhavishayt mrugjal, asambhav ani...ashi olakh nirman karaychi ahe. Swatahla, gharchyanna abhimaan vatel, asa kaam karaycha. Digdarshak, abhineta hya olkhipeksha mala ek changla manus mhanun olkhava, ashi mazi iccha.
A: to kshanach mazyasathi sonyacha hota. eka vegalya vishayavar adharit malika digdarshit karna khup avhanatmak kaam hota. Tyatach tharavik vishayanchya chalti madhe prayog karna mhanje dhadasach hota. Matra nirmatya mhanun pallavi joshi pathishi ubhya rahilya ani amhi karu pahat aslela ha vegla prayog yashaswi zala. Kharatar hya malikechi nirmiti mhanje kaathavarcha pravaas hota.karan ti andhashraddhekade zuku dyaychi navhti, punarjanmachi katha mandtana vastavacha bhaanahi balgaycha hota, bayo chya paatratach vulgarity astanahi sophistic panacha samatol sadhaycha hota. Tyamulech hyatil kontihi ek baab ayashaswi zali asti tar malikechya apayashacha dhoka hota. Pan tarihi mi ani mazya team ne ha pravas yashaswi karat malikechya paardyat yash taku shaklo.
Q: hya malikecha tula sarvotkrushta digdarshakacha puraskar milala tyavishayi...
A: amhi digdarshak mandali MA TA sanmanachi varshabhar aturtene vaat pahat asto. Ha sanmaan milavnyachya irshene jeev otun kaam karto. MA TA sanmaan ha malikechya tantrik vibhagasathi denyat yenara ekameva puraskar ahe. Tyamule hya puraskarala mazya ayushyat khup mahatvacha sthaan ahe.varshabhar kelelya pramanik prayatnanchi hi pawti ahe.
Q: tuzya abhinayachi jadan ghadan shaley jeevanapasun?
A: khara sangaycha tar mi shalet astana kadhich kontya natkat kaam kelela nahi. Pan khup mastikhor hoto, tyamule suttit nidan 2 taas tari shantata milavi, asa v4 karun aaine mala natyashibirat ghatla ani tithech mazya ayushyala kalatni milali. Mala rangamanchachi godi lagli.keval natkaat kaam karnyachi sandhi milel mhanun mi mithibai clg madhe pravesh ghenyacha attahaas kela. Mazya clg jeevanat mi 75 ekankika kelya. Hya kaalat ek abhineta mhanun yash milat hota.ashach eka ekankikechya veli mohan wagh ani mahesh manjrekar yanni maza kaam pahila ani mala all the best natkat kaam karnyachi sandhi dili. All the best chya marathi ani hindi natkanmadhe bhumika vathavli.hya natkaat bahiryachi bhumika karat 890 prayog kele. Tyanantar art film hya veglya dhaatanichya ani kalecha kas lagnarya chitrpatatun kaam kele. Pan tyaahi veli mala asa vataycha, ki nahi aplyala fakta abhineta vhaycha nahiye. Technical kaam karaycha hota. Tyamule mi tya margachya shodhat hoto.
Q: pan abhinayat yash milat astanahi tantrik bajucha akarshan ka?
A: abhineta mhanun kaam karat astana apan cameraman vhava asa vataycha. Mi mazi hi iccha govind ji nna [govind nihalani] bolun dakhavli. Te mhanale mag he ka karto ahes, ja, shik tantrik baabi. Pan asa mhantana mazyakade shik asa mhantle nahit. Shik, asa mhanun tyanni mala dyanachya vishal saagarat sodun dila. Pan tech yogya hota ani mhanunach mi maza marga shodhu shaklo. Ek varsha vegveglya studiot kaam kela. Tyanantar B.R chopranchya studiot binpagari kaam kela. Pan hyach kalat mala mazya career chya marga sapadla. Ekda achanak tithe mala ektyala kaam sambhalnyachi vel ali ani tyanantar maza atmavishwaas vadhatach gela.
Q: ‘Mrugjal’ hya tuzya pahilya chitrapatabaddal....
A: mi natya shibirat astana mala mrugjalchi theme line milali hoti. Tevhapasunach ti mazya dokyat pakki hoti. Pan mi navin aslyamule mazyasathi katha, patakatha lihayala koni tayar hoina. Tevha maza bhau mala mhanala, ki tuzya dokyat jar tula kay sangaychay te pakka ahe, tar tuch ka nahi swataha lihit? Tyachya bolnyane maza vishwaas vadhla ani mi mrugjalchi patakatha lihili. Ya chitrapatacha lekhan, digdarshan ani sankalan mi swatahach kela ani mazya hya pahilyach chitrapatala 23 puraskar milale. Tyanantar duniyadaari, reshimgathi, kinara, uunpaus hya malika kelya.
Q: asambhavvishayi.....
A: hya malikela khup kangore ahet. Tyamulech sarva bajuncha samatol sadhat hi malika ghadvaychi hoti. Punarjanmavar aslyamule tyavar faar kami lokancha vishwaas basnyaci shakyata. Tyat maliketil flash back ha mahatvacha bhaag. Tyamulech he sagla lokanchya gali utravaycha hota. He asa nastach asahi lokanna vatnarach. Tyamulech tyanchach pratinidhitva karnara ek patra amhi amchya serial madhe sahabhaagi kela. Maliket family drama ahe, thrill ahe ani tarihi malikecha samatol sadhata ala ahe. Yashivay anek kalakar saras hote. Ekach veli junya kalatil ani vartamanatil bhumika saadhnyachi kathanakachi garajhi kalakaranni apratim saakaar keli ani tyamulech malika yashaswi zali.
Q: tula attaparyanta milalele puraskar....
A: 2001 te 2005 hya kaalavadhit mala 35 puraskar milale. Manache samajle janare V. shantaram, MA TA sanmaan, zee gaurav, rajya sarkarcha puraskar milale ahet. Yash hi keval devachi krupa ahe. Ya barobarach mi yasacha shreya mi mehnat, jidda, kashtachi tayari ani mazya kutumbala dein.
Q: kamavyatirikta chanda konte; ani tu ya kshetrat yeun icchinarya tarunanna kay salla deshil?
A: salla denyaitka mi kharach motha nahi. Pan khup mehenat karaychi tayari karun ya. Engineer, doctor hona jevdha avghad ahe tevdhach hya kshetrat yashaswi hona hi. Tyamulech khup shikaychi tayari theva ani kamavar nishta asu dya. Kaamavyatirikta mala gaani aikayala avadtat. Hindi romantic songs cha mi fan ahe. Prachanda vachan karayala mala avadta agdi zapatlyasarkha.
Q: bhavishyache plans kay? Tula swatahchi konti olakh adhik avadte?
A: khup kahi tharavla nahi. Pan mala changla kaam karaycha ahe. Agdi selective pan khup changla. Attaparyanta mala mrugjal mule olkhat hote. Ata mrugjal ani asambhav mule olakhtat. Tyamulech bhavishayt mrugjal, asambhav ani...ashi olakh nirman karaychi ahe. Swatahla, gharchyanna abhimaan vatel, asa kaam karaycha. Digdarshak, abhineta hya olkhipeksha mala ek changla manus mhanun olkhava, ashi mazi iccha.
ASAMBHAV CHYA DARJYAVAR SHIKKAMORTAB
(Mumbai Times)
yanda asambhav malikesathi sarvotkrushtha digdarshanacha MA TA sanmaan satish rajwade yanna milala. yaadhihi tyanna 2 velela 'MA TA sanmaan' chya puraskaracha maan milala ahe. 'murgjal' hya chitrapatasathi sarvotkrushtha sankalanacha, tar 'uunpaaus' malikesathi sanjay surkar saha 'sarvotkrushtha digdarshakacha' sanmaan tyanna labhala.
'MA TA' kadun kautuk hona hi kontyahi kalakarachya drushtine atyanta anandachi goshta aste. aplyala tisryanda ha puraskar labhlyamule vishesh ananda hot aslyache sangat satish rajwade yanni 'MA TA' sanmanacha veglepana sangitla. maharashtra times ha tantrik vibhagat puraskar denara ekameva ayojak ahe hyache aplyala vishesh aproop vatate. attaparyanta anek puraskar denyat yetat. matra padadyamaage kaam karnarya tantradyananche, sankalakanche, cinematographersche kautuk karnyat MA TA ne baaji marli ahe. he aplyasarkhya tantrik baaju sambhalnarya kalakarasathi atyanta mahatvachi goshta aslyache mat rajwade yanni vyakta kela. asambhav hi malika chakori baherchi asunahi tila prekshakancha uttam pratisaad labhla ahe. ata MA TA sanmaan labhlyamule ya malikechya darjyavar punha ekda shikkamortab zale ahe, asehi rajwade mhanale.
yanda asambhav malikesathi sarvotkrushtha digdarshanacha MA TA sanmaan satish rajwade yanna milala. yaadhihi tyanna 2 velela 'MA TA sanmaan' chya puraskaracha maan milala ahe. 'murgjal' hya chitrapatasathi sarvotkrushtha sankalanacha, tar 'uunpaaus' malikesathi sanjay surkar saha 'sarvotkrushtha digdarshakacha' sanmaan tyanna labhala.
'MA TA' kadun kautuk hona hi kontyahi kalakarachya drushtine atyanta anandachi goshta aste. aplyala tisryanda ha puraskar labhlyamule vishesh ananda hot aslyache sangat satish rajwade yanni 'MA TA' sanmanacha veglepana sangitla. maharashtra times ha tantrik vibhagat puraskar denara ekameva ayojak ahe hyache aplyala vishesh aproop vatate. attaparyanta anek puraskar denyat yetat. matra padadyamaage kaam karnarya tantradyananche, sankalakanche, cinematographersche kautuk karnyat MA TA ne baaji marli ahe. he aplyasarkhya tantrik baaju sambhalnarya kalakarasathi atyanta mahatvachi goshta aslyache mat rajwade yanni vyakta kela. asambhav hi malika chakori baherchi asunahi tila prekshakancha uttam pratisaad labhla ahe. ata MA TA sanmaan labhlyamule ya malikechya darjyavar punha ekda shikkamortab zale ahe, asehi rajwade mhanale.
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