प्रेक्षक आणि समीक्षक यांना जिंकून घेणारे ‘मृगजळ’, ‘एक डाव धोबी पछाड’सारखे चित्रपट आणि ‘असंभव’, ‘अग्निहोत्र’सारख्या मालिकांचा दिग्दर्शक सतीश राजवाडे याची वेगळी ओळख करून द्यायलाच नको. त्याच्या कामातील ताजेपणा, स्टाइल आणि डॅशिंग व्यक्तिमत्व यामुळे आजची अवघी तरुणाई सतीशची फॅन आहे. त्याने दिग्दर्शित केलेला ‘गैर’ हा बिग बजेट चित्रपट लवकरच रिलीज होत आहे. त्यानिमित्ताने सतीश सोबत केलेल्या या मनमोकळया गप्पा.
‘गैर’चं वैशिष्टय़ काय सांगशील?
आजचा विषय, तरुणाईला भावणारी स्टाइल, थ्रिल, अ‍ॅक्शन आणि संगीत हे ‘गैर’चे सगळ्यात मोठे वैशिष्टय़. ‘दिल चाहता हैं’ जशी हिंदीतील ‘कल्ट फिल्म’ ठरली, त्याचप्रमाणे ‘गैर’ ही मराठीतील ‘कल्ट फिल्म’ ठरेल असे मला वाटते. कारण त्यानुसारच या फिल्मचे स्टायलिंग केलेले आहे.
आपले मराठी हीरो हे हिंदी चित्रपटांत नोकर, विनोदी अभिनेते, फारफारतर हिरोचा मित्र अशा दुय्यम भूमिकांमध्येच का दिसतात? कोणाबद्दलही कुठल्याही प्रकारचा अनादर
अजिबातच मनात नाही. पण जास्त क्षमता असूनही आपण मागे का राहतो? आधी मुळात हीरो सारखे त्यांना प्रेझेन्ट केले जाते का? असे प्रश्न मला नेहमी सतावतात. ‘गैर’मधून मी हाच समज बदलण्याचा प्रयत्न करतोय. मराठीमध्ये ही एका नवीन ट्रेण्डची सुरुवात आहे, असे मला वाटते. कलाकारांचे कॉश्चुम्स, अगदी त्यांच्या शूजपासून ते गॉगल्सपर्यंत प्रत्येक गोष्ट खास स्टाइल्ड आहे आणि आज आपल्या फिल्म्सना अशा स्टाइलचीच सगळ्यात जास्त गरज आहे.
फिल्म करताना कुठल्या प्रेक्षकवर्गाला खास डोळ्यासमोर ठेवले होते का?
नाही. खास प्रेक्षकवर्ग असा डोळ्यासमोर नव्हता. पण नेहमीच्या मध्यमवयीन प्रेक्षकांसोबत तरुणवर्ग माझ्या फिल्मकडे कसा वळेल, याबाबत मी खूप विचार केला होता. मराठी चित्रपटांकडे उत्तम विषय, दर्जेदार अभिनय हे सगळे असूनही प्रेक्षकवर्ग केवळ ‘४० वर्षापुढे’ असा सीमित का राहतोय? काय आणि कुठे कमी पडत आहे, ज्यामुळे तरुण याकडे पाठ फिरवतात? याचे उत्तर आहे प्रेझेन्टेशन, स्टाइल, थ्रिल. हे दिसतच नाही. कौटुंबिक सिनेमा आणि थ्रिलर यात तरुण अर्थातच थ्रिलर पाहणे पसंत करतात. म्हणूनच उत्तम कथाविषय असलेला थ्रिलर सिनेमा बनविण्याचे मी निश्चित केले. मला खात्री आहे की जेव्हा हिंदी चित्रपटांसोबत मल्टिप्लेक्समध्ये ‘गैर’ प्रदर्शित होईल, तेव्हा मराठी सिनेमाकडे पाठ फिरवणारा तरुणवर्ग ‘गैर’चा लूक पाहून स्वत:हून हा चित्रपट पहायला जाईल.
या चित्रपटाला एक यंग लूक यावा किंवा तरुणांनी स्वत:ला चित्रपटातील भूमिकांशी रिलेट करावे यासाठी काही खास प्रयत्न केले आहेत का?
नक्कीच. प्रत्येकाचा एक वेगळ्या स्टाइलचा वॉर्डरोब आहे. ही फिल्म कॉलेज गोअर्ससाठीही आहे.त्यांना आकर्षित करणारी रंगसंगती, वातावरणातील ताजेपणा यांकडे विशेष लक्ष दिले आहे. संदीप कुलकर्णी, अंकुश चौधरी, अमृता खानविलकर, तेजस्विनी पंडित हे सर्वानाच आवडतील असे कलाकार आहेत. त्यामुळे ‘ग्लॅमर कोशन्ट’ आहेच. त्यांनी अप्रतिम काम केले आहे. ‘गैर’च्या निमित्ताने माझ्याकडे दर्जेदार अभिनय आणि ग्लॅमर असा योग जुळून आला आहे. त्यामुळे मला खात्री आहे की तरुणवर्गाला हा प्रयोग नक्की भावेल.
आपण लक्ष देऊन पाहिले तर आतापर्यंत मराठी चित्रपटांचा फोकस हा साहित्यमूल्य, नैतिकता, संस्कार असा राहिला आहे. एखादा संदेश देणारे चित्रपट आपल्याकडे बनतात. यात वाईट काहीच नाही. कमी पडतेय ती विषय मांडण्याची पद्धत. ती एकसुरी झाल्यामुळे तरुणवर्ग स्वत:ला त्यांच्याशी रिलेट करू शकत नाही आणि त्यामुळेच आवडीने मराठी चित्रपटही पाहात नाहीत. ‘गैर’ची निर्मिती करताना मी हे भान सतत ठेवले होते. त्यामुळेच तरुणांना तो ‘त्यांचा’ चित्रपट वाटेल.
बऱ्याचदा तरुण मुले स्टाइलवर भाळताना विषयाकडे दुर्लक्ष करतात. त्यांची ही आवड चुकीची आहे असे वाटते का?
नाही. कारण मुळात आजकालची मुले विषयाकडे लक्ष देत नाहीत, हेच मला मान्य नाही. ती अतिशय जागरूक आहेत. फक्त त्यांचे म्हणणे आहे की, ते आमच्यापर्यंत योग्य पद्धतीने पोहोचवा. ही मागणी अगदीच योग्य आहे. बदलत्या काळानुसार विषय मांडण्याची पद्धत बदललीच पाहिजे. साधे उदाहरण सांगतो. १५ वर्षापूर्वीची फियाट आपण आजही आवडीने का वापरत नाही? मारुती, एस्टीम, झेन, सँट्रो, पॅलिओ असा बदल घडलाच ना. चित्रपटांचेही तसेच आहे. नवीन तंत्र, नवीन स्टाइल बदलत्या पिढीनुसार जर बदलत नसतील, तर आजच्या पिढीला ते कसे बघावसे वाटेल? आधी काय धडून गेले आहे आणि पुढे काय घडू शकेल याची वर्तमानाशी सांगड घातली, तर नक्कीच तरुण पिढीही त्याला मस्त प्रतिसाद देईल.
‘गैर’ करताना एक दिग्दर्शक म्हणून सर्वाधिक चॅलेंजिंग तुला काय वाटले होते?
‘गैर’ हा एक क्राईम थ्रिलर आहे. प्रत्येक पात्र एकमेकांत गुंफले गेले आहे. ‘अ‍ॅक्शन’पेक्षा ‘रिअ‍ॅक्शन’वरती सगळा चित्रपट बांधलाय. क्राईम थ्रिलरच्या वेगवान हाताळणीमध्ये एकही क्षण प्रेक्षकांना सिनेमा थांबल्यासारखा वाटू नये, हे अतिशय आव्हानात्मक होते. तसेच या ‘टेक्श्चर’चा चित्रपट मराठीतही होऊ शकतो हे आपल्या प्रेक्षकांना पटवून देणे हे आव्हान ‘गैर’ करताना होत.
एकांकिका स्पर्धामध्ये तू परीक्षक होतास, तेव्हा नवीन तरुणांचे काम बधून कसे वाटले?
या तरुणांचे भविष्य उज्ज्वल आहे. फक्त थोडासा पेशन्स कमी पडतोय. या क्षेत्रात काही करुन दाखवायचे असेल, तर ‘पेशन्स इज द की’. एका राक्षीत काहीच मिळत नाही. पण ज्या कल्पना आणि अप्रतिम सादरीकरण दिसून येत आहे, त्यावरून ‘फ्युचर इज रिअली ब्राईट’ असे मी नक्कीच म्हणू शकतो. एकांकिकांचे दिग्दर्शक, अभिनेते पॉलिश्ड होत आहेत, व्यावसायिक दर्जाचे काम करीत आहेत आणि त्यांच्यासोबत काम करायला मिळते, याचा मला आनंद आहे.
‘गैर’चे रिलीज जवळ आले असताना नेमके काय वाटतय?
नेहमीप्रमाणेच प्रत्येक रिलीजच्या आधी असते तसेच.. या फिल्मसाठी माझ्या निर्मात्यांपासून ते तंत्रज्ञांपर्यंत आणि अभिनेत्यांपासून माझ्या संपूर्ण टीमपर्यंत प्रत्येकानेच जीव तोडून मेहनत केली आहे. खूप मनापासून, प्रश्नमाणिकपणे केलेला प्रयत्न आहे. त्यामुळे सर्वाना माझी विनंती आहे की गैर आवर्जून पहा. सिनेमा आवडला तर कौतुक करायला आणि नाही आवडला तर स्पष्ट तसे सांगायला संकोच करु नका.
Tuesday, October 27, 2009
Tuesday, October 20, 2009
त्यात गैर काय? Mumbai times 21st Oct 2009
एकानेच दोन सिनेम सादर केलेत. एक हिंदी दुसरा मराठी. दोन्ही एकाच दिवशी रिलीज होतायत. 'जेल'समोर उभं ठाकण्यात 'गैर' काय?
हिंदीतला कितीही बडा निर्माता असला, तरी रिलीजच्या वेळेस त्याचा भर स्पर्धा टाळण्यावरच असतो. पण 'गैर'चे आणि 'जेल'चे सादरकतेर् असलेल्या संजय घोडावत यांनी हे दोन्ही सिनेमे एकाच दिवशी रिलीज करण्याचं धाडस केलंय. दोन दगडांवर पाय ठेवण्याचा ही रिस्क त्यांनी दोन्ही सिनेमांवर विश्वास असल्यामुळे घेतलीय म्हणे.
मराठी 'गैर' आणि हिंदी 'जेल' हे दोन महत्त्वाकांक्षी सिनेमे ६ नोव्हेंबरला रिलीज होतायत. 'जेल' हा मधुर भांडारकरचा सिनेमा. त्यामुळे चचेर्त असणारच. त्यातल्या पण झळकण्यापूवीर्च 'गैर'चीही भरपूर चर्चा सुरू आहे. संजय घोडावत ग्रुपची या दोन्ही सिनेमात महत्वाची भूमिका आहे. पण स्पधेर्ची शक्यता लक्षात घेऊनही त्यांनी हे दोन्ही सिनेमे एकाच दिवशी रिलीज करण्याचा निर्णय घेतलाय.
निर्माते जी. प्रशांत याबद्दल बोलताना म्हणाले की गैरच्या निमिर्तीत संजय घोडावत यांच मोठं सहकार्य आम्हाला लाभलं. मराठी सिनेमाच्या इतिहासात चॉपर वापरण्याचा हा बहुधा पहिलाच प्रयत्न असावा. एक कोटीचा सिनेमा अशी जाहिरात करणे वेगळं आणि पडद्यावर तो खर्च दिसणं वेगळं. 'गैर' हा सिनेमा एका जाहिरातक्षेत्रातल्या एका बड्या हस्तीच्या भोवती फिरतो. त्याचं ऊंची आयुष्य दाखवण्यासाठी खर्च आलायय अॅड र्वल्डचा सम्राट होंडा सिटीतून फिरतोय असं दाखवता येईल. पण आजचा मराठी प्रेक्षक ते स्वीकारणार नाही. म्हणून आम्ही सिनेमात फेरारी, मसिर्डीज आणि लेक्सस वापरली. सिनेमाचं बरच शूट एका आलिशान फार्म हाऊसवर झालंय, असं प्रशांत यांनी सांगितलं. सिनेमात दिसलेलं चॉपर, महागड्या गाड्या आणि आलिशान फार्महाऊस सगळंच घोडावत यांच्या मालकीचं. पण हे सगळं मिळूनही सिनेमाचं बजेट दोन आणि माकेर्टिंग धरून तीन कोटींच्यावर गेलं.
'गैर' हा सस्पेन्स थ्रीलर आहे. सिनेमात एका कमशिर्अल कॉम्प्लेक्सच्या दुसऱ्या मजल्यावरून संदीप कुलकणीर् उडी मारतो असं दृश्य आहे. संदीपने डुप्लिकेटचा वापर न करता हे दृश्य दिलंय. कास्टिंग करतानाही आम्ही सर्वच कलाकारांची लूक टेस्ट घेतली. गाण्यांसाठीही कुणाल गांजावाला, हरिहरन असे कलाकार घेतले. सिनेमाच्या श्रीमंतीसाठी आम्ही घेतलेलं कष्ट पडद्यावर दिसतीलच, असं ते सांगतात. हा सिनेमा जेलसमोर रिलीज होणार आहे. याच आम्हाला अजिबातच टेन्शन नाही. मराठी सिनेमा दजेर्दार असला तर मराठी प्रेक्षक त्याला उचलून धरतो, असा अनुभव आहे, असा विश्वास ते व्यक्त करतात.
तीन देशात प्रीमिअर
मराठी सिनेमा खऱ्या अर्थाने ग्लोबल करण्यासाठी टोराण्टो, लंडन आणि दुबई या तीन शहरांमध्ये 'गैर'चा प्रीमिअर शो करण्याचा प्रयत्न सुरू असल्याची माहिती निर्मात्यांनी दिली. ते पुढे म्हणालंे, आम्ही आणखी एक अभिनव प्रयोग करतो आहोत. 'गैर'च्या शूटिंगमध्ये सामील असणाऱ्या ४२ कलाकारांचा एका वर्षाचा आम्ही अपघात आणि मेडिकल इन्शुरन्स करून घेतला होता. मराठी सिनेमाच्या इतिहासात हे पहिल्यांदाच घडलं होतं.
Source:- http://maharashtratimes.indiatimes.com/articleshow/5143441.cms
हिंदीतला कितीही बडा निर्माता असला, तरी रिलीजच्या वेळेस त्याचा भर स्पर्धा टाळण्यावरच असतो. पण 'गैर'चे आणि 'जेल'चे सादरकतेर् असलेल्या संजय घोडावत यांनी हे दोन्ही सिनेमे एकाच दिवशी रिलीज करण्याचं धाडस केलंय. दोन दगडांवर पाय ठेवण्याचा ही रिस्क त्यांनी दोन्ही सिनेमांवर विश्वास असल्यामुळे घेतलीय म्हणे.
मराठी 'गैर' आणि हिंदी 'जेल' हे दोन महत्त्वाकांक्षी सिनेमे ६ नोव्हेंबरला रिलीज होतायत. 'जेल' हा मधुर भांडारकरचा सिनेमा. त्यामुळे चचेर्त असणारच. त्यातल्या पण झळकण्यापूवीर्च 'गैर'चीही भरपूर चर्चा सुरू आहे. संजय घोडावत ग्रुपची या दोन्ही सिनेमात महत्वाची भूमिका आहे. पण स्पधेर्ची शक्यता लक्षात घेऊनही त्यांनी हे दोन्ही सिनेमे एकाच दिवशी रिलीज करण्याचा निर्णय घेतलाय.
निर्माते जी. प्रशांत याबद्दल बोलताना म्हणाले की गैरच्या निमिर्तीत संजय घोडावत यांच मोठं सहकार्य आम्हाला लाभलं. मराठी सिनेमाच्या इतिहासात चॉपर वापरण्याचा हा बहुधा पहिलाच प्रयत्न असावा. एक कोटीचा सिनेमा अशी जाहिरात करणे वेगळं आणि पडद्यावर तो खर्च दिसणं वेगळं. 'गैर' हा सिनेमा एका जाहिरातक्षेत्रातल्या एका बड्या हस्तीच्या भोवती फिरतो. त्याचं ऊंची आयुष्य दाखवण्यासाठी खर्च आलायय अॅड र्वल्डचा सम्राट होंडा सिटीतून फिरतोय असं दाखवता येईल. पण आजचा मराठी प्रेक्षक ते स्वीकारणार नाही. म्हणून आम्ही सिनेमात फेरारी, मसिर्डीज आणि लेक्सस वापरली. सिनेमाचं बरच शूट एका आलिशान फार्म हाऊसवर झालंय, असं प्रशांत यांनी सांगितलं. सिनेमात दिसलेलं चॉपर, महागड्या गाड्या आणि आलिशान फार्महाऊस सगळंच घोडावत यांच्या मालकीचं. पण हे सगळं मिळूनही सिनेमाचं बजेट दोन आणि माकेर्टिंग धरून तीन कोटींच्यावर गेलं.
'गैर' हा सस्पेन्स थ्रीलर आहे. सिनेमात एका कमशिर्अल कॉम्प्लेक्सच्या दुसऱ्या मजल्यावरून संदीप कुलकणीर् उडी मारतो असं दृश्य आहे. संदीपने डुप्लिकेटचा वापर न करता हे दृश्य दिलंय. कास्टिंग करतानाही आम्ही सर्वच कलाकारांची लूक टेस्ट घेतली. गाण्यांसाठीही कुणाल गांजावाला, हरिहरन असे कलाकार घेतले. सिनेमाच्या श्रीमंतीसाठी आम्ही घेतलेलं कष्ट पडद्यावर दिसतीलच, असं ते सांगतात. हा सिनेमा जेलसमोर रिलीज होणार आहे. याच आम्हाला अजिबातच टेन्शन नाही. मराठी सिनेमा दजेर्दार असला तर मराठी प्रेक्षक त्याला उचलून धरतो, असा अनुभव आहे, असा विश्वास ते व्यक्त करतात.
तीन देशात प्रीमिअर
मराठी सिनेमा खऱ्या अर्थाने ग्लोबल करण्यासाठी टोराण्टो, लंडन आणि दुबई या तीन शहरांमध्ये 'गैर'चा प्रीमिअर शो करण्याचा प्रयत्न सुरू असल्याची माहिती निर्मात्यांनी दिली. ते पुढे म्हणालंे, आम्ही आणखी एक अभिनव प्रयोग करतो आहोत. 'गैर'च्या शूटिंगमध्ये सामील असणाऱ्या ४२ कलाकारांचा एका वर्षाचा आम्ही अपघात आणि मेडिकल इन्शुरन्स करून घेतला होता. मराठी सिनेमाच्या इतिहासात हे पहिल्यांदाच घडलं होतं.
Source:- http://maharashtratimes.indiatimes.com/articleshow/5143441.cms
Action, Thriller 'Gaiir' planned to hit theater after Diwali.
Marathi cinema which is growing day by day with improved technology as Hindi Cinema is coming again with new thriller movie name "Gaiir". Movie is well equipped with modern technology and methodology for picturisation. Sanjay Godwat group under Kruti picture banner is creating this movie. Movie is produced by Santosh Navale and Hashmukh Hirani and G .Prashant and directed by Satish Rajwade.
Movie website is already launched for viewers. Website was launched by renowned director S. Ramanathan who has been director for hindi cinemas and created good movies
like "Bombay to Goa", "Sabse bada Rupaiya" and "Mahan". Sandeep Kulkarni , Ankush Chawdary and Amrita Khanwilkar are playing key acting roles in the movie. Tejaswini Pandit, Uday Tikekar, Vidhyadhar Joshi, Ela Bhate, Amita Kopkar, Mahesh Joshi and Sandeep Pathak are also part of the movie.
This movie is no where less than Hindi movie and having good action and thriller part which can attract audience attraction. The story is written by Parag Kulkarni and Shirish Rajwade while dialogue are written by Parag Kulkarni. Song are written by Shriran Godbole while music is given by Vishwajeet- Avinash.Movie is picturized by Suresh Deshmane and choreograph by Umesh Jadhav and Rajesh Bidhave, while Mahesh Salgaonkar is the art director.
This movie is planned to hit theater after Diwali. MMW wishes the whole team a very good luck.
Source: http://www.marathimovieworld.com/news/gair.php
Wednesday, October 14, 2009
मराठी चित्रपटात प्रथमच फेरारी! 23rd Sept 2009 [Loksatta; Mumbai Vruttanta]
यश चोप्रश्न किंवा करण जोहर बॅनरच्या चित्रपटांतील नायकाच्या उत्पन्नाचा स्रोत कळत नाही, पण त्याच्याकडे असलेला गाडय़ांचा ताफा मात्र डोळ्यात भरण्यासारखा असतो. हिंदी चित्रपटांमध्ये सर्रास दिसणारी श्रीमंती आणि ग्लॅमर मराठीत फारसे दिसून येत नाही. येथील नायक हा मध्यमवर्गीय किंवा गावाकडील असतो. श्रीमंतीचा बडेजाव दाखविणारी व्यक्तिरेखा मराठीत अभावानेच दिसते. ही चाकोरी मोडून काढणाऱ्या सतीश राजवाडे दिग्दर्शित ‘गैर’ या चित्रपटात ‘फेरारी’, ‘मर्सिडिज’, ‘जॅग्वार’, ‘लेक्सस’, ‘ऑडी’ या गाडय़ा पाहायला मिळणार आहेत. चित्रपटातील बिझनेस टायकूनची व्यक्तिरेखा साकारलेल्या संदीप कुलकर्णीची एन्ट्रीट ‘फेरारी’मधून झाली आहे.
‘फेरारी’ चालविण्याची संदीपची ही पहिलीच वेळ. त्यामुळे ‘फेरारी’ पहिल्यांदा चालवली तो दिवस संदीपला आजही स्पष्ट आठवतो. संदीप म्हणाला की, दिवसभराच्या चित्रीकरणानंतर संध्याकाळी मी फेरारी चालवितानाचे दृश्य चित्रीत होणार होते. मी संध्याकाळची आतुरतेने वाट पाहात होतो. प्रकाश कमी असल्यामुळे त्या दिवशी हे दृश्य चित्रीत होईल की नाही, असा प्रश्न निर्माण झाला होता. पण अखेर ते दृश्य ठरलेल्या वेळी चित्रीत झाले. ‘फेरारी’चा आवाज आणि वेग दोन्हीही वेड लावणारा आहे. दुसऱ्या गिअरलाच गाडीचा वेग इतका वाढतो की त्यापुढचा गिअर टाकायचा असेल तर मोठी धावपट्टीच हवी. मी ‘फेरारी’त असताना माझ्या सहकलाकारांना माझा हेवा वाटत होता, असेही तो मिश्किलपणे म्हणाला.
चित्रपटाचे दिग्दर्शक सतीश राजवाडे यांनी सांगितले की, या चित्रपटाचे बजेट साधारण दीड ते पावणे दोन कोटी रुपयांच्या आसपास आहे. कथानकाची गरज म्हणूनच या सर्व गाडय़ा चित्रपटात वापरण्यात आल्या आहेत. केवळ गाडय़ाच नव्हे तर प्रत्येक व्यक्तिरेखेच्या कपडय़ांपासून ते मोबाइल फोनच्या रिंगटोनपर्यंत प्रत्येक गोष्ट बारकाईने निश्चित करण्यात आली आहे. चित्रपटाचा ‘लूक’ श्रीमंतीचा असल्यामुळे कथानकासाठी या गाडय़ांची आवश्यकताही होती. या चित्रपटाचे प्रस्तुतकर्ते संजय घोडावत यांच्या ताफ्यात या सर्व गाडय़ा आहेत. निर्माते संतोष नवले, हसमुख हिरानी आणि जी. प्रशांत यांच्या सहकार्यामुळे कोणतीही तडजोड न करता चित्रपट पूर्ण करण्यात आला. राजवाडे यांनी सांगितले की, ‘मी शिवाजीराजे भोसले..’ किंवा ‘हरिश्चंद्राची फॅक्टरी’ इत्यादी चित्रपटांनी दाखवून दिले आहे की, योग्य प्रकारे पैसा वापरला गेला तर चित्रपटाला व्यावसायिक यशही मिळू शकते. त्यामुळे सध्या निर्मात्यांचा मराठी चित्रपटाकडे पाहण्याचा दृष्टिकोन बदलू लागला आहे. ‘गैर’ या चित्रपटात अमृता खानविलकर, तेजस्विनी पंडित, इला भाटे, उदय टीकेकर, अमिता खोपकर यांनी महत्त्वाच्या भूमिका साकारल्या आहेत. हा थरारपट नोव्हेंबर महिन्याच्या पहिल्या आठवडय़ात प्रदर्शित होणार आहे.
Source: http://www.loksatta.com/index.php?option=com_content&view=article&id=10002:2009-09-22-12-48-38&catid=41:2009-07-15-03-58-17&Itemid=81
‘फेरारी’ चालविण्याची संदीपची ही पहिलीच वेळ. त्यामुळे ‘फेरारी’ पहिल्यांदा चालवली तो दिवस संदीपला आजही स्पष्ट आठवतो. संदीप म्हणाला की, दिवसभराच्या चित्रीकरणानंतर संध्याकाळी मी फेरारी चालवितानाचे दृश्य चित्रीत होणार होते. मी संध्याकाळची आतुरतेने वाट पाहात होतो. प्रकाश कमी असल्यामुळे त्या दिवशी हे दृश्य चित्रीत होईल की नाही, असा प्रश्न निर्माण झाला होता. पण अखेर ते दृश्य ठरलेल्या वेळी चित्रीत झाले. ‘फेरारी’चा आवाज आणि वेग दोन्हीही वेड लावणारा आहे. दुसऱ्या गिअरलाच गाडीचा वेग इतका वाढतो की त्यापुढचा गिअर टाकायचा असेल तर मोठी धावपट्टीच हवी. मी ‘फेरारी’त असताना माझ्या सहकलाकारांना माझा हेवा वाटत होता, असेही तो मिश्किलपणे म्हणाला.
चित्रपटाचे दिग्दर्शक सतीश राजवाडे यांनी सांगितले की, या चित्रपटाचे बजेट साधारण दीड ते पावणे दोन कोटी रुपयांच्या आसपास आहे. कथानकाची गरज म्हणूनच या सर्व गाडय़ा चित्रपटात वापरण्यात आल्या आहेत. केवळ गाडय़ाच नव्हे तर प्रत्येक व्यक्तिरेखेच्या कपडय़ांपासून ते मोबाइल फोनच्या रिंगटोनपर्यंत प्रत्येक गोष्ट बारकाईने निश्चित करण्यात आली आहे. चित्रपटाचा ‘लूक’ श्रीमंतीचा असल्यामुळे कथानकासाठी या गाडय़ांची आवश्यकताही होती. या चित्रपटाचे प्रस्तुतकर्ते संजय घोडावत यांच्या ताफ्यात या सर्व गाडय़ा आहेत. निर्माते संतोष नवले, हसमुख हिरानी आणि जी. प्रशांत यांच्या सहकार्यामुळे कोणतीही तडजोड न करता चित्रपट पूर्ण करण्यात आला. राजवाडे यांनी सांगितले की, ‘मी शिवाजीराजे भोसले..’ किंवा ‘हरिश्चंद्राची फॅक्टरी’ इत्यादी चित्रपटांनी दाखवून दिले आहे की, योग्य प्रकारे पैसा वापरला गेला तर चित्रपटाला व्यावसायिक यशही मिळू शकते. त्यामुळे सध्या निर्मात्यांचा मराठी चित्रपटाकडे पाहण्याचा दृष्टिकोन बदलू लागला आहे. ‘गैर’ या चित्रपटात अमृता खानविलकर, तेजस्विनी पंडित, इला भाटे, उदय टीकेकर, अमिता खोपकर यांनी महत्त्वाच्या भूमिका साकारल्या आहेत. हा थरारपट नोव्हेंबर महिन्याच्या पहिल्या आठवडय़ात प्रदर्शित होणार आहे.
Source: http://www.loksatta.com/index.php?option=com_content&view=article&id=10002:2009-09-22-12-48-38&catid=41:2009-07-15-03-58-17&Itemid=81
Men who made the Muhurat of a Maharathi film memorable...
It is a time when even the most optimistic and the dwindling number of positive thinkers are talking about the growing gloom all around and darkness looming large all over the industry. Everyone is talking about how the global recession is having a damaging impact in every office, studio, corridor and even gully where cinema is a way of life. There are people seeing dark visions of D-day drawing closer. And there has been no talk about new films being launched. There were no parties to celebrate any kind of success because there was no sign of success being seen anywhere. Events like being invited to the “auspicious” launching of a film or a “muhurat” as it is called were slowly going out of fashion and the atmosphere was filled with an eerie feeling of insecurity. It was in this kind of ‘world’ that we were surprised to see a rare bright spark of light at Future Studios owned by the ambitious and dynamic woman of power, the woman of today and tomorrow, Mrs. Mona Kapoor to the “muhurat” of a film at last. It was not a Hindi film. It was a Marathi film called ‘Gaiir’. It was like the good old times when some of the celebrities from Hindi film walked in to grace the occasion. Their coming in gave many in the studio that the better times for Hindi films was coming back. But, no, the celebrities where guests walking in to wish a bright future for a Marathi film being made by a team of enthusiastic and energetic young men. Among the big names who were welcomed by the leader of the team were the famous three brothers in white, directors Abbas- Mustan and their brother Hussain Burmawala, the editor of all the films directed by his brothers A & M, writer- director Anees Bazmee, Ananth (Talent Unlimited) Narayan Mahadevan and above all the busy as busy can be big man of the business of entertainment, Shyam Shroff of Shringar Films and the pioneer of the multiplex movement in India.
The three brothers in white who have been names behind some of the most successful films during the last two decades traveled from the other end of the city and still were the first to reach in spite of the snarling traffic jam which is slowly becoming a sickening way of life in the city. They marveled at the huge set put up for a Marathi film. They were happy to know that the young director, Satish Rajwade who had earlier made a comedy was now directing a suspense thriller which is their favourite genre of film making. Mustan said a good film is a good film and language makes very little difference to the quality of a film. The brothers in white who had heard the one line of ‘Gaiir” were excited about the subject and said they would be waiting to see what shape the young director gave with. They were sure that they would make a good film and said they would be very happy if he made a better film than them.
The ‘muhurat’ shot was a brief affair but according to Prashant Ghaisas, one of the closest well wishers of the team making “Gaiir” it would be a muhurat shot of a Marathi film that would be remembered for long. Amrita Khanvilkar, one of the most promising artists of Marathi and Hindi films faced the camera for the first shot and what followed was as interesting and intense as a scene in a quality thriller. Ananth (talent unlimited) broke the ceremonial coconut, Shyam Shroff sounded the clapper board, Anees Bazmee switched on the camera and the brothers in white directed the shot and it was all over within moments and a memorable moment in Marathi films was canned.
Shyam Shroff, a veteran of several years sounded the clapper board wise because of some technical snag. But he later said something that thrilled the team of ‘Gaiir’. He said any film in which the clapper board was sounded twice during the “muhurat” had always been a major hit and he was confident history would be repeated with ‘Gaiir’ sending of wave of thrill among the members of the team. The director of the film, Satish Rajwade said it was a great day for him to have Abbas-Mustan directing the first shot of his first film as a thriller because he was a great admirer of the men in white since his college days.
The unit of “Gaiir” being made under the banner of Kruti Films went into action, shooting soon after the muhurat and hope to complete the film within three months at a thrilling pace. The film will have four songs and a background score to suit the mood of a thriller.
The film has a very ‘strong’ cast in Sandeep Kulkarni(of ‘Shwaas’ the first Marathi entry at the Oscars), playing a double role, Ankush Choudhary, Amrita Khanvilkar and Tejaswini Pandit in the key roles. Dialogue by Parag Kulkarni, lyrics by Shrirang Godbole, music by Avinash-Vinayak, and cinematography by Suresh Deshmane are the other credits. The film is a Sanjay Ghodavat Group Presentation. The one question the media and the guests wanted an answer to was how the unit managed to get so many celebrities from the world of Hindi films for the ‘muhurat’, of a Marathi film. The suspense stays on. Woh Kaun Tha? Yeh Sab Kaise Hua?
Source: http://www.supercinemaent.com/InterviewDetails.aspx?interviewId=67
The three brothers in white who have been names behind some of the most successful films during the last two decades traveled from the other end of the city and still were the first to reach in spite of the snarling traffic jam which is slowly becoming a sickening way of life in the city. They marveled at the huge set put up for a Marathi film. They were happy to know that the young director, Satish Rajwade who had earlier made a comedy was now directing a suspense thriller which is their favourite genre of film making. Mustan said a good film is a good film and language makes very little difference to the quality of a film. The brothers in white who had heard the one line of ‘Gaiir” were excited about the subject and said they would be waiting to see what shape the young director gave with. They were sure that they would make a good film and said they would be very happy if he made a better film than them.
The ‘muhurat’ shot was a brief affair but according to Prashant Ghaisas, one of the closest well wishers of the team making “Gaiir” it would be a muhurat shot of a Marathi film that would be remembered for long. Amrita Khanvilkar, one of the most promising artists of Marathi and Hindi films faced the camera for the first shot and what followed was as interesting and intense as a scene in a quality thriller. Ananth (talent unlimited) broke the ceremonial coconut, Shyam Shroff sounded the clapper board, Anees Bazmee switched on the camera and the brothers in white directed the shot and it was all over within moments and a memorable moment in Marathi films was canned.
Shyam Shroff, a veteran of several years sounded the clapper board wise because of some technical snag. But he later said something that thrilled the team of ‘Gaiir’. He said any film in which the clapper board was sounded twice during the “muhurat” had always been a major hit and he was confident history would be repeated with ‘Gaiir’ sending of wave of thrill among the members of the team. The director of the film, Satish Rajwade said it was a great day for him to have Abbas-Mustan directing the first shot of his first film as a thriller because he was a great admirer of the men in white since his college days.
The unit of “Gaiir” being made under the banner of Kruti Films went into action, shooting soon after the muhurat and hope to complete the film within three months at a thrilling pace. The film will have four songs and a background score to suit the mood of a thriller.
The film has a very ‘strong’ cast in Sandeep Kulkarni(of ‘Shwaas’ the first Marathi entry at the Oscars), playing a double role, Ankush Choudhary, Amrita Khanvilkar and Tejaswini Pandit in the key roles. Dialogue by Parag Kulkarni, lyrics by Shrirang Godbole, music by Avinash-Vinayak, and cinematography by Suresh Deshmane are the other credits. The film is a Sanjay Ghodavat Group Presentation. The one question the media and the guests wanted an answer to was how the unit managed to get so many celebrities from the world of Hindi films for the ‘muhurat’, of a Marathi film. The suspense stays on. Woh Kaun Tha? Yeh Sab Kaise Hua?
Source: http://www.supercinemaent.com/InterviewDetails.aspx?interviewId=67
Tuesday, April 7, 2009
GAIIR Sakal Premiere [April issue]
Hindi style ne janyat Gaiir kay?
Marathi chitrapat hindichya todis tod karaycha mhanje marathi chitrapatache production value(nirmitimulya) vadhle pahije."GAIIR" ne chakachak set,shrimanti kapdepat yavar kharcha kelay.shivay hindi stylemadhe muhurtahi par padlay. Goregaon purvela asleli kama industrial estate mhanje lokhanda ani polad yasambadhit vyavasayacha ek mahatvacha aagaar...ya parisarat paul thevla ki satat crusher,grinderche chitravichitra aawaj yet astat.ya saglya vatavarnat ek swatantra vaastu apla veglepan dakhavte.hi vastu mhanje Boney kapoor chi pahili patni Mona kapoor & tichi aai Satti Shauri yancha "Future studio". Atishay alishan ani veglya vatavarnat gheun janarya ya studio madhe hindi chitrapat,jahirati,hindi malika yancha chitrikaran hota...pan mi gele tevha chakka ithe "Gaiir" ya marathi chitrapatane apla tal thokla hota.
Setvar pochtach pahilyanda bhetla to digdarshak Satish Rajwade."Mrugajal","Asambhav" sarkhe thrilling element aslele chitrapat,malika digdarshit kelyavar madhyantari satish ne "Ek Daav Dhobipachad" ha vinodi chitrapat digdarshit kela.To yashaswihi zala.ata punha satish tyachi hatoti aslelya thriller kade valla ahe.Yabaddal vicharla asta to mhanala,"Ho,ata mi mazya home pitch var ahe. Ek dav baddal mala jevha Ashokmamani vicharla,tevha malahi ashcharya vatla hota. Pan tyancha mazyavar vishvas hota ani malahi te ek aavhan vatlela. Situational comedy ha prakar tyanimittane karayla milala. Mazya prayatnala prekshakani changla pratisad dila."Gaiir" dware ata mi ek suspense thriller kartoy. Ha Abbas-Mastan type ek thriller ahe. Ya chitrapatavar amhi gele varshabhar mehnat ghetoy. Purvatayri keli ahe. Pratyek charactercha vichar karunach amhi tyacha look design kela ahe. Tycha vagna, bolna, disna, baghna ani mahatvacha mhanje tyacha pehrav ya sarycha abhyas kela ahe.
Satish barobar bolat astana unit madhla ek mulga"look test" che photo gheun ala. Te pahtana lakshat ala ki costumevar barach kharcha kelay. Tasa pahila tar sampurna chitrapatach kharchik prakaran vatla. Yabaddal Satish la chedla asta tyanech mala pratiprashna kela, 'ata marathi chitrapat jatretlya theatre madhun multiplex madhe pochlay....marathi chitrapat pahayla prekshak Rs.150-200 eka ticket var kharcha karto. Mag apanahi thode jasta paise kharcha kele tar kay chuk ahe?' Satish cha ha prashna mala patla; pan asa vichar karnare kiti nirmate,digdarshak ahet? Ardhyahun adhik tar keval sarkari anudan padrat padun ghenyachya khatpatit astat.
Satish Rajwadechi swatachi ashi style aahe. Tirpya frames (jyala chitrapatachya bhashet rashiyan angle & french angle mhantat), contrast lighting ani kathanakavar asleli pakad tyachya pratyek kamatun disun yete. Mag te digdarshan aso va abhinay.
Satish barobar samvad suru astanach abhinetri Amruta Khanvilkar tethe pochli. Satish hi mag Amruta-Sandeep cha scene shoot karnyasathi gela.
Ya chitrapatachi ek jamechi baju mhanje prathityash rangabhushakar Atul Shidhaye. Atuldada na "Gaiir" madhil kalakaranchya makeup & look baddal vicharla asta te mhanale"amhi adhi patakathecha abhyas kela. Digdarshakachya dokyat kay ahe te pratham janun ghetla. Vyaktirekhanusar makeup cha vichar kela. Itar chitrapatansarkha direct set var makeup na tharavta amhi ek workshop ghetla. Kalakaranchi "look test" karun photoshoot kela. Sandeep Kulkarni khupach gora aslyane tyala thoda "tan look"(raplela) dilay. Tyachya charactercha aslela gudh valay lakshat gheta tyala nilsar lenses dile. Ankushchya chehryavarcha kaplela vran highlight kela. Amruta la glossy tar Tejaswinni la matt finish cha makeup kela. Jenekarun chehra baghtach tyanche character adhorekhit hoil.
Ya chitrapatatli padyamagchi ankhi ek mahatvachi vyakti mhanje"costume designer" Neha. Nehane aajvar "Partner", Nupur saha "Sanai chaughade","Jogva", "Oxygen-Shwas gudmartoy" asha chitrapatansathi costume designer mhanun kam kela ahe. Hya chitrapatasathi tyannihi khup mehnat ghetli ahe. Satish barobar basun tyanni pratyek character cha graph lakshat gheun costume tayar kele ahet. Tyabaddal boltana Neha mhanali Sandeepji hyat "larger than life" type role kartayat. Eka dhanadhya udyojakala shobhel ase shirts, waist coats, mufflers deun amhi tyachi personality highlight keli ahe. Amruta ani Tejaswini doghihi glamourous aslya tari Amruta photographer barobarach ek housewife sudhha ahe. Tichyasathi "Flying Skirts", saadya sagla try kelay,tar Tejaswini la ekdam coporate look dilay.
Amcha bolna suru astanach Amita Khopkar setvar alya. Tya yetach set varcha vatavaran ekdam halkafulka zala. "Zee Marathi puraskar sohlyat chan nachlis ho" mhanat tyani amrutachi stuti keli. Tar pudhchya veles malahi dance karaycha ahe asahi tya mhanalya. Nantar Amitatai makeup sathi palalya. Tevdhyat samorun Sandeep Kulkarni yetana disla."Dombivli fast", "Shwas" sarkhya chitrapatatun dislela sandeep ani mazyasamor disnara sandeep hyat jameen-aasmanacha farak disat hota. Khurti daadhi, track pant, T-Shirt asha veshat to khupach "cool" disat hota. Sahjikach mi pahilyanda "look" baddal vicharla. Hasat hasat to mhanala "malahi suruvatila swatala baghun khup ashcharya vatla. Apan itke stylish vatu shakto asa kadhi vatlach nahi. Ha sagla makeup karayla mala Amrutapekshahi jasta vel lagtoy; pan I am enjoying it. Karan shoot suru vhaychya javal javal ek varsha adhipasun purna team mehnat ghetye. Pratyekala aapla kaam neet maahit aslyane aytyaveli character vishayi kahi gondhal hot nahi."
Tyahchya character vishayi vichartach Sandeep mhanala "khup interesting character ahe" hyat mi Sameer navachya ek mahatvakankshi businessman chi bhumika kartoy. Tyala lahan vayatach khup paisa, prasidhhi milte. Lagnahi hota. Sagla suralit suru astana achanak tyachyasarkhach disnara ek manus disayla lagto. Pahilyanda tyacha hyavar vishvas nasto. Pan jevha to Sameer chya bayko paryant pochto, tevha tyala tyacha gambhirya kalta ani tyachya ayushyat vadal yeta. Yatlya bhumikela grey, black ashya baryach shades ahet. Sandeep tyachya bhoomikevishayi bharbharun bolat hota tevdhyatach Satishne tyala shot sathi bolavla.
Amruta ani sandeep che chitrikaran suru hote toparyant amhi set var ferfatka marla. Unit chya lokaanbarobar bhaji pav khalla. Kahi velane cameraman Sanjay Jadhav,"Vadalvat" fame Mandar Devasthali setvar Satish la bhetayla ale. Satish tyanchyashi bolnyat busy aslyane Amrutala gappa marayla thoda vel milala. Zee chya cine star ki khoj ya pahilya reality showmadhun alelya amrutane ajvar "Mumbai Salsa" , "Contract", "Phoonk", "Golmal" asha anek Hindi-Marathi chitrapatanmadhe kam kela ahe. "Gaiir" madhlya bhumikevishayi ti mhante"-Hi ek photographer ahe. 21st century madhli. Sameer Shroff ya motthya udyogpatishi ticha lagna hota. Lagnananter kahi diwas majet gelyavar achanak kahi ashya ghatana ghadtat ki tyamule ti ekdam hadrun jate". Marathi nayikanmadhe abhavanech adhalnara uttam dressing sense & nrutyanipunata he gun Amrutamadhe ahet. Gaiir madhe tila he gun dakhvayla kiti scope ahe he vicharla asta ti mhanali: Glamourous role tar ha ahech.Designer Nehasobat basun mi maze costume nakki kele ahet. Dance mhanshil tar ek sensual dance ahe maza; pan tyat fast dance cha scope nahi milala." Amrutacha bolna sampta na sampta toparyant satish ne shot sathi tila bolavla.
Marathi chitrapat Hindichya todis tod karaycha mhanje production value vadhle pahije."Gaiir" ne chakchak set, shrimanti kapdepat yavar kharch kelay. Shivay Hindi style madhe muhurtahi par padlay. Comedy or radu chitrapatancha chavun chotha zalela vishay, balish digdarshan & college chap abhinetyanchya makadcheshta mhanje adhunik marathi chitarapat ha vichar sadhya marathi industrit ruju pahtoy."Gaiir" chitrapat ya vicharsarni la gaiirlagu karto ka, he tyachya agamananantarach kalel.
Thursday, March 5, 2009
AAI-VADIL PUNHA MILANYACHA VAR HAVAY 09/01/2009 [SAKAL PREMIERE]
Role reversal!!! After giving many answers now Satish Rajwade is asking some questions :)
Satish: chinmay, tula kadhi kalale ki tu ya ‘industry’ tala aahesh?
Chinmay: khara tar me tisarit asatana, me jevha ‘KULI’ chitrapat baghitala aani amitabh chi entry pahili, tevha kuthetari mala vatala ki aapan ya ‘media’ ta jayala hava. Pan te vay lahanpanach hota. Kharya arthane me ya indurstr tala aahe, yachi janiv mala zhali, ti me F. Y. Bcom la asatana ‘SANVEDANA’ cha workshop kela tevha!
Satish:me lihilela lokani bolava asa vatata, ki me itarani lihilela bolava, asa tula vatata?
Chinmay: me N. S. D. ta gelo hoto. To abhineta honyasathi. Arthat itarani lihilela bolanyasathi. 2000 te 2003 ya kalat me N. S. D. ta hoto; pan lekhak zhalo te yogayogane.
Satish: tu lekhak kinva abhineta nasatash, tar kay zhala asatash?
Chinmay: shikshak zhalo asato aani todekhil itihasacha shikshak. Karan mala itihash Vishay prachand aavadayacha. Mala itarana ekhadi goshta samajavayala aavadate. Pan mazhya vadilani mala sangitale ki ki shikshak ajibat hovu nakosh. Me I. A. S. vhave, asa mala vatayacha, pan…..
Satish: industry ta career karatana gharachyanchi pratikriya kay hoti?
Chinmay: jya veli me N. S. D. ta gelo, tevhahi ya shetrat me carear karava, he vadilana farasa patat nhavata. Chanda mhanun ek paryay mhanun ya carear kade baghave, asa gharachyana vatayache. Tyala karanahi hote. Tevha television industry aajachyasarakhi samrudha nhavati, khajagi vahinya farashya nhavatya. Tyamule ya shetratalya anichitatechi bhiti hotich. Ek padavi milavavi, yogya shikshan ghyava aani magach ya shetracha vichar karava, ashi tevhachi pratikriya hoti.
Satish: N. S. D. ch tuzhya aayushyat kay sthan aahe?
Chinmay: N.S.D. ne mazhya jivanala nemaki disha dili. Mazhya baryach sankalpana aakarala aalya tya N.S.D. mulech. Teen varsha tithe me hostel var rahayacho. Me swatala janunbujun baherachya jagapasun thoda door, ekata thevayacho. Swatavishayichi, jagavishayichi mazhi tatva spashta hovu lagali, ti N.S.D mulech.
Satish: industry tala manus ‘mitra’ asu shakato ka?
Chinmay: industry tala manus ‘mitra’ asu shakato; pan aselach asa nahi. Karan ya industryta kamache pressure khup aahe. Ekhadhya dainandin malikechya nimitane kahi kalakar ekatra yetat. Tevha roj tya kalakaranch bhetana hota, roj gappa hotat. Pan mag malika sampate kinva ti vyaktirekha sampate. Dusarya kamachya nimitane dusarya setup shi adjust vhave lagate. Aapoaap junya group shi rojachi bhet kami hote. Mhanje ekmekanshi samparka kami hoto. Pan industry talya mansanchi changali maitri asu shakate, yacha udaharana mhanje Prasad oak aani pushkar shroti yanchi maitri.
Satish: tu khup abol aahesh asa lokana vatata, tyavishayi?
Chinmay:asa lokana vatu shakata. Pan tyana me evadhech sangen, ki me bolat jari nasalo, tari tumhi je kay mhanatay te me eikat asato.
Satish:ek manus mhanun tu kiti sanvedanshil aahesh?
Chinmay: mala vaad aani bhandan ya goshti aavadat nahit. Aaj manasachya swabhavache kangore ya sanvedanshilatechya goshti hot chalalya aahet. Udaharan deto. Mazhe anek musalim mitra aahet. Lok jevha musalimanbaddal vait bolatat, tevha te mala aavadat nahit. Me khup asavashta hoto. Ithe sanvedanshilata aani vyavasaik ganita yacha mel ghalava lagato.
Satish:aapalya industry ta anichitata aahe, ya goshtichi pavalopavali tula bhiti vatate ka? Asha veli manala patel te karatosh ki tadajod karavi lagate?
Chinmay: anichitatechi bhiti tar pratekalach vatat asate. Industry talya anichitatechya babatit me amitabhjincha ek kissa ikalay. Tyanchya aayushat ek tappa asa aala hota, ki yash choprankade javun tyani ‘mala kam havay’ asa sangitala aani ‘mohabbate’ madhe tyani kam kela. Ya shetratali aarthik ganita vichitra asatat. Kalakarachi icha nasatana tyala ekhadi goshta paishakarita karavi lagate. Madhyantari nivadanukinchya veli prateka rajakiya pakshachya jahiratisathi kalakarana vicharala jat hote. Tevha me spashta pane tya goshtila nakar dila hota. Mala rajakiya pakshakarita kalakarani jahirati karana patat nahi. ‘vadalvaat’ che 300 bhag lihilyanantar me dainandin malika lihayachi nahi, asa tharavale hote. ‘asambhav’ sathi vicharalyavar tar suruvatila me katha na eikatach nakar dila hota. Pan mag me practically vichar kela, aarthik aaju lakshak ghetali aani ‘asambhav’ chya sanvadalekhana karita hokar dila.
Satish: aayusha prabhavit karanari ekhadi lahanapanachi aathavan aahe ka?
Chinmay: ashi nemaki ekhadi aathavan nahi sangata yenar. Pan vidyarthyachya jivanatala dahavicha tappa far mahatavacha asato. Dahavit gelya nantar mazhyatahi asach prachanda aatma vishwash nirman zhala hota. Mitran barobar dhamal karane, aata aapan pudhachya varashi college vishvat paul thevanar, navi bharari ghenar, navya swapanana samora janar, ase anek vichar tya kalat malahi prabhavit karit hote.
Satish:tu kadhi khota bolatosh ka aani te khota janun bujun asata ki adachanit asatanach khota bolava lagata?
Chinmay: ekhadya veli kahi samasya asel, adachanach asel tarach khota bolala jata. Pan konacha nukasana hoil, konala tras hoil asa khota me aajparyanta kadhich bolalo nahi.’harmless’ khota me bolalo aahe. Pan tyachi kabulihi me dileli aahe.
Satish: aata ya career karita kasa pathimba milato?
Chinmay:jevha mazhe baba N.S.D. ta mala bhetayala aale aani tithala vatavaran tyani swata pahila, tevha tya vatavarana vishayi che tyanche sarva gairasamaj door zhale. Tyanantar tyani mala pathimba dila. Aata yetya 17 feb la mazha lagna hot aahe. Mazhya honarya bayako kadun mala changalach pathimba milat asato.
Satish: amitabh bachan ha aaplya maitritala saman dhaga aahe. Tu tyana ‘fatherly figure’ manatosh ka?
Chinmay: nakkich manato. Amitabhjinche kityek cineme me punha-punha agadi pach-pach vela baghitale aahet. Shalet asatanahi! Cinema baghayala aamchya ghari kadhich bandi nhavati.
Satish:mala kadhi-kadhi prekshak satish rajwade eivyaji ‘chinmay mandalekar’ samajatat. Tuzhya babtit tula loka ‘satish rajwade’ samajalyacha ekhada kissa aahe ka?
Chinmay: ho, ti ek gamatach aaeh. Punyala mazhya natakacha prayog hota. Ek police adhikari natak sampalyavar bhetayala aale aani mhanale, ‘aho, tumhi parat aalat, far bara zhala…..’ mala kahi kalala nahi. Me parat aalo mhanje kay? Asa vichar karatana te pudhe mhanale ‘ aho, ‘ vikrant bhosale’ madhe gayab zhale hote. Aata tea ale. Bara vatala…..’ tevha mala kalala ki mala ‘asambhav’ madhil tuzhi vyakatirekha ‘vikrant’ samjat hote. Pan mag mihi tyana sangitala nahi, ki mi ‘vikrant’ nasun ‘abhiman’ aahe. Me fakta ‘bara’ mhatala.
Satish:devakade teen var magayachi sandhi milali, tar konate var magashil?
Chinmay:sarvat pahila var me magen, to mhanje me mazhya aai-vadilana parat magen. Devane hi icha purna keli aani mala aai-vadil parat tar mala ardha jag punha milalyacha aanand hoil. Tevha itar don var me kay magen, he aata nahi sangata yenar…..
Satish:natak, malika aani chitrapat ya paiki pradhanya kashala detos?
Chinmay: satish, khara tar teenahi madhyam purna bhina aahet. Pratekache ‘plus-minus points’ vegale aahet. Cinema jar changala zhala tar to rasikanchya manat kayamacha ghar karato.mhanje bhagh na, ‘santa tukaram’ chitrapat aajahi aapalya lakshat rahato. Natak tumhala ek ‘kalakar’ mhanun olakha deta, tar changalya malikechya Madhya matun tumhi ghara gharat pohachata. Natak he lekhak va abhinetyanche madhyam aahe. Malika he lekhak va digdarshakache madhyam aahe; tar cinema he purnapane digdarshakache aani tyanantar cinematographer che madhyam aahe, asa me manato. Mazhyasathi hi teenahi madhyama mahatavachi aahet.
Satish:eka shabdat tuzhi swatachi olakh karun detana kay mhanashil?
Chinmay: me eka shabdat nahi tar don shabdat swatachi olakha karun dein- ‘uhishap-pash’ (chosen-one) asa yacha artha ‘nivadala gelela’.
Satish:tuzha mazhyabaddalach mat kay aahe?
Chinmay:mazhya drushtine satish rajwade ha atishaya hard-work karanara, ekadhya goshtivar purna laksha kendrit karanara digdarshak aahe. Tu lunch-time madhe kadhich swasta basat nahish. Tu atishay creative digdarshak aahesh. Tuzhya kama baddal tu kayamach jagaruk asatosh, swatach, khasagi jivan aani swatacha samajik jivan yatil farak kasa japava, he tula vyavastit kalata.
Satish: ya shetratalya glamourch anekana- visheshata yuva pidhila aakarshan asata, tyana ‘mitra’ ya natyane tu kay sangashil?
Chinmay:ya shetratach kay, kuthalyahi shetrat yetana mehanat hi karavich lagate. Mehanatila dusara paryay nahi. Pan midea chya shetrat yetana fakata glamourla bhulu naka. Tumachyat kartutva hava, gunvata havi aani jya madhyamat tumhala kam karayacha aahe, tyacha jar ritasar prashikshan gheta aala aani te prashikshan ghevun tumhi ithe aalat, tar uttamch!
Satish:tula swatahala ek lekahk mhanun lokansamor yayala aavadel ki abhineta mhanun?
Chinmay:ekach vyakti eka veli anek goshti karu shakate. Yachi anek udaharana aapalyala mahit aahet. Shekhar kapoor ha digdarshak, abhineta tar aahech; pan utkrushta ‘scuba driver’ hi aahe. Kapil dev chya vyaktimatvache hi anek pailu aahet. Mala asa vatata ki lekhak, abhineta, digdarshak me je kahi Karin, te mazhya hatun changalach ghadava aani mazhya changalya kamala lokanchi uttam dad milavi, lokani te appriciate karave.
Satish: chinmay, tula kadhi kalale ki tu ya ‘industry’ tala aahesh?
Chinmay: khara tar me tisarit asatana, me jevha ‘KULI’ chitrapat baghitala aani amitabh chi entry pahili, tevha kuthetari mala vatala ki aapan ya ‘media’ ta jayala hava. Pan te vay lahanpanach hota. Kharya arthane me ya indurstr tala aahe, yachi janiv mala zhali, ti me F. Y. Bcom la asatana ‘SANVEDANA’ cha workshop kela tevha!
Satish:me lihilela lokani bolava asa vatata, ki me itarani lihilela bolava, asa tula vatata?
Chinmay: me N. S. D. ta gelo hoto. To abhineta honyasathi. Arthat itarani lihilela bolanyasathi. 2000 te 2003 ya kalat me N. S. D. ta hoto; pan lekhak zhalo te yogayogane.
Satish: tu lekhak kinva abhineta nasatash, tar kay zhala asatash?
Chinmay: shikshak zhalo asato aani todekhil itihasacha shikshak. Karan mala itihash Vishay prachand aavadayacha. Mala itarana ekhadi goshta samajavayala aavadate. Pan mazhya vadilani mala sangitale ki ki shikshak ajibat hovu nakosh. Me I. A. S. vhave, asa mala vatayacha, pan…..
Satish: industry ta career karatana gharachyanchi pratikriya kay hoti?
Chinmay: jya veli me N. S. D. ta gelo, tevhahi ya shetrat me carear karava, he vadilana farasa patat nhavata. Chanda mhanun ek paryay mhanun ya carear kade baghave, asa gharachyana vatayache. Tyala karanahi hote. Tevha television industry aajachyasarakhi samrudha nhavati, khajagi vahinya farashya nhavatya. Tyamule ya shetratalya anichitatechi bhiti hotich. Ek padavi milavavi, yogya shikshan ghyava aani magach ya shetracha vichar karava, ashi tevhachi pratikriya hoti.
Satish: N. S. D. ch tuzhya aayushyat kay sthan aahe?
Chinmay: N.S.D. ne mazhya jivanala nemaki disha dili. Mazhya baryach sankalpana aakarala aalya tya N.S.D. mulech. Teen varsha tithe me hostel var rahayacho. Me swatala janunbujun baherachya jagapasun thoda door, ekata thevayacho. Swatavishayichi, jagavishayichi mazhi tatva spashta hovu lagali, ti N.S.D mulech.
Satish: industry tala manus ‘mitra’ asu shakato ka?
Chinmay: industry tala manus ‘mitra’ asu shakato; pan aselach asa nahi. Karan ya industryta kamache pressure khup aahe. Ekhadhya dainandin malikechya nimitane kahi kalakar ekatra yetat. Tevha roj tya kalakaranch bhetana hota, roj gappa hotat. Pan mag malika sampate kinva ti vyaktirekha sampate. Dusarya kamachya nimitane dusarya setup shi adjust vhave lagate. Aapoaap junya group shi rojachi bhet kami hote. Mhanje ekmekanshi samparka kami hoto. Pan industry talya mansanchi changali maitri asu shakate, yacha udaharana mhanje Prasad oak aani pushkar shroti yanchi maitri.
Satish: tu khup abol aahesh asa lokana vatata, tyavishayi?
Chinmay:asa lokana vatu shakata. Pan tyana me evadhech sangen, ki me bolat jari nasalo, tari tumhi je kay mhanatay te me eikat asato.
Satish:ek manus mhanun tu kiti sanvedanshil aahesh?
Chinmay: mala vaad aani bhandan ya goshti aavadat nahit. Aaj manasachya swabhavache kangore ya sanvedanshilatechya goshti hot chalalya aahet. Udaharan deto. Mazhe anek musalim mitra aahet. Lok jevha musalimanbaddal vait bolatat, tevha te mala aavadat nahit. Me khup asavashta hoto. Ithe sanvedanshilata aani vyavasaik ganita yacha mel ghalava lagato.
Satish:aapalya industry ta anichitata aahe, ya goshtichi pavalopavali tula bhiti vatate ka? Asha veli manala patel te karatosh ki tadajod karavi lagate?
Chinmay: anichitatechi bhiti tar pratekalach vatat asate. Industry talya anichitatechya babatit me amitabhjincha ek kissa ikalay. Tyanchya aayushat ek tappa asa aala hota, ki yash choprankade javun tyani ‘mala kam havay’ asa sangitala aani ‘mohabbate’ madhe tyani kam kela. Ya shetratali aarthik ganita vichitra asatat. Kalakarachi icha nasatana tyala ekhadi goshta paishakarita karavi lagate. Madhyantari nivadanukinchya veli prateka rajakiya pakshachya jahiratisathi kalakarana vicharala jat hote. Tevha me spashta pane tya goshtila nakar dila hota. Mala rajakiya pakshakarita kalakarani jahirati karana patat nahi. ‘vadalvaat’ che 300 bhag lihilyanantar me dainandin malika lihayachi nahi, asa tharavale hote. ‘asambhav’ sathi vicharalyavar tar suruvatila me katha na eikatach nakar dila hota. Pan mag me practically vichar kela, aarthik aaju lakshak ghetali aani ‘asambhav’ chya sanvadalekhana karita hokar dila.
Satish: aayusha prabhavit karanari ekhadi lahanapanachi aathavan aahe ka?
Chinmay: ashi nemaki ekhadi aathavan nahi sangata yenar. Pan vidyarthyachya jivanatala dahavicha tappa far mahatavacha asato. Dahavit gelya nantar mazhyatahi asach prachanda aatma vishwash nirman zhala hota. Mitran barobar dhamal karane, aata aapan pudhachya varashi college vishvat paul thevanar, navi bharari ghenar, navya swapanana samora janar, ase anek vichar tya kalat malahi prabhavit karit hote.
Satish:tu kadhi khota bolatosh ka aani te khota janun bujun asata ki adachanit asatanach khota bolava lagata?
Chinmay: ekhadya veli kahi samasya asel, adachanach asel tarach khota bolala jata. Pan konacha nukasana hoil, konala tras hoil asa khota me aajparyanta kadhich bolalo nahi.’harmless’ khota me bolalo aahe. Pan tyachi kabulihi me dileli aahe.
Satish: aata ya career karita kasa pathimba milato?
Chinmay:jevha mazhe baba N.S.D. ta mala bhetayala aale aani tithala vatavaran tyani swata pahila, tevha tya vatavarana vishayi che tyanche sarva gairasamaj door zhale. Tyanantar tyani mala pathimba dila. Aata yetya 17 feb la mazha lagna hot aahe. Mazhya honarya bayako kadun mala changalach pathimba milat asato.
Satish: amitabh bachan ha aaplya maitritala saman dhaga aahe. Tu tyana ‘fatherly figure’ manatosh ka?
Chinmay: nakkich manato. Amitabhjinche kityek cineme me punha-punha agadi pach-pach vela baghitale aahet. Shalet asatanahi! Cinema baghayala aamchya ghari kadhich bandi nhavati.
Satish:mala kadhi-kadhi prekshak satish rajwade eivyaji ‘chinmay mandalekar’ samajatat. Tuzhya babtit tula loka ‘satish rajwade’ samajalyacha ekhada kissa aahe ka?
Chinmay: ho, ti ek gamatach aaeh. Punyala mazhya natakacha prayog hota. Ek police adhikari natak sampalyavar bhetayala aale aani mhanale, ‘aho, tumhi parat aalat, far bara zhala…..’ mala kahi kalala nahi. Me parat aalo mhanje kay? Asa vichar karatana te pudhe mhanale ‘ aho, ‘ vikrant bhosale’ madhe gayab zhale hote. Aata tea ale. Bara vatala…..’ tevha mala kalala ki mala ‘asambhav’ madhil tuzhi vyakatirekha ‘vikrant’ samjat hote. Pan mag mihi tyana sangitala nahi, ki mi ‘vikrant’ nasun ‘abhiman’ aahe. Me fakta ‘bara’ mhatala.
Satish:devakade teen var magayachi sandhi milali, tar konate var magashil?
Chinmay:sarvat pahila var me magen, to mhanje me mazhya aai-vadilana parat magen. Devane hi icha purna keli aani mala aai-vadil parat tar mala ardha jag punha milalyacha aanand hoil. Tevha itar don var me kay magen, he aata nahi sangata yenar…..
Satish:natak, malika aani chitrapat ya paiki pradhanya kashala detos?
Chinmay: satish, khara tar teenahi madhyam purna bhina aahet. Pratekache ‘plus-minus points’ vegale aahet. Cinema jar changala zhala tar to rasikanchya manat kayamacha ghar karato.mhanje bhagh na, ‘santa tukaram’ chitrapat aajahi aapalya lakshat rahato. Natak tumhala ek ‘kalakar’ mhanun olakha deta, tar changalya malikechya Madhya matun tumhi ghara gharat pohachata. Natak he lekhak va abhinetyanche madhyam aahe. Malika he lekhak va digdarshakache madhyam aahe; tar cinema he purnapane digdarshakache aani tyanantar cinematographer che madhyam aahe, asa me manato. Mazhyasathi hi teenahi madhyama mahatavachi aahet.
Satish:eka shabdat tuzhi swatachi olakh karun detana kay mhanashil?
Chinmay: me eka shabdat nahi tar don shabdat swatachi olakha karun dein- ‘uhishap-pash’ (chosen-one) asa yacha artha ‘nivadala gelela’.
Satish:tuzha mazhyabaddalach mat kay aahe?
Chinmay:mazhya drushtine satish rajwade ha atishaya hard-work karanara, ekadhya goshtivar purna laksha kendrit karanara digdarshak aahe. Tu lunch-time madhe kadhich swasta basat nahish. Tu atishay creative digdarshak aahesh. Tuzhya kama baddal tu kayamach jagaruk asatosh, swatach, khasagi jivan aani swatacha samajik jivan yatil farak kasa japava, he tula vyavastit kalata.
Satish: ya shetratalya glamourch anekana- visheshata yuva pidhila aakarshan asata, tyana ‘mitra’ ya natyane tu kay sangashil?
Chinmay:ya shetratach kay, kuthalyahi shetrat yetana mehanat hi karavich lagate. Mehanatila dusara paryay nahi. Pan midea chya shetrat yetana fakata glamourla bhulu naka. Tumachyat kartutva hava, gunvata havi aani jya madhyamat tumhala kam karayacha aahe, tyacha jar ritasar prashikshan gheta aala aani te prashikshan ghevun tumhi ithe aalat, tar uttamch!
Satish:tula swatahala ek lekahk mhanun lokansamor yayala aavadel ki abhineta mhanun?
Chinmay:ekach vyakti eka veli anek goshti karu shakate. Yachi anek udaharana aapalyala mahit aahet. Shekhar kapoor ha digdarshak, abhineta tar aahech; pan utkrushta ‘scuba driver’ hi aahe. Kapil dev chya vyaktimatvache hi anek pailu aahet. Mala asa vatata ki lekhak, abhineta, digdarshak me je kahi Karin, te mazhya hatun changalach ghadava aani mazhya changalya kamala lokanchi uttam dad milavi, lokani te appriciate karave.
31/12/2008 Ma. Ta.
Gela varsha mazhya career chya drushtine khup masta gela.khup yash milala. Mazhya career madhala mile-stone mhanje Ashok Saraf yanchya cinemachya nimitane pahila vinodi cinema digdarshit karanyachi sandhi milali. Ekandarach mazhya swatahchya career chya drushtine he varsha uttam gela.pan ek manus ya naatyane matra he varsha khup vait gela. Tyamule yavarshi jari mazhya personal achievements khup asalya tari akkhya varshat jagbharat ghadalelya dukhad ghatanan mule he varsha lokanchya manatun pusala gela tar bara hoil asa manapasun vatata.
Pudhachya varshi prekshakanchya apeksha adhika-dhik purna karayacha prayatna karen. Je kahi karen tyat sanyam rakhayacha aani kahi tari changala ghadavayacha mazha nakki prayatna asel.
Satish Rajwade
Pudhachya varshi prekshakanchya apeksha adhika-dhik purna karayacha prayatna karen. Je kahi karen tyat sanyam rakhayacha aani kahi tari changala ghadavayacha mazha nakki prayatna asel.
Satish Rajwade
Thursday, February 12, 2009
Mera Kaam Hi Meri Pehchaan Hai 09/01/2009 [SAKAL PREMIERE]
Chinmay: Satish, collegemadhe asatana tula ‘AAMBA’ ekantikekarita sarvotkrushta vinodi abhinetyache paritoshik milale aani tyanantar kahi varshan nantar ‘MRUGJAL’ cinemachi jahirat me mothya falkavar pahili. Tyat katha-pathkata, sawat, digdarshan mhanun tuzhe nav vachalyavar me thakka zhalo hoto. Madhalya varshat tu neamake kay keles?
Satish: me mithibhai college madhe admission ghetale, ti natakat kam karata-karata abhyash karata yava ya udeshane. Aamhi ‘AAMBA’ he ekantika keli, toparyanta mithibhai college tarfe Marathi ekantika sadar zhaleli nhavati. ‘AAMBA’til mazhe kam pahun mala kedar shindene ‘TURTUR’ madhe kam dile. Yach ekantikemule ‘ALL THE BEST’ natakatil dusarya sanchatil ‘BAHIRA’vyaktirekhekarita mazhi nivad zhali.me English ‘ALL THE BEST’ madhehi bahira sakarala.mag govind nihalaninchya groupshi parichay zhala.’HAJAR CHOURASI KI MAA’, ‘SANSHODHAN’, ‘VASTAV’, ‘NIDAN’ ya hindi chitrapatant hi me kam kele.mahesh manjarekar, govind nihalaninchya barobar kam karatana tyanchi digdarshanachi padhat mala prabhavit karit hoti. Survatipasunach mazha odha abhinayapeksha itar tantric babinkade hota.me editing hi shikalo. Tyanantar ya sagalya anubhavatun me ‘MRUGJAL’ ya Marathi chitrapatadyare katha-pathkata, sawat lekhak, digdarshak mhanun samor aalo.
Chinmay: ‘MRUGJAL’ sathi tula anek puraskar milale. ‘MRUGJAL’ chitrapak 2001 madhe aala. Tyanantar aata 2008-09 madhe ‘EK DAV DHOBI PACHAAD’ sathi digdarshan tu kele. Digdarshak mhanun 2 citrapatat evadhi mothi gap ka?
Satish: ‘MRUGJAL’ ne mala bharpur naav milavun dile. Chitrapat digdarshanachya anek offers aalya. Pan je naav mala ‘MRUGJAL’ ne milavun dile tya navala japun mala project karayacha hota. Akshay kumar la ‘MRUGJAL’ ha chitrapat hindi ta karayacha hota,pan me spashta shabdat nakar dila. ‘MRUGJAL’ mule mala ‘zee marathi’ var duniyadari malika milali. Mag ‘KINARA’, ‘OON-PAUS’,’ASAMBHAV’ asa pravas me digdarshak mhanun kela.me bharam-bhar project karanyapeksha nivadak; pan uttam project karanyala mahatva dile. Tyakarita kahi kal thambave lagale tari chalel.Ashok saraf yani digdarshana karita mala ‘DHOBI PACHAD’ sathi bolavane ha tar avisarmaniya divas hota.
Chinmay:mag ya ‘waiting period ‘ madhe kamakade baghanyacha drushtikon nemaka kasa hota?
Satish: mazhi thambayachi tayari hoti aani aahehi. Market madhe je chalale aahe tech karuya,he mala kadhich manya nhavate. Mazhi swatachi ashi kahi tatva aahet. Tya tatvanshi me kadhich tadjod keli nahi. Mazhyasathi ‘mazhe kam’ hich mazhi olakha aahe. Mazhya kamane mala dileli olakha mahatavachi aahe.
Chinmay:lahanpani tu prasidha hotas ka?
Satish :ho, pan eka vegalya arthane. Me vile-parle yethil madhavrao bhagavat English madhyamacha vidyarathi . shalemadhil atyanta mastikhor vidhyarthi ashi mazhi prasidhi hoti. Me kharatar uttam athalit hoto. Natakat kam karu shakat hoto. Pan me mastikhor asalyamune mazha shikshakankadun tiraskar kela jayacha. Ek bai tar kahi zhale tari ‘RAJWADE OUT’ ase mhanun mala baher kadhayachya.
Chinmay: shalemadhe tu kelela sarvat motha gunha konata?
Satish: shikshak mazhyabarobar vait vagat asalyamule mazhya manat hi rag hota. Ek divashi me tharavale ki udya shalet prathana hovu dyayachi nahi. Sakal satrachi shala sampun duparachi shala suru honyamadhe 40 minute cha vel asayacha. Me screw-driver ghevun shaletil sarva speakers kadhun takale,wires todun takalya. Dusarya divashi shalet prathana speakers varun eiku javu shakali nahi. Mag me swatahun pracharyankade javun speakers parat kele va mazhya gunhyachi kabuli dili. Mala aathavadabhar ghari basave lagale. Me mazha ha gunha karnyache karan sangitale. Shikshak satat mazha tiraskar karat asalyane ek sudachi bhavana mazhya manat nirman zhali hoti. He karan lakshat aalyavar shikshakanchya aani mazhya vaganyat nantar farak padala. Mag 9th madhe malach ‘head boy’ karanyat aale. Me halu-halu shanta zhalo.
Chinmay: aata tuzha mulaga hi shalet jato , tyachyashi kasa vagatos?
Satish: mazha mulaga pahilit aahe. To sudha khup mastikhor aahe. School-bus madhe sudha to khup masti karato, ashi tyachya shalekadun takrar yet asate. Pan me tyala shantapane samajavanyacha prayatna karato. Karan he masti tyachyat nirman zhali aahe ti mazhyakadunach tyachyat aali aahe.
Chinmay: tu ‘bap’ honar he kalalyavar tuzhi pahili pratikriya kay hoti?
Satish: tyaveli ‘AABHALMAYA PARVA-2’ madhe kam karit hoto. Jevha mala kalale
ki me ‘bap’ honar tevha me khup emotional zhalo. Mala praghalbhatechi janiv zhali. Me mazhya kutumbachya babtit khup sanvedanshil aahe. He god batami kalalyanantar mazhya swabhavat thoda farak padala. Me shanta hovu lagalo.
Chinmay: tula tuzhya bayako kadun ya shetra sathi kasa support milato?
Satish: mazhi bayako mhanje ‘pallavi’ jevha me ‘ALL THE BEST’ karit hoto, tevha mala milanari ‘night’ fakta 100 rupaye hoti, mag 150 rupaye, mag 200 rupaye ‘night’ milayachi. He utapana farach kami hote. Shevati 890 prayog zhalyanantar me ‘ALL THE BEST’ sodanyacha nirnay ghetala. Tyaveli pallavi ne mazhyavar dakhavilela vishwash far mahatvacha hota. Kadhitari, kuthetari thambayala have hote, kahitari navin karayala have hote, tevha mala bayakone dileli sath khup mahatvachi hoti. Ti mazhi preranastan aahe. Nantar fakta baykoch nhave; tar mazhe aai-vadil, mazhe sasu-sasare he dekhil mala kayam pathimba detat.
Chinmay: tuzhe anek mitra mhanje college madhale mitra shreyas talpade, vivek oberoi aaj stars zhale aahet. Aapali ekhadi katha mhan kinva ekhadya project sathi aapan tyanchya kade jave ase tula vatate ka?
Satish: me, shreyas aani vivek oberoi aamhi khup changale mitra aahot. Pan aaplya mitrancha upayog me kadhich ‘shidi’ mhanun kela nahi. Tasa karane mala aavadanarach nahi. Mala tyanchya barobar kam karayala nakkich aavadel. Aamhi ek-mekanchya vadhadivasala aavarjun bhetato.
Chinamy: vyavhar aani maître ya don goshti veg-veglya thevavyat ka?
Satish: mala ase vatate ki maitrit jevha vyavhar yeto , tevha ti maitri tutnyachi shakyata asate. Tyamule vyavhar aani maitri ya don goshti vegalya asavyat ase mazhe mat aahe. Pan kadhi-kadhi vyavharatun maitri hote. Mhanje ase ki aadhi vyavharachya nimitane aapan ekatra yeto. Mag olakh vadhate aani maitri hote.
Chinmay: tula saglyat mothi bhiti kasali vatate?
Satish: mazhya pachyat(nantar) mazhya mulana kadhich kahi kami padata kama naye.asatitva sathi mazhya mulana mazhya pachyat struggle karava lagu naye, hi mahzi icha aahe. Ase kahi ghadanar nahi na ashi ugachach bhiti vatate kadhikadhi! Me mazhya kutumba babat khupach savedanshil aahe.
Chinmay: ya shetratalya tuzhya ‘shala’ konatya?
Satish: amitabh bacchan,john woe,mukul aanand aani manmohan desai ya mazhya babtitalya ya shetratalya shala aahet. Ti mazhi prerana stane aahet. Sarvat mahatvache mhanaje me devala manato. Me je karato, te mala kase suchate, ka suchate, ya sarva che prerana stan mhanje ‘dev’ aahe.
Chinmay: tuzhe swapna kay aahe?
Satish: ‘Oscar’ he mazhe hi swapna aahech. Aankhi ek, mala amitabhjinchya sobat digdarshak mhanun kam karayache aahe.
Chinmay: tu jar amitabh jina film offer kelish tar tyana kay bhumika deshil?
Satish: Amitabhjina me ‘angree young man’ ch manato. Tyanchya bhumiket je’ agression’ disate , te mala aavadate.mhanun tar ‘VIRUDHA’ chitrapatatala hatash amitabh mala nahi aavadu shakala. Amitabh mhatalya nantar ti action movie ch asali pahije. Me dekhil tashich ek katha amitabhjina eikavali hoti. Tyana ti aavadalihi hoti. Baghu kahi bhavishyat ghadtay ka te……………..
Chinmay: tu jar ‘mumbai kar’ nastas tar ya industry madhe asatash ka?
Satish: arthatach, karan bhartat kuthehi janamalo, vadhalo tari tithe amitabhjinche chitrapat aahetach na! lahanpan pana pasunach tyana mala prabhavit kele. ‘MUKADAR KA SIKANDAR’ , ‘SHOLE’ bhagun tar me chakka radalo hoto.
Chinmay:’STRI’ kade konatya drushtikonatun pahatos?
Satish:’STRI’ kade me atishay aadarane baghato. Karan ‘stri’ nahi, tar ‘aai’ nahi, ‘aai’ nahi tar ‘baba’ hi nahit aani ‘aai-baba’ nahit, tar ‘aapan’ hi nahi. ‘stri’ hi mazhi prerana aahe. Tyamule strivaril kuthalahi anyay me sahan karu shakat nahi.
Chinmay: tula tuzhya mulani kay karayala aavadel?
Satish: mazhya mulani pramanik asave, aapalyamule konala tras honar nahi, ase tyanche vyaktimatva asave. Tyani mazhya peksha ek paul pudhe takave, mazhya mulankade man var karun baghayala mala aavadel.
Chinmay: tu kiti sadetod aahes aani mutsaddi aahes?
Satish: mazha sadetod pana me niyantrit karato. Karan sadetod pan
e bolanyache dushparinam me bhogale aahet. Ekhadi goshta patali nahi tar gappa basave, ugachach aapale spashta mat devun dusaryala dukhavu naye, ase mala vatate. Aapan ‘politically correct’ asave.
Chinmay: tu mala kay salla deshil?
Satish: chinmay, tu ek hushar lekhak aahesh. Tevha likhan satat chalu thev tuzhyatala lekhak mala jasta bhavato. Aaj ya industry madhe changalya lekhakanchi garaj aahe.
Chinmay: tu roj sakali oothun swatala kay sangatosh?
Satish: me mala ase sangato, ki jevadhe mazhe mazhya kamavar prem asel, tevadhe itaranche tyanchya kamavar aselach ase nahi. Tevha ashyan barobar kam kar ki te kam, mazhyapramanech tyanchi ‘passion’ asel. Karan mala tya veli kama vyatirikta kahi disat nahi.
Satish: me mithibhai college madhe admission ghetale, ti natakat kam karata-karata abhyash karata yava ya udeshane. Aamhi ‘AAMBA’ he ekantika keli, toparyanta mithibhai college tarfe Marathi ekantika sadar zhaleli nhavati. ‘AAMBA’til mazhe kam pahun mala kedar shindene ‘TURTUR’ madhe kam dile. Yach ekantikemule ‘ALL THE BEST’ natakatil dusarya sanchatil ‘BAHIRA’vyaktirekhekarita mazhi nivad zhali.me English ‘ALL THE BEST’ madhehi bahira sakarala.mag govind nihalaninchya groupshi parichay zhala.’HAJAR CHOURASI KI MAA’, ‘SANSHODHAN’, ‘VASTAV’, ‘NIDAN’ ya hindi chitrapatant hi me kam kele.mahesh manjarekar, govind nihalaninchya barobar kam karatana tyanchi digdarshanachi padhat mala prabhavit karit hoti. Survatipasunach mazha odha abhinayapeksha itar tantric babinkade hota.me editing hi shikalo. Tyanantar ya sagalya anubhavatun me ‘MRUGJAL’ ya Marathi chitrapatadyare katha-pathkata, sawat lekhak, digdarshak mhanun samor aalo.
Chinmay: ‘MRUGJAL’ sathi tula anek puraskar milale. ‘MRUGJAL’ chitrapak 2001 madhe aala. Tyanantar aata 2008-09 madhe ‘EK DAV DHOBI PACHAAD’ sathi digdarshan tu kele. Digdarshak mhanun 2 citrapatat evadhi mothi gap ka?
Satish: ‘MRUGJAL’ ne mala bharpur naav milavun dile. Chitrapat digdarshanachya anek offers aalya. Pan je naav mala ‘MRUGJAL’ ne milavun dile tya navala japun mala project karayacha hota. Akshay kumar la ‘MRUGJAL’ ha chitrapat hindi ta karayacha hota,pan me spashta shabdat nakar dila. ‘MRUGJAL’ mule mala ‘zee marathi’ var duniyadari malika milali. Mag ‘KINARA’, ‘OON-PAUS’,’ASAMBHAV’ asa pravas me digdarshak mhanun kela.me bharam-bhar project karanyapeksha nivadak; pan uttam project karanyala mahatva dile. Tyakarita kahi kal thambave lagale tari chalel.Ashok saraf yani digdarshana karita mala ‘DHOBI PACHAD’ sathi bolavane ha tar avisarmaniya divas hota.
Chinmay:mag ya ‘waiting period ‘ madhe kamakade baghanyacha drushtikon nemaka kasa hota?
Satish: mazhi thambayachi tayari hoti aani aahehi. Market madhe je chalale aahe tech karuya,he mala kadhich manya nhavate. Mazhi swatachi ashi kahi tatva aahet. Tya tatvanshi me kadhich tadjod keli nahi. Mazhyasathi ‘mazhe kam’ hich mazhi olakha aahe. Mazhya kamane mala dileli olakha mahatavachi aahe.
Chinmay:lahanpani tu prasidha hotas ka?
Satish :ho, pan eka vegalya arthane. Me vile-parle yethil madhavrao bhagavat English madhyamacha vidyarathi . shalemadhil atyanta mastikhor vidhyarthi ashi mazhi prasidhi hoti. Me kharatar uttam athalit hoto. Natakat kam karu shakat hoto. Pan me mastikhor asalyamune mazha shikshakankadun tiraskar kela jayacha. Ek bai tar kahi zhale tari ‘RAJWADE OUT’ ase mhanun mala baher kadhayachya.
Chinmay: shalemadhe tu kelela sarvat motha gunha konata?
Satish: shikshak mazhyabarobar vait vagat asalyamule mazhya manat hi rag hota. Ek divashi me tharavale ki udya shalet prathana hovu dyayachi nahi. Sakal satrachi shala sampun duparachi shala suru honyamadhe 40 minute cha vel asayacha. Me screw-driver ghevun shaletil sarva speakers kadhun takale,wires todun takalya. Dusarya divashi shalet prathana speakers varun eiku javu shakali nahi. Mag me swatahun pracharyankade javun speakers parat kele va mazhya gunhyachi kabuli dili. Mala aathavadabhar ghari basave lagale. Me mazha ha gunha karnyache karan sangitale. Shikshak satat mazha tiraskar karat asalyane ek sudachi bhavana mazhya manat nirman zhali hoti. He karan lakshat aalyavar shikshakanchya aani mazhya vaganyat nantar farak padala. Mag 9th madhe malach ‘head boy’ karanyat aale. Me halu-halu shanta zhalo.
Chinmay: aata tuzha mulaga hi shalet jato , tyachyashi kasa vagatos?
Satish: mazha mulaga pahilit aahe. To sudha khup mastikhor aahe. School-bus madhe sudha to khup masti karato, ashi tyachya shalekadun takrar yet asate. Pan me tyala shantapane samajavanyacha prayatna karato. Karan he masti tyachyat nirman zhali aahe ti mazhyakadunach tyachyat aali aahe.
Chinmay: tu ‘bap’ honar he kalalyavar tuzhi pahili pratikriya kay hoti?
Satish: tyaveli ‘AABHALMAYA PARVA-2’ madhe kam karit hoto. Jevha mala kalale
ki me ‘bap’ honar tevha me khup emotional zhalo. Mala praghalbhatechi janiv zhali. Me mazhya kutumbachya babtit khup sanvedanshil aahe. He god batami kalalyanantar mazhya swabhavat thoda farak padala. Me shanta hovu lagalo.
Chinmay: tula tuzhya bayako kadun ya shetra sathi kasa support milato?
Satish: mazhi bayako mhanje ‘pallavi’ jevha me ‘ALL THE BEST’ karit hoto, tevha mala milanari ‘night’ fakta 100 rupaye hoti, mag 150 rupaye, mag 200 rupaye ‘night’ milayachi. He utapana farach kami hote. Shevati 890 prayog zhalyanantar me ‘ALL THE BEST’ sodanyacha nirnay ghetala. Tyaveli pallavi ne mazhyavar dakhavilela vishwash far mahatvacha hota. Kadhitari, kuthetari thambayala have hote, kahitari navin karayala have hote, tevha mala bayakone dileli sath khup mahatvachi hoti. Ti mazhi preranastan aahe. Nantar fakta baykoch nhave; tar mazhe aai-vadil, mazhe sasu-sasare he dekhil mala kayam pathimba detat.
Chinmay: tuzhe anek mitra mhanje college madhale mitra shreyas talpade, vivek oberoi aaj stars zhale aahet. Aapali ekhadi katha mhan kinva ekhadya project sathi aapan tyanchya kade jave ase tula vatate ka?
Satish: me, shreyas aani vivek oberoi aamhi khup changale mitra aahot. Pan aaplya mitrancha upayog me kadhich ‘shidi’ mhanun kela nahi. Tasa karane mala aavadanarach nahi. Mala tyanchya barobar kam karayala nakkich aavadel. Aamhi ek-mekanchya vadhadivasala aavarjun bhetato.
Chinamy: vyavhar aani maître ya don goshti veg-veglya thevavyat ka?
Satish: mala ase vatate ki maitrit jevha vyavhar yeto , tevha ti maitri tutnyachi shakyata asate. Tyamule vyavhar aani maitri ya don goshti vegalya asavyat ase mazhe mat aahe. Pan kadhi-kadhi vyavharatun maitri hote. Mhanje ase ki aadhi vyavharachya nimitane aapan ekatra yeto. Mag olakh vadhate aani maitri hote.
Chinmay: tula saglyat mothi bhiti kasali vatate?
Satish: mazhya pachyat(nantar) mazhya mulana kadhich kahi kami padata kama naye.asatitva sathi mazhya mulana mazhya pachyat struggle karava lagu naye, hi mahzi icha aahe. Ase kahi ghadanar nahi na ashi ugachach bhiti vatate kadhikadhi! Me mazhya kutumba babat khupach savedanshil aahe.
Chinmay: ya shetratalya tuzhya ‘shala’ konatya?
Satish: amitabh bacchan,john woe,mukul aanand aani manmohan desai ya mazhya babtitalya ya shetratalya shala aahet. Ti mazhi prerana stane aahet. Sarvat mahatvache mhanaje me devala manato. Me je karato, te mala kase suchate, ka suchate, ya sarva che prerana stan mhanje ‘dev’ aahe.
Chinmay: tuzhe swapna kay aahe?
Satish: ‘Oscar’ he mazhe hi swapna aahech. Aankhi ek, mala amitabhjinchya sobat digdarshak mhanun kam karayache aahe.
Chinmay: tu jar amitabh jina film offer kelish tar tyana kay bhumika deshil?
Satish: Amitabhjina me ‘angree young man’ ch manato. Tyanchya bhumiket je’ agression’ disate , te mala aavadate.mhanun tar ‘VIRUDHA’ chitrapatatala hatash amitabh mala nahi aavadu shakala. Amitabh mhatalya nantar ti action movie ch asali pahije. Me dekhil tashich ek katha amitabhjina eikavali hoti. Tyana ti aavadalihi hoti. Baghu kahi bhavishyat ghadtay ka te……………..
Chinmay: tu jar ‘mumbai kar’ nastas tar ya industry madhe asatash ka?
Satish: arthatach, karan bhartat kuthehi janamalo, vadhalo tari tithe amitabhjinche chitrapat aahetach na! lahanpan pana pasunach tyana mala prabhavit kele. ‘MUKADAR KA SIKANDAR’ , ‘SHOLE’ bhagun tar me chakka radalo hoto.
Chinmay:’STRI’ kade konatya drushtikonatun pahatos?
Satish:’STRI’ kade me atishay aadarane baghato. Karan ‘stri’ nahi, tar ‘aai’ nahi, ‘aai’ nahi tar ‘baba’ hi nahit aani ‘aai-baba’ nahit, tar ‘aapan’ hi nahi. ‘stri’ hi mazhi prerana aahe. Tyamule strivaril kuthalahi anyay me sahan karu shakat nahi.
Chinmay: tula tuzhya mulani kay karayala aavadel?
Satish: mazhya mulani pramanik asave, aapalyamule konala tras honar nahi, ase tyanche vyaktimatva asave. Tyani mazhya peksha ek paul pudhe takave, mazhya mulankade man var karun baghayala mala aavadel.
Chinmay: tu kiti sadetod aahes aani mutsaddi aahes?
Satish: mazha sadetod pana me niyantrit karato. Karan sadetod pan
e bolanyache dushparinam me bhogale aahet. Ekhadi goshta patali nahi tar gappa basave, ugachach aapale spashta mat devun dusaryala dukhavu naye, ase mala vatate. Aapan ‘politically correct’ asave.
Chinmay: tu mala kay salla deshil?
Satish: chinmay, tu ek hushar lekhak aahesh. Tevha likhan satat chalu thev tuzhyatala lekhak mala jasta bhavato. Aaj ya industry madhe changalya lekhakanchi garaj aahe.
Chinmay: tu roj sakali oothun swatala kay sangatosh?
Satish: me mala ase sangato, ki jevadhe mazhe mazhya kamavar prem asel, tevadhe itaranche tyanchya kamavar aselach ase nahi. Tevha ashyan barobar kam kar ki te kam, mazhyapramanech tyanchi ‘passion’ asel. Karan mala tya veli kama vyatirikta kahi disat nahi.
LET US WAKE UP 28th Nov PRAHAR
Salaam aaplya police departmentla, aaplya suraksha dalaanna, je swatahchya jeevavar khelun majhya-sarkhya saamanya mansala surakshit thevtat. Salaam tumhala, je tumhi bedhadakpane ghusun shatruchya dolyala dola bhidta. Salaam. Aaj paristithi haatabaaher geli aahe. Garaj aahe ekatra rahnyachi. Ekmekanvar vishwas daakhavnyachi. Ekmekanna saath dyaychi. Dil se kehta hun, united we stand, divided we fall. Aaj deshala garaj aahe aapli. Deshane mala kay dila, hya peksha mi deshala kay dila ha prashna vicharnyachi. Darpok aahet je lok jyanni samanya, niraparaadh, nishastra mansanna vethis dharun swatahchi dahashat daakhavnyacha prayatna kela. Kaaran tyanna mahitiye samorasamor 2 divas-hi te tiku shaknaar nahit. Pan mitranno, dahashatvadyanni ughadpane pukaarlelya ya yuddhala bhyaad halla mhanaychi aani swatahla shuur samajnyachi chuuk aapan Mumbaikaranni punha karu naye. Prtyek hallya-nantar, pratyek bomb-sphotanantar dusrya divshi kodgepane 'suralit' jeevan jagnarya Mumbaila salaam karnyapeksha sadaiva jagruk aani saavad rahnarya Mumbaila dil se mujra karna mala nakkich abhimaanaspad vaatel. Let us wake up before its too late. Dil se, Jai Hind
SATISH RAJWADE
SATISH RAJWADE
There has to be a way! [27th Nov 2008][PRAHAR]
‘Mrugjal’ chi katha mala majhya bhavane dili. Tyala ti college madhe natkacha workshop kartana milali hoti. Ti katha majhya dokyat itki basil ki hyach kathevar chitrapat banavnyacha tharavla. Majha mitra aani tya music companychya CEOlahi katha aavadli aani aamhi kamala suruvaat keli. Sachin Khedekar ne vishwas daakhavla. Tushar dalvine hi lagech hokaar dila. Reshamlahi katha aavadli. So far so good.
Mag vel aali patakatha-sanvaad lihaychi. Eka prasiddha lekhakakade aamhi gelo. Tyanehi hokaar kalavla aani nantar khup helpaate ghalayla lavle. Kadhi Pune, kadhi Churchgate, kadhi ghari, kadhi office. Pan lihun matra kahich dila nahi. 3 mahine asech gele. Majha mitra aani company che CEO asvastha vhayla lagle. Bhai ne mag mala suchavla ki, tujhya dokyat jya prasangancha maanda aahe kivhan te kalakaar kay boltil, hyacha arakhada asel tar to kaagdavar utarav. Mi hya aadhi kadhihi kahihi lihilela navhata. Pan aaplyasathi kunala vel nasel tar aapanahi thamabaycha nahi, asa mi tharavla aani bhavane saangitlya-pramane mi prasanga, majhya paatraanche swabhaav, bolnyachya paddhatikaagdavar utravu laglo. Kuthlya prasangi kay sanvaad, kase abhipret aahet, he lihun kaadhla aani tyacha vaachan kela.
Te sarvanna aavadla. Hich ti final script. Mala chitrapatasathi milalelya anek abkshisanmadhye katha-patakatha-sanvaad hyanchihi paritoshika aahet. Pan problems sample navhate, te suru zale hote. Shooting-chya aadlya divshi aamcha tharavlela cameraman (punha ek pratishthit naav) mhanala, mi ha chitrapat karnaar nahi. Tyane pratyek goshtit khot daakhvayla suruvaat keli. Majha mhanna evadhach ki, manya aahe aamhi navin aahot; pan aadlya divshi?
Parat majhya bhavane tyachya eka mitracha naav suchavla, jo add-films cha cameraman hota, to Santosh Sivan barobar kaam karaycha. To Mumbait kami aani southlach jasta asaycha. Tyacha naav Suhas Gujhrathi. Shooting-chya aadlya raatri mi tyala bhetlo. Tyalahi katha aavadli. 7 chi shift aamhi 9 chi karun ghetli aani mi eka navya cameraman barobar shooting-la suruvaat keli. Majhya hya cameraman-la tya varshi sagli sarvotkrushtha chayachitranachi paritoshika aahet. Mhanje jya goshti duravlya tya changlyasathich mhanta yeil.
Shooting darmyan-hi aamhala bharpur problems aale. Kadhi stock nahi, kadhi cheques nahit, kadhi yogya kapade nahit. Hya saglyavar math karun aamhi aamcha banavla. Ek divas 7 chya shift la ravivaar aslyamule 9:30 paryanta majhyakade stock-ch navhata. Mi lab madhe jaun special letter deun to stock aanla. Toparyanta camera ikdun tikde firvat vel nibhavun nheli. Tyamule kunachya lakshaat aala nahi, pan nashibane aani devane khup saath dili aani majha pahila chitrapat purna zala. To release zala, pan tya pudhchahi kahi mahiti navhata. Ek divas majhi aai paper-var kothimbir nivdat astana Zee Marathi Gaurav Puraskar cha entry form tila tya paper-at disla. Tine mala phone kela, tovhar aamhala tyabaddal kahihi mahiti navhata. Paper-at na number gheun mi Zee Marathi la phone kela, tar toch divas nemka entry cha shevatcha divas. Request karun aamhi dusrya divshi form bharla. Tyanantar pudhe je zala tyane majha aayushya sampurnapane badalla. Majhya chitrapatala tya varshi sagle puraskar milale. Sangaycha itkach aahe ki kitihi problems aale tari mi sodun dila nahi. Devane bharpur saath dili, adchani dilya pan marga-hi dila. Mi taavun-salakhun baher padlo aani ‘Mrugjal’ astitvaat aala. Kaaran, ‘dil se’ karma tha. Himmat nahi haarna, bas koshish karte rehna. Where there is a will, there has to be a way!
SATISH RAJWADE
Mag vel aali patakatha-sanvaad lihaychi. Eka prasiddha lekhakakade aamhi gelo. Tyanehi hokaar kalavla aani nantar khup helpaate ghalayla lavle. Kadhi Pune, kadhi Churchgate, kadhi ghari, kadhi office. Pan lihun matra kahich dila nahi. 3 mahine asech gele. Majha mitra aani company che CEO asvastha vhayla lagle. Bhai ne mag mala suchavla ki, tujhya dokyat jya prasangancha maanda aahe kivhan te kalakaar kay boltil, hyacha arakhada asel tar to kaagdavar utarav. Mi hya aadhi kadhihi kahihi lihilela navhata. Pan aaplyasathi kunala vel nasel tar aapanahi thamabaycha nahi, asa mi tharavla aani bhavane saangitlya-pramane mi prasanga, majhya paatraanche swabhaav, bolnyachya paddhatikaagdavar utravu laglo. Kuthlya prasangi kay sanvaad, kase abhipret aahet, he lihun kaadhla aani tyacha vaachan kela.
Te sarvanna aavadla. Hich ti final script. Mala chitrapatasathi milalelya anek abkshisanmadhye katha-patakatha-sanvaad hyanchihi paritoshika aahet. Pan problems sample navhate, te suru zale hote. Shooting-chya aadlya divshi aamcha tharavlela cameraman (punha ek pratishthit naav) mhanala, mi ha chitrapat karnaar nahi. Tyane pratyek goshtit khot daakhvayla suruvaat keli. Majha mhanna evadhach ki, manya aahe aamhi navin aahot; pan aadlya divshi?
Parat majhya bhavane tyachya eka mitracha naav suchavla, jo add-films cha cameraman hota, to Santosh Sivan barobar kaam karaycha. To Mumbait kami aani southlach jasta asaycha. Tyacha naav Suhas Gujhrathi. Shooting-chya aadlya raatri mi tyala bhetlo. Tyalahi katha aavadli. 7 chi shift aamhi 9 chi karun ghetli aani mi eka navya cameraman barobar shooting-la suruvaat keli. Majhya hya cameraman-la tya varshi sagli sarvotkrushtha chayachitranachi paritoshika aahet. Mhanje jya goshti duravlya tya changlyasathich mhanta yeil.
Shooting darmyan-hi aamhala bharpur problems aale. Kadhi stock nahi, kadhi cheques nahit, kadhi yogya kapade nahit. Hya saglyavar math karun aamhi aamcha banavla. Ek divas 7 chya shift la ravivaar aslyamule 9:30 paryanta majhyakade stock-ch navhata. Mi lab madhe jaun special letter deun to stock aanla. Toparyanta camera ikdun tikde firvat vel nibhavun nheli. Tyamule kunachya lakshaat aala nahi, pan nashibane aani devane khup saath dili aani majha pahila chitrapat purna zala. To release zala, pan tya pudhchahi kahi mahiti navhata. Ek divas majhi aai paper-var kothimbir nivdat astana Zee Marathi Gaurav Puraskar cha entry form tila tya paper-at disla. Tine mala phone kela, tovhar aamhala tyabaddal kahihi mahiti navhata. Paper-at na number gheun mi Zee Marathi la phone kela, tar toch divas nemka entry cha shevatcha divas. Request karun aamhi dusrya divshi form bharla. Tyanantar pudhe je zala tyane majha aayushya sampurnapane badalla. Majhya chitrapatala tya varshi sagle puraskar milale. Sangaycha itkach aahe ki kitihi problems aale tari mi sodun dila nahi. Devane bharpur saath dili, adchani dilya pan marga-hi dila. Mi taavun-salakhun baher padlo aani ‘Mrugjal’ astitvaat aala. Kaaran, ‘dil se’ karma tha. Himmat nahi haarna, bas koshish karte rehna. Where there is a will, there has to be a way!
SATISH RAJWADE
Aapan fakta jinkaycha! [26th Nov 2008] PRAHAR
Editing kartana baryach goshti clear hot gelya. Ya madhyamatun katha kashi sangitli jaate, he navyane kalla. Khara saangaycha tar vaachanamula mala hyachi kalpana hoti, pan sankalanamule tya kalpanecha vaastav-rupaat kasa aavishkaar ghadvaycha he kalla. Mala ajun pudhe jaycha hota. Mala katha majhya paddhatine saangaychya hotya. Mala digdarshak vhaycha hota. Pan majhya vayakade aani anubhavakade pahata kunich majhyavar vishwas thevayla tayaar navhata. Majha ek mitra aahe, Navin Upadhyay. Tyane mala vicharla ‘tu nemka kay kartos? Halli disat nahis?’ Mi tyala editing baddal saangitla. Ekda neun daakhavla. Tyane mala madat karaychi tharavli. Pan punha tech. aadhi ‘majhyavar’ kuni vishwas thevat navhata aani aata ‘aamchyavar’ kuni vishwas thevenasa zala.
Pan where there is a will there is always a way! Mohan Joshi aani Rima taine majhyavar vishwas daakhavla aani mi majha pahila Hindi episode digdarshit kela. Tya episode cha naav hota ‘Pal’. ‘Pal’ kartana khup shiklo. Aaplyala jya goshti yetat tya kiti apurna aahet te kalla. Jya yetat tya aankhikiti yayla havya te kalla. To episode gheun eka navya umeed-ne channels kade jau laglo. Khadtar pravaas suru zala hota. Aamhala kalla, aamhala kunihi vaali nahi. Fakta episode banvun chalet nahi. To saglyanna aavdunhi chalet nahi. Tyasathi aankhin kahitari lagta. Kay? Nashib, aamhi nishkarsha kaadhla.
Pan ek darwaja banda hoto, tar dusra ughadto mhantat na, te kharay. Majhya hya mitracha ek mitra music companyit kamala hota. Tyane aamchi meeting tyanchya CEOshi karun dili. Aamhi tyala aamcha episode daakhavla. To nehmipramane tyannahi aavadla aani aamhi vichar kela,zala, aavadla yanna! Saglech aavadla mhantat aani pudhe kahich nahi karat. Pan ithe maatra aamhi chuklo. Tyanni mala tyanchya music company che music video direct karayla dile. Mala majhya kananvar vishwas-ch basat navhata.
Mi aani majha mitra aamhi kamala laaglo aani aamhi aamcha pahila music video banavla. Pahilyanda film medium var kaam kela. Aamchi mehenat vaya geli nahi. To music video music chart madhe baryapaiki gaajla. Tya companyla hi baryapaiki mileage milala. Tyanni mala vicharla ‘tujhyakade kahi katha aahe ka? Aamhala ek hindi cinema banvaycha aahe.’ Ha majhyasathi aankhi ek dhakka hota. Mi tyanna mhantla ‘ek chotasa hindi cinema banavnyapeksha aapan ek changla Marathi cinema banvu.’ Tyanni kahi kshan vichar kela aani mala hokaar dila. Aani mag pravaas suru zala majhya pahilya chitrapatacha. Majhya swapnacha. Majha pahila chitrapat ‘Mrugjal’.
He majha swapna kharokhar saakaar honaar hota, ki ‘mrugjal’ch tharnaar, asa prashna majhyapramane anekanna padla. Pan majhyakade majhya prashnacha uttar hota. Te itaranna fakta dyaycha hota. Mag punha navyane suruvaat, punha ek kathin, khadtar pravaas suru zala, jo nehmich havahavasa vatto. Mi aani majhya mitrane ek-ek karun goshti gola kelya. Avishwas daakhavnare satat astat, ajunahi aahet aani kaayam rahnaar. Pay khechnare khechat rahnaar. Pan mhanun harnaaryaatle aapan nahi, he tyanna daakhavna jasta garjecha asta. Pudhe yenaryala saath dyavi, sadaiva haath dyava. Mala majhya mitranni donhi dila aani mi hi hech karin. Mala majhya mitrane ‘dil se’ saath deun swapnanchya daari aanun thevla. Tyasathi thankyou, mitra! Ekdum ‘dil se’!
SATISH RAJWADE
Pan where there is a will there is always a way! Mohan Joshi aani Rima taine majhyavar vishwas daakhavla aani mi majha pahila Hindi episode digdarshit kela. Tya episode cha naav hota ‘Pal’. ‘Pal’ kartana khup shiklo. Aaplyala jya goshti yetat tya kiti apurna aahet te kalla. Jya yetat tya aankhikiti yayla havya te kalla. To episode gheun eka navya umeed-ne channels kade jau laglo. Khadtar pravaas suru zala hota. Aamhala kalla, aamhala kunihi vaali nahi. Fakta episode banvun chalet nahi. To saglyanna aavdunhi chalet nahi. Tyasathi aankhin kahitari lagta. Kay? Nashib, aamhi nishkarsha kaadhla.
Pan ek darwaja banda hoto, tar dusra ughadto mhantat na, te kharay. Majhya hya mitracha ek mitra music companyit kamala hota. Tyane aamchi meeting tyanchya CEOshi karun dili. Aamhi tyala aamcha episode daakhavla. To nehmipramane tyannahi aavadla aani aamhi vichar kela,zala, aavadla yanna! Saglech aavadla mhantat aani pudhe kahich nahi karat. Pan ithe maatra aamhi chuklo. Tyanni mala tyanchya music company che music video direct karayla dile. Mala majhya kananvar vishwas-ch basat navhata.
Mi aani majha mitra aamhi kamala laaglo aani aamhi aamcha pahila music video banavla. Pahilyanda film medium var kaam kela. Aamchi mehenat vaya geli nahi. To music video music chart madhe baryapaiki gaajla. Tya companyla hi baryapaiki mileage milala. Tyanni mala vicharla ‘tujhyakade kahi katha aahe ka? Aamhala ek hindi cinema banvaycha aahe.’ Ha majhyasathi aankhi ek dhakka hota. Mi tyanna mhantla ‘ek chotasa hindi cinema banavnyapeksha aapan ek changla Marathi cinema banvu.’ Tyanni kahi kshan vichar kela aani mala hokaar dila. Aani mag pravaas suru zala majhya pahilya chitrapatacha. Majhya swapnacha. Majha pahila chitrapat ‘Mrugjal’.
He majha swapna kharokhar saakaar honaar hota, ki ‘mrugjal’ch tharnaar, asa prashna majhyapramane anekanna padla. Pan majhyakade majhya prashnacha uttar hota. Te itaranna fakta dyaycha hota. Mag punha navyane suruvaat, punha ek kathin, khadtar pravaas suru zala, jo nehmich havahavasa vatto. Mi aani majhya mitrane ek-ek karun goshti gola kelya. Avishwas daakhavnare satat astat, ajunahi aahet aani kaayam rahnaar. Pay khechnare khechat rahnaar. Pan mhanun harnaaryaatle aapan nahi, he tyanna daakhavna jasta garjecha asta. Pudhe yenaryala saath dyavi, sadaiva haath dyava. Mala majhya mitranni donhi dila aani mi hi hech karin. Mala majhya mitrane ‘dil se’ saath deun swapnanchya daari aanun thevla. Tyasathi thankyou, mitra! Ekdum ‘dil se’!
SATISH RAJWADE
Dil Se Karo, Dost! [25th Nov 2008] [PRAHAR]
Eka madhyam-vargiya kutumbaat majha janma zala. Aai-vadil doghehi Railway-et hote. Tyamule majhi jababdari majha motha bhau Shirish-var padli. Majhyapeksha 6 varshanni motha. Bhai mhanto mi tyala. Ashya samanya gharaat janmala yeun ya chanderi duniyet aapla career ghadavna ek kathin swapna hota. Kutumbatla kunich hya vyavsayat naslyamule suruvaat kuthun he hi mahiti navhata.
Lahaanpana-pasun vaachanachi aavad. Tyamule goshtincha pustak, tyatil chitra, katha sangnyache prakaar nakalat ka hoi na, samju lagle.
Hya-kherij, high-way varchya naalyat utrun gappi maase pakadna, rastyavar dhaavat jaun kaaplela patanga pakadna, ghara-samorchya junya banglyachya kaacha phodna hya aavdi-nivdi hi hotyach aani mag satat fatke khayche. Mag eka suttit, majhya aai-ne majha traas nako mhanun mala baal-naatya shibiraat paathavla.
Je kaahi karaycha te ‘dil se’ ha mantra hotach. Mag kay, chukun jaana zala aani aapla janma yach goshtisathi zalay he jaanavla. Itar saglya goshti duyyam vaatu laaglya. Majhyasamor nava vishwa, nava jag, nava swapna ubha rahila. Ya kaalpanik aani make-believe jagaat mi ramlo. Mi itar kahihi vichar karma sodla. Ekun 50 kivhan tyahun adhik baal-naatyaat vegveglya bhumika kelya. Bhai Mithibai mahavidyalayat jaat hota. Tikde abhyasabarobarach naatak, ekankika spardhanna khup mahatva hota. Mi 10th honya-aadhich tharavla hota ki hyach collegela jaycha. Degree gheta gheta mi ekankika spardhet kaam karayla laglo, mala abhinayachi paaritoshika milu laagli. INT spardhet sarvotkrushta vinod abhinayacha paritoshik milavlyavar mala majha pahila vyavsayik naatak milala Kedar Shindencha punarujjivit ‘TurTur’ hya naatkache mi 50 prayog kele. Hyat majhi eka Gujratyachi bhumika hoti. Pan mala khara motha break Chandralekhachya ‘All The Best’ ne milala. Ya naatkachya dusrya sanchaat mi bahiryachi bhumika karaycho. Marathi aani English ya donhi bhaashant mi hi bhumika saadar karaycho.
Eke divshi ya naatkachya prayog-darmyan mala Govind Nihalaninchya casting directorne tipla. Abhineta mhanun mala pahila Hindi chitrapat milala. Pan mala jaanavla ki aaplyala ajun pudhe jaychay. Kuthe, kasa he mahiti navhata. He vicharnyasathi mi Govindjinna bhetayla tyanchya editing studio-t gelo aani mala jaanavla ki khara cinema ithe banto. Punha ekda majhya aayushyala kalaatni milali. Mi tharavla editor vhaycha. Je kahi karma-dharma-sanyogane milaycha hota te milala hota. Aata kashta karun milvaycha hota. Mi tyanchi parvangi gheun editingla jayla laglo. Tyanni ek-don thikani majha naav suchavla. Saglikade niyam ekach. Prashna vicharayche nahit, jitka shikta yeil titka shikaycha. Majhi hi jidda aani chikati tikvun thevayla majhi bayko Pallavi hicha mala khup support milala. Naatak sodla aani varshabhar kaslihi apeksha na thevta, ekahi paisa na milavta mi kaam karat rahilo. Darmyaan, mi, B. R Chopranchya television department madhe 8 mahine editor mhanun kaam kela, binpagari. Aaplyala jyachi aavad aahe, tech karayla milna kathin aste. Pan gharchyancha paathimba hota. Honarya baykochi ‘dil se’ saath hoti. Tichya gharchyancha vishwas hota. Kashtala paryay nahi. Jar mi karu shakto, tar kunihi karu shakta. Bas dil se karo, dost!
SATISH RAJWADE
Lahaanpana-pasun vaachanachi aavad. Tyamule goshtincha pustak, tyatil chitra, katha sangnyache prakaar nakalat ka hoi na, samju lagle.
Hya-kherij, high-way varchya naalyat utrun gappi maase pakadna, rastyavar dhaavat jaun kaaplela patanga pakadna, ghara-samorchya junya banglyachya kaacha phodna hya aavdi-nivdi hi hotyach aani mag satat fatke khayche. Mag eka suttit, majhya aai-ne majha traas nako mhanun mala baal-naatya shibiraat paathavla.
Je kaahi karaycha te ‘dil se’ ha mantra hotach. Mag kay, chukun jaana zala aani aapla janma yach goshtisathi zalay he jaanavla. Itar saglya goshti duyyam vaatu laaglya. Majhyasamor nava vishwa, nava jag, nava swapna ubha rahila. Ya kaalpanik aani make-believe jagaat mi ramlo. Mi itar kahihi vichar karma sodla. Ekun 50 kivhan tyahun adhik baal-naatyaat vegveglya bhumika kelya. Bhai Mithibai mahavidyalayat jaat hota. Tikde abhyasabarobarach naatak, ekankika spardhanna khup mahatva hota. Mi 10th honya-aadhich tharavla hota ki hyach collegela jaycha. Degree gheta gheta mi ekankika spardhet kaam karayla laglo, mala abhinayachi paaritoshika milu laagli. INT spardhet sarvotkrushta vinod abhinayacha paritoshik milavlyavar mala majha pahila vyavsayik naatak milala Kedar Shindencha punarujjivit ‘TurTur’ hya naatkache mi 50 prayog kele. Hyat majhi eka Gujratyachi bhumika hoti. Pan mala khara motha break Chandralekhachya ‘All The Best’ ne milala. Ya naatkachya dusrya sanchaat mi bahiryachi bhumika karaycho. Marathi aani English ya donhi bhaashant mi hi bhumika saadar karaycho.
Eke divshi ya naatkachya prayog-darmyan mala Govind Nihalaninchya casting directorne tipla. Abhineta mhanun mala pahila Hindi chitrapat milala. Pan mala jaanavla ki aaplyala ajun pudhe jaychay. Kuthe, kasa he mahiti navhata. He vicharnyasathi mi Govindjinna bhetayla tyanchya editing studio-t gelo aani mala jaanavla ki khara cinema ithe banto. Punha ekda majhya aayushyala kalaatni milali. Mi tharavla editor vhaycha. Je kahi karma-dharma-sanyogane milaycha hota te milala hota. Aata kashta karun milvaycha hota. Mi tyanchi parvangi gheun editingla jayla laglo. Tyanni ek-don thikani majha naav suchavla. Saglikade niyam ekach. Prashna vicharayche nahit, jitka shikta yeil titka shikaycha. Majhi hi jidda aani chikati tikvun thevayla majhi bayko Pallavi hicha mala khup support milala. Naatak sodla aani varshabhar kaslihi apeksha na thevta, ekahi paisa na milavta mi kaam karat rahilo. Darmyaan, mi, B. R Chopranchya television department madhe 8 mahine editor mhanun kaam kela, binpagari. Aaplyala jyachi aavad aahe, tech karayla milna kathin aste. Pan gharchyancha paathimba hota. Honarya baykochi ‘dil se’ saath hoti. Tichya gharchyancha vishwas hota. Kashtala paryay nahi. Jar mi karu shakto, tar kunihi karu shakta. Bas dil se karo, dost!
SATISH RAJWADE
ASAMBHAV NAHI SAMBHAV [24th Nov 2008] [ PRAHAR]
Namaskar,sarv rasikanna majha namaskar.aaj mala tumchyashi sanvad sadhaychi sandhi milali ahe,tumchya mayemule,premamule! marathi manasasarkha chokhandal manushya nahi aani ashya chokhandal manasakadun jevha aaplya kamachi dakhal ghetli jaate,shabaskichi pavati milte,tevha tyachi nashe veglich aste.hi nashach majhyasarkhya kaikanna ankhin changla karnyas pravrutt karte.
Tar,punha ekda abhar manun mi aaplya sanvadala survaat karto.je kahi mi aplyasamor mandu ichhitto te ekdum ‘dil se’ aahe.kaaran mulat balkaduch asa milala ahe,’je karshil te manapasun kar,ardhvat nahi. karaychay mhanun karaycha asa nahi.jo bhi karma hai pure dil se.’ agdi lahanpanapasun ha kanmantra angavalni padla.khelayla gelo ki, mag jevan,ghardar visraycha,kaal-vel visaraychi.apla astitva fakt ya khelsathich aslyasarkha vagaycha.maitri keli ki mag to mitra aapla sarvasva aslyasarkha tyachyasathi jagaycha.ha jo kanmantra milala tyanech mala swatantra banavla .it made me independent.ekhadi gosht karaychi mhantli ki, ti purna hoiparyanta manapasun karaychi.mag ti jamlich pahije ani ashi tashi nahi,agdi shambhar takke aani tyamulech xtra efforts karaychi savay lagli. aaivadilanna khatri hoti ki aapla mulga gairvartan karnar nahi.je kahi karel te yogya karel aani mukhya mhanje changla kaam karel ,maan lavun karel.tyanchich shikvan na tyamule perfection chi savay lagat geli aani halu halu tyashivay gammat nahi he janavayala lagla.je kahi karaycha te ekdum ‘dil se’. mag tyt compromise nahi .hi savay halu halu attahaas banu lagli aani kadachit hi savay asel tarach aapan vegla kahi karu shaku, ashi mala khatri patu lagli.’ killer instinct’ mhantat te bahuda asach yet gela.karan manapasun keleli goshta kadhich vaya jaat nahi aani aapan je manapasun karto te lokanparyant nakkich pohochta . lok tyachi pavti detat aani hich pavati jinknyachi prerna det rahte .kaaran mag satat changla kahitari karnyachi toparyanta savay jhaleli aste na.mag satat lokanparyant sarvotkrushta sadar karaychi talmal suru hote.mag swatahshich spardha suru hote.
kuthe tari aaplya ya dil se pravruttichi maskari keli jaatech jaate. murkhat kadhtat lok,pan mag yach lokanpeksha aapan vegle aahot, mhanun tar aapan aapan aahot,he janavta.haach attitude mala majhya kamat khup upyogi padla.je karaycha te agdi ‘dil se’ swatahla jhokun deun aani mhanunach kadachit majhya pahilya filmla vividha puraskar milale anek adchanit adkunhi aani mhanunach kadachit asambhav sarkhi vegli aani kathin mallika sarvat lokpriya ahe.kaaran mulat ‘as the captain of the ship’(..... ....) saglyanna mi hach mantra dila ahe .jo bhi hai sab ‘dil se’ mag ka nahi yash milnar? tumhi pan apply karun bagha ha formula sagli ganitach badaltat.ayushyakade pahnyacha approach badalto. dil se kar dost,fir chahe voh kaam ho, pyar ho ya kuch aur dil se kar. asambhav asa kahich nahi.atta vishay nighalach ahe, tar mala sangitlashivay rahvat nahi.’asambhav’ miss karu naka. awak karnare twists ani turns pahayla milnar ahet, kahi goshti aapan lahan aslyapasun aikto,pan jya goshti kalpane palikadchya aahet tya asambhav aahet.aani tya’asambhav madhe hi aahet.
SATISH RAJWADE
Tar,punha ekda abhar manun mi aaplya sanvadala survaat karto.je kahi mi aplyasamor mandu ichhitto te ekdum ‘dil se’ aahe.kaaran mulat balkaduch asa milala ahe,’je karshil te manapasun kar,ardhvat nahi. karaychay mhanun karaycha asa nahi.jo bhi karma hai pure dil se.’ agdi lahanpanapasun ha kanmantra angavalni padla.khelayla gelo ki, mag jevan,ghardar visraycha,kaal-vel visaraychi.apla astitva fakt ya khelsathich aslyasarkha vagaycha.maitri keli ki mag to mitra aapla sarvasva aslyasarkha tyachyasathi jagaycha.ha jo kanmantra milala tyanech mala swatantra banavla .it made me independent.ekhadi gosht karaychi mhantli ki, ti purna hoiparyanta manapasun karaychi.mag ti jamlich pahije ani ashi tashi nahi,agdi shambhar takke aani tyamulech xtra efforts karaychi savay lagli. aaivadilanna khatri hoti ki aapla mulga gairvartan karnar nahi.je kahi karel te yogya karel aani mukhya mhanje changla kaam karel ,maan lavun karel.tyanchich shikvan na tyamule perfection chi savay lagat geli aani halu halu tyashivay gammat nahi he janavayala lagla.je kahi karaycha te ekdum ‘dil se’. mag tyt compromise nahi .hi savay halu halu attahaas banu lagli aani kadachit hi savay asel tarach aapan vegla kahi karu shaku, ashi mala khatri patu lagli.’ killer instinct’ mhantat te bahuda asach yet gela.karan manapasun keleli goshta kadhich vaya jaat nahi aani aapan je manapasun karto te lokanparyant nakkich pohochta . lok tyachi pavti detat aani hich pavati jinknyachi prerna det rahte .kaaran mag satat changla kahitari karnyachi toparyanta savay jhaleli aste na.mag satat lokanparyant sarvotkrushta sadar karaychi talmal suru hote.mag swatahshich spardha suru hote.
kuthe tari aaplya ya dil se pravruttichi maskari keli jaatech jaate. murkhat kadhtat lok,pan mag yach lokanpeksha aapan vegle aahot, mhanun tar aapan aapan aahot,he janavta.haach attitude mala majhya kamat khup upyogi padla.je karaycha te agdi ‘dil se’ swatahla jhokun deun aani mhanunach kadachit majhya pahilya filmla vividha puraskar milale anek adchanit adkunhi aani mhanunach kadachit asambhav sarkhi vegli aani kathin mallika sarvat lokpriya ahe.kaaran mulat ‘as the captain of the ship’(..... ....) saglyanna mi hach mantra dila ahe .jo bhi hai sab ‘dil se’ mag ka nahi yash milnar? tumhi pan apply karun bagha ha formula sagli ganitach badaltat.ayushyakade pahnyacha approach badalto. dil se kar dost,fir chahe voh kaam ho, pyar ho ya kuch aur dil se kar. asambhav asa kahich nahi.atta vishay nighalach ahe, tar mala sangitlashivay rahvat nahi.’asambhav’ miss karu naka. awak karnare twists ani turns pahayla milnar ahet, kahi goshti aapan lahan aslyapasun aikto,pan jya goshti kalpane palikadchya aahet tya asambhav aahet.aani tya’asambhav madhe hi aahet.
SATISH RAJWADE
MUMBAI TIMES [ 28th Oct 2008]
An article has appeared in 28th Oct’s Mumbai Times. I could not find its link. Here is what the article quotes…
‘Saas-bahu’nchya malikanmadhun break milvun denari ‘asambhav’ hi malika prekshakan madhye khupach lokpriya aahe. Hya lokapriyatemagcha ek kaaran mhanje hya maliketil abhineta & digdarshak Satish Rajwade aani malikecha lekhak chinmay mandlekar. Pan production house barobar zalelya vaadanmule madhyantarach hya doghanchi hi gacchanti zali aani malikecha trp ghasarayla suruvaat zali.
Hya doghachyahi exit mule maliketil interest tar kami zalach, pan tyach barobar malika banda kara mhanun orad hi suru zali. Sarteshevti channel aani production housela prekshakanchi dakhal ghyavich lagli. Hya mule asambhav madhun anek diwas haravlela chehra insp. Vikrant Bhosle mhanjech Satish Rajwade diwalichya muhurtavar punha entry ghetoy. Ya babat tyala vicharlyavar “mi asambhavcha avibhajya bhag aahe. Madhlya kaalat kahi tantrik karnane mi malikebaher aslo tari malikeshi matra mi kaayamach nigadit aahe. Ya pudhe anek goshti ghadnaar asun tyatla natya prekshakanna khelvun thevel” asa Satish Rajwadenni Mumbai Times chi boltana sangitle.
Malika pakad ghet astanach tyachya achanak adrushya honyala anek artha lavle gele. Itkach navhe tar to digdarshan karat astana malikevar asleli pakad tyachya janyane dhili padlyachahi bolla jaat hota. Pan ya pudhe tyala parat yenya barobarach maliketil anek rahasymay ukalali jayla suruvaat honaar aahe.
[Finally ti baatmi ali jyachi sarvach jan khup vaat pahat hote. Satish Rajwadenni punha ekda Asambhav chya direction chi jababdaari swikarli. And to quote the Satish Rajwade himself: Mi asambhavcha avibhajya bhag aahe. He je Satish na ani aplyala mahit hota te producers na dekhil patla ani Asambhav chi rulavarun ghasarleli gaadi punha halu halu rulavar yeu lagli. Chaar mahinyat jyanni asambhav baghna sodlela ashya anekanni punha serial baghayala suruvat keli. Digdarshak: Satish Rajwade he pahun aplya sarvanna kay vatla he mala ithe lihaychi garaj nahi. Ani Priya ani Vikrant chi ti pahili bhet tar apan kadhich visaru shaknar nahi. Tyachveli fanclub che members suddha 10 divsat 100ni vaadhle!! Mumbai Times madhe ‘te’ article]
‘Saas-bahu’nchya malikanmadhun break milvun denari ‘asambhav’ hi malika prekshakan madhye khupach lokpriya aahe. Hya lokapriyatemagcha ek kaaran mhanje hya maliketil abhineta & digdarshak Satish Rajwade aani malikecha lekhak chinmay mandlekar. Pan production house barobar zalelya vaadanmule madhyantarach hya doghanchi hi gacchanti zali aani malikecha trp ghasarayla suruvaat zali.
Hya doghachyahi exit mule maliketil interest tar kami zalach, pan tyach barobar malika banda kara mhanun orad hi suru zali. Sarteshevti channel aani production housela prekshakanchi dakhal ghyavich lagli. Hya mule asambhav madhun anek diwas haravlela chehra insp. Vikrant Bhosle mhanjech Satish Rajwade diwalichya muhurtavar punha entry ghetoy. Ya babat tyala vicharlyavar “mi asambhavcha avibhajya bhag aahe. Madhlya kaalat kahi tantrik karnane mi malikebaher aslo tari malikeshi matra mi kaayamach nigadit aahe. Ya pudhe anek goshti ghadnaar asun tyatla natya prekshakanna khelvun thevel” asa Satish Rajwadenni Mumbai Times chi boltana sangitle.
Malika pakad ghet astanach tyachya achanak adrushya honyala anek artha lavle gele. Itkach navhe tar to digdarshan karat astana malikevar asleli pakad tyachya janyane dhili padlyachahi bolla jaat hota. Pan ya pudhe tyala parat yenya barobarach maliketil anek rahasymay ukalali jayla suruvaat honaar aahe.
[Finally ti baatmi ali jyachi sarvach jan khup vaat pahat hote. Satish Rajwadenni punha ekda Asambhav chya direction chi jababdaari swikarli. And to quote the Satish Rajwade himself: Mi asambhavcha avibhajya bhag aahe. He je Satish na ani aplyala mahit hota te producers na dekhil patla ani Asambhav chi rulavarun ghasarleli gaadi punha halu halu rulavar yeu lagli. Chaar mahinyat jyanni asambhav baghna sodlela ashya anekanni punha serial baghayala suruvat keli. Digdarshak: Satish Rajwade he pahun aplya sarvanna kay vatla he mala ithe lihaychi garaj nahi. Ani Priya ani Vikrant chi ti pahili bhet tar apan kadhich visaru shaknar nahi. Tyachveli fanclub che members suddha 10 divsat 100ni vaadhle!! Mumbai Times madhe ‘te’ article]
'ASAMBHAV’ punha Satish Rajwadenkade [SAKAL] 19th Sept 2008
Natyapurna ghadamodi:vikrant bhoslenche punaragman
zee marathi varil asambhav ya malikeche bhavitavya kitpat sambhav aahe,ashi charcha T.V industryit chalu astanach aata natyapurna ghadamodi ya maliket ghadnar aahet.yapurvi ya maliketun baher gelele lekhak chinmay mandlekar punha paratla ahe.tyachyapathopat aata digdarshak satish rajwadedekhil punha hi malika take over karnar ahe;shivay vikrant bhoslechi bhumikahi to sakarnar ahe.
‘atharva communication’ya bannerkhali pallavi joshi yani ‘asambhav’ hi malika anli.punarjanmavar adharit asleli hi malika sadhya janmansat changlich lokpriya tharli ahe;matra madhyantarichya kalat ya malikela vadache galbot lagle hote.digdarshak satish rajwade aani lekhak chinmay mandlekar yanni ya maliketun baher padne pasant kele hote. tyamule avadhoot kadam yanni ya malikechya digdarshanachi; tar ambar hadap yanni lekhanachi javabdari sambhalli hoti.tarihi aata hi malika aapla gasha lavkarach gundalnar, ashihi ek aavai uthli hoti.
abhimanchi bhumika sakarnara chinmayhi paratla aahe aani tyachyapathopat aata vikrant bhoslechi bhumika sakarnara satish rajwadedekhil paratnar aahe.abhinayabarobarach digdarshanachi sutre dekhil to hati ghenar ahe,yababat zee marathi che programming head nikhil sane mhanale,ki satish chitrapatat busy hota mhanun to ya malikepasun thode diwas dur rahila hota.aata tyachyashi aamchi charcha jhali ahe.to ya malikesathi vel denar ahe.
[Chaar mahine asambhav pasun satish rajwade door rahile. Ani hya chaar mahinyat hya lokpriya serial chi adhogati apan saglyanich baghitli. Hya kaalat anek rumours hotya, satish chya punaraagamanachya. Ani mhanunach kadachit Sakal madhe satish chya punaraagamanachi baatmi chapun ali asun suddha lokanni tyachyavar sahaj vishwaas thevla nahi. Te fakta vaat baghat hote ki Satish aplya chahtyanna swataha tyanich suru kelelya community var [ Asamabhav with Satish Rajwade] kalavtil. Sakal madhla to lekh]
zee marathi varil asambhav ya malikeche bhavitavya kitpat sambhav aahe,ashi charcha T.V industryit chalu astanach aata natyapurna ghadamodi ya maliket ghadnar aahet.yapurvi ya maliketun baher gelele lekhak chinmay mandlekar punha paratla ahe.tyachyapathopat aata digdarshak satish rajwadedekhil punha hi malika take over karnar ahe;shivay vikrant bhoslechi bhumikahi to sakarnar ahe.
‘atharva communication’ya bannerkhali pallavi joshi yani ‘asambhav’ hi malika anli.punarjanmavar adharit asleli hi malika sadhya janmansat changlich lokpriya tharli ahe;matra madhyantarichya kalat ya malikela vadache galbot lagle hote.digdarshak satish rajwade aani lekhak chinmay mandlekar yanni ya maliketun baher padne pasant kele hote. tyamule avadhoot kadam yanni ya malikechya digdarshanachi; tar ambar hadap yanni lekhanachi javabdari sambhalli hoti.tarihi aata hi malika aapla gasha lavkarach gundalnar, ashihi ek aavai uthli hoti.
abhimanchi bhumika sakarnara chinmayhi paratla aahe aani tyachyapathopat aata vikrant bhoslechi bhumika sakarnara satish rajwadedekhil paratnar aahe.abhinayabarobarach digdarshanachi sutre dekhil to hati ghenar ahe,yababat zee marathi che programming head nikhil sane mhanale,ki satish chitrapatat busy hota mhanun to ya malikepasun thode diwas dur rahila hota.aata tyachyashi aamchi charcha jhali ahe.to ya malikesathi vel denar ahe.
[Chaar mahine asambhav pasun satish rajwade door rahile. Ani hya chaar mahinyat hya lokpriya serial chi adhogati apan saglyanich baghitli. Hya kaalat anek rumours hotya, satish chya punaraagamanachya. Ani mhanunach kadachit Sakal madhe satish chya punaraagamanachi baatmi chapun ali asun suddha lokanni tyachyavar sahaj vishwaas thevla nahi. Te fakta vaat baghat hote ki Satish aplya chahtyanna swataha tyanich suru kelelya community var [ Asamabhav with Satish Rajwade] kalavtil. Sakal madhla to lekh]
A Blog: 14th Aug 2008
Director Satish Rajwade’s sudden exit from the popular Marathi TV serial “Asambhav” has deprived a good story of its great story teller. Sudhir Raikar spoke to the unassuming talent whose innovative style statement in editing and direction marks a new chapter in Marathi entertainment.
At 34, Satish Rajwade wears the reassuring smile of a seasoned professional. He’s unassuming to the core, unfazed by success and controversies but ask him about his trade and the conviction comes alive in his gleaming eyes. “I love my work. Whatever little I have achieved till date has been the result of my unflinching devotion to my work. Nothing else matters”
Rajwade’s arrival in the entertainment industry seemed destined in an unlikely way, ever since he participated in an acting workshop in suburban Ville Parle as a kid of 12. School and college years were replete with awards and mementos that recognized his acting skills.
“I joined the commerce stream of Mithibai College only for its conducive theatre environment. Thanks to my passion, I acted in over 158 one-act plays in English, Hindi, Marathi and Gujarathi” He reveals.
His first tryst with success came in the form of the Marathi play “All the best” where his co-artiste was class mate Shreyas Talpade, long before the latter stuck gold in tinsel town. “It was director Mahesh Manjrekar, my mentor and well wisher, who was instrumental in offering me the Hindi version of “All the best”. The Marathi version followed, for a good 890 shows.”
During one of these shows, Rajwade won the attention of director Govind Nihalani’s crew. Before he knew, he bagged a role in Nihalani’s offbeat film “Sanshodhan” alongside the likes of Manoj Vajpayee. This was followed by two-bit roles in “Hazaar Chourasi ki Maa” and Manjrekar’s “Vastaav” and “Nidaan”. The association with Nihalani introduced Rajwade to the world of film editing and he found his purpose, waiting for him at the cross roads.
“I suddenly realized this is where the actual film happens. The sheer thrill ignited my passion and I began learning the ropes, assisting Nihalani as a trainee editor sans stipend and conveyance”
This marked the second innings of Rajwade – as a director. His debut happened through a music album “Na Jaane Kyun” starring model Samir Dharmadhikari. The album was well received and the producers, happy with the unexpected success, urged Rajwade to direct a Hindi film.
“I suggested a cost effective route in the form of a Marathi film – such that if it bombed, the loss, like the profit, would be lower. This argument got the buy-in and work on “Mrigjal” began.” But the cakewalk ended there.
Rajwade never realized “Mrigjal” could be such a litmus test of his tenacity. At the eleventh hour, he found his prospective screen play writers shying away. “In the heat of the moment, I wrote the story myself. If this was not enough, my cameraman did a vanishing act – I had to pull my personal contacts to rope in Suhas Gujarathi at the last minute”
Even as Rajwade took things in his stride with bated breath, “Mrigjal” bagged 23 awards including story, screenplay and cinematography – all products of accidental afterthought. This was the first grand proof of Rajwade’s genius.
“Mrigjal” won critical acclaim for Rajwade but the offers that followed were not heartening. They came either from fly-by-night operators trying to make hay or from one-time directors looking to utilize government grants, employing shoe-string budgets only to fill their pockets. Rajwade chose to stay away, at the cost of being without work for a substantial time. “It was my family that saw me through these difficult times. I owe my success to them”
Zee TV played his savior too, offering him serials like “Duniyadari” and “Oon Pawus”. Then “Asambhav” happened. And the rest is history.
Rarely has any Marathi serial won worldwide attention for the quality of its production. It was Rajwade’s astute direction and debutant Chinmay Mandlekar’s dialogues that has made “Asambhav” such a huge hit, even among non-maharashtrian households. For an audience nauseating in the overdose of mindless melodrama, “Asambhav” proved a breather. In a record achievement, it bagged five awards at the 33rd Radio and Television Advertising Practitioners’ Association of India (RAPA) awards function. The serial won Rajwade celebrity fans including the veteran composer Pyarelal of Laxmikant-Pyarelal fame who called him to his residence to congratulate him.
The story deals with the controversial and tabooed theme of rebirth but thanks to Rajwade’s treatment, the story is an entertaining mix of tradition and innovation. On one hand, it upholds traditional values seeped in religious thought. On the other, it questions beliefs and dogmas. In exploring the abnormal, normal and the paranormal, all in the same breath, it does not make any exclusive claims to truth.
Rajwade intersperses a dark sinister look of a racy whodunit plot and a sober family drama with amazing flair and authority. The serial does lose its rhythm at times, led by a wayward storyline and some mediocre players, but few enduring performances – notably that of Sharvari Patankar (Priya), Sagar Talashilkar (Chandu), Kishore Kadam (Saranjame), Chinmay Mandlekar (Abhimaan), Rajwade himself (Inspector Bhonsale) and to some extent, Anand Abhyankar (Dinanath Shastri) - are of such high quality that they unknowingly raise the bar for Marathi television, otherwise known for its shallow production values.
In a recent development, Rajwade has chosen to part ways with the team, close on the heels of Mandlekar’s exit. He asserts his reasons are purely personal and do not stem from any hostile difference of opinion with the producers, as media reports blatantly conclude. Though emotional, he is not bitter in the aftermath of the separation.
“I have thoroughly enjoyed the “Asambhav” experience and I am indebted to Nikhil Sane of Zee Marathi for this wonderful opportunity. I also thank my well wishers and the audience from the world over who have appreciated my work” he acknowledges.
His admirers want him back as the captain of the “Asambhav” ship and they have formed fan clubs on social networking sites like Orkut, urging the producers to call back their “director” hero.
For Rajwade however, this exit, though painful, is not a full stop. He is busy on some interesting projects and chooses to look ahead. One of his much-talked about Hindi venture was “Akhand” – a story set in pre-independent India that was to cast super star Akshay Kumar in a negative role, besides Abhishek Bachchan and Suneil Shetty in pivotal roles. “Unfortunately, the project had to be shelved. But the subject being so close to my heart, I hope to revive it soon. I keep my fingers crossed”
“Akhand” or no “Akhand”, “Asambhav” or no “Asambhav”, Satish Rajwade has arrived. A director by choice, he has no qualms about sacrificing the fine actor in him. In the process, he brings with him such finesse which would make the stalwarts proud.
[A blog entry by Sudhir Raikar wherein we again find a mention of the fact that Satish Rajwade’s absence is as much felt as his presence[in asambhav] was appreciated.
A BLOG: [http://www.coastaldelights.blogspot.com/ ] ]
At 34, Satish Rajwade wears the reassuring smile of a seasoned professional. He’s unassuming to the core, unfazed by success and controversies but ask him about his trade and the conviction comes alive in his gleaming eyes. “I love my work. Whatever little I have achieved till date has been the result of my unflinching devotion to my work. Nothing else matters”
Rajwade’s arrival in the entertainment industry seemed destined in an unlikely way, ever since he participated in an acting workshop in suburban Ville Parle as a kid of 12. School and college years were replete with awards and mementos that recognized his acting skills.
“I joined the commerce stream of Mithibai College only for its conducive theatre environment. Thanks to my passion, I acted in over 158 one-act plays in English, Hindi, Marathi and Gujarathi” He reveals.
His first tryst with success came in the form of the Marathi play “All the best” where his co-artiste was class mate Shreyas Talpade, long before the latter stuck gold in tinsel town. “It was director Mahesh Manjrekar, my mentor and well wisher, who was instrumental in offering me the Hindi version of “All the best”. The Marathi version followed, for a good 890 shows.”
During one of these shows, Rajwade won the attention of director Govind Nihalani’s crew. Before he knew, he bagged a role in Nihalani’s offbeat film “Sanshodhan” alongside the likes of Manoj Vajpayee. This was followed by two-bit roles in “Hazaar Chourasi ki Maa” and Manjrekar’s “Vastaav” and “Nidaan”. The association with Nihalani introduced Rajwade to the world of film editing and he found his purpose, waiting for him at the cross roads.
“I suddenly realized this is where the actual film happens. The sheer thrill ignited my passion and I began learning the ropes, assisting Nihalani as a trainee editor sans stipend and conveyance”
This marked the second innings of Rajwade – as a director. His debut happened through a music album “Na Jaane Kyun” starring model Samir Dharmadhikari. The album was well received and the producers, happy with the unexpected success, urged Rajwade to direct a Hindi film.
“I suggested a cost effective route in the form of a Marathi film – such that if it bombed, the loss, like the profit, would be lower. This argument got the buy-in and work on “Mrigjal” began.” But the cakewalk ended there.
Rajwade never realized “Mrigjal” could be such a litmus test of his tenacity. At the eleventh hour, he found his prospective screen play writers shying away. “In the heat of the moment, I wrote the story myself. If this was not enough, my cameraman did a vanishing act – I had to pull my personal contacts to rope in Suhas Gujarathi at the last minute”
Even as Rajwade took things in his stride with bated breath, “Mrigjal” bagged 23 awards including story, screenplay and cinematography – all products of accidental afterthought. This was the first grand proof of Rajwade’s genius.
“Mrigjal” won critical acclaim for Rajwade but the offers that followed were not heartening. They came either from fly-by-night operators trying to make hay or from one-time directors looking to utilize government grants, employing shoe-string budgets only to fill their pockets. Rajwade chose to stay away, at the cost of being without work for a substantial time. “It was my family that saw me through these difficult times. I owe my success to them”
Zee TV played his savior too, offering him serials like “Duniyadari” and “Oon Pawus”. Then “Asambhav” happened. And the rest is history.
Rarely has any Marathi serial won worldwide attention for the quality of its production. It was Rajwade’s astute direction and debutant Chinmay Mandlekar’s dialogues that has made “Asambhav” such a huge hit, even among non-maharashtrian households. For an audience nauseating in the overdose of mindless melodrama, “Asambhav” proved a breather. In a record achievement, it bagged five awards at the 33rd Radio and Television Advertising Practitioners’ Association of India (RAPA) awards function. The serial won Rajwade celebrity fans including the veteran composer Pyarelal of Laxmikant-Pyarelal fame who called him to his residence to congratulate him.
The story deals with the controversial and tabooed theme of rebirth but thanks to Rajwade’s treatment, the story is an entertaining mix of tradition and innovation. On one hand, it upholds traditional values seeped in religious thought. On the other, it questions beliefs and dogmas. In exploring the abnormal, normal and the paranormal, all in the same breath, it does not make any exclusive claims to truth.
Rajwade intersperses a dark sinister look of a racy whodunit plot and a sober family drama with amazing flair and authority. The serial does lose its rhythm at times, led by a wayward storyline and some mediocre players, but few enduring performances – notably that of Sharvari Patankar (Priya), Sagar Talashilkar (Chandu), Kishore Kadam (Saranjame), Chinmay Mandlekar (Abhimaan), Rajwade himself (Inspector Bhonsale) and to some extent, Anand Abhyankar (Dinanath Shastri) - are of such high quality that they unknowingly raise the bar for Marathi television, otherwise known for its shallow production values.
In a recent development, Rajwade has chosen to part ways with the team, close on the heels of Mandlekar’s exit. He asserts his reasons are purely personal and do not stem from any hostile difference of opinion with the producers, as media reports blatantly conclude. Though emotional, he is not bitter in the aftermath of the separation.
“I have thoroughly enjoyed the “Asambhav” experience and I am indebted to Nikhil Sane of Zee Marathi for this wonderful opportunity. I also thank my well wishers and the audience from the world over who have appreciated my work” he acknowledges.
His admirers want him back as the captain of the “Asambhav” ship and they have formed fan clubs on social networking sites like Orkut, urging the producers to call back their “director” hero.
For Rajwade however, this exit, though painful, is not a full stop. He is busy on some interesting projects and chooses to look ahead. One of his much-talked about Hindi venture was “Akhand” – a story set in pre-independent India that was to cast super star Akshay Kumar in a negative role, besides Abhishek Bachchan and Suneil Shetty in pivotal roles. “Unfortunately, the project had to be shelved. But the subject being so close to my heart, I hope to revive it soon. I keep my fingers crossed”
“Akhand” or no “Akhand”, “Asambhav” or no “Asambhav”, Satish Rajwade has arrived. A director by choice, he has no qualms about sacrificing the fine actor in him. In the process, he brings with him such finesse which would make the stalwarts proud.
[A blog entry by Sudhir Raikar wherein we again find a mention of the fact that Satish Rajwade’s absence is as much felt as his presence[in asambhav] was appreciated.
A BLOG: [http://www.coastaldelights.blogspot.co
'अभिमान', 'विक्रांत' गेले तरी कुठे? 29/06/08 ma.ta
गेली दोन वर्षं दररोज न चुकता साडेआठ वाजता टीव्हीवर 'असंभव' मालिका लावून बसणाऱ्या मराठी प्रेक्षकांना गेले दोन आठवडे 'अभिमान सरंजामे' आणि 'इन्स्पेक्टर विक्रांत भोसले' यांचे दर्शनच झाले नाही. ही कॅरॅक्टर्स गेली कुठे, याबाबत प्रेक्षकांच्या मनात शंकेची पाल चुकचुकली असतानाच 'अभिमान' चिन्मय मांडलेकर यांनी पटकथा, संवादलेखक म्हणून तर 'विक्रांत' सतीश राजवाडे यांनी दिग्दर्शक म्हणून 'असंभव'मधून अंग काढून घेतल्याचे खात्रीशीररित्या समजले आहे. त्यामुळे, या गूढ मालिकेचे गूढ अजून वाढले आहे.
लोकप्रियतेच्या शिखरावर असणारी 'असंभव' दोन महिन्यांत संपणार, अशी बातमी 'मुंबई टाइम्स'ने दिली होती. तेव्हा 'झी मराठी'ने याचा इन्कार केला होता. मालिका महत्त्वाच्या वळणावर आली असताना अभिमान आणि विक्रांत गायब झाले आहेत. हा कथेचाच भाग असेल, असे वाटत असेल, तर मालिकेची श्रेयनामावली पाहा. लेखक चिन्मय मांडलेकर आणि दिग्दर्शक सतीश राजवाडे यांची नावे दोन दिवसांपासून तिथूनही गायब आहेत. या दोघांनी महिन्याभरापूवीर्च ही मालिका सोडली असल्याची कबुली दिलीय.
'निर्मात्यांशी काही गोष्टीत मतभेद झाल्यामुळे आम्ही दोघांनी मालिका सोडण्याचा निर्णय घेतला',असे स्पष्टीकरण चिन्मयने दिले. मात्र निर्माती पल्लवी जोशी यांनी याचा इन्कार केला. 'ही मालिका आहे. एकच दिग्दर्शक शेवटपर्यंत राहण्याची गरज नाही. प्रत्येक मालिकेचे टेक्निशियन, कॉस्चुम डिझायनरही बदलत असतात. तेव्हा हा काही मोठा बदल नाही आणि आमच्यात काही वाद झालेले नाहीत,' असं त्या म्हणाल्या. 'निर्माती आणि आम्ही काम करण्यासाठी एक कालावधी ठरवला होता. तो संपला. काही गोष्टींवर चर्चा केली. काही गोष्टी व्यवस्थित होऊ शकत नाहीत, असं लक्षात आलं आणि आम्ही मालिकेतून बाहेर पडलो. पण आमच्यात कोणत्याही प्रकारचे भांडण झालेलं नाही', असं सतीशने सांगितलं. कुटुंबाची अतिरिक्त जबाबदारी हेही कारण त्याने दिलं.
गेली दोन वर्षांची यशस्वी टीम बदलण्याचं कारण विचारलं असता पल्लवी म्हणाल्या की कधी कधी चिन्मयचं स्क्रिप्ट तयार नसायचं, ते आम्ही इतरांकडून करून घ्यायचो. कधी सतीश डिरेक्ट करायचा नाही तर त्याचा असिस्टण्ट डिरेक्टर करायचा, असंही झालंय. अशा गोष्टी होतच असतात.' सतीशने मात्र 'मी ४०९ भाग एकटा उभा राहून पूर्ण केले आहेत. कधीच असिस्टण्ट डिरेक्टरवर जबाबदारी दिली नाही. एका वेळी मी एकच काम करतो. त्यामुळे दुसऱ्या कामासाठी गैरहजर राहण्याचा प्रश्ान्च येत नाही
[Satish Rajwadenni asambhav 1st July la sodli. Sodnyacha nemka karan kadhich samor ala nahi pan tyancha absence prekshkanna khup janavala. Ani eka mahinyat maharastra times ne toch prashna chapun anla jo anekanna padlela, amcha vikrant gela kuthe? Tyavelchya ma.ta. madhla he article.]
लोकप्रियतेच्या शिखरावर असणारी 'असंभव' दोन महिन्यांत संपणार, अशी बातमी 'मुंबई टाइम्स'ने दिली होती. तेव्हा 'झी मराठी'ने याचा इन्कार केला होता. मालिका महत्त्वाच्या वळणावर आली असताना अभिमान आणि विक्रांत गायब झाले आहेत. हा कथेचाच भाग असेल, असे वाटत असेल, तर मालिकेची श्रेयनामावली पाहा. लेखक चिन्मय मांडलेकर आणि दिग्दर्शक सतीश राजवाडे यांची नावे दोन दिवसांपासून तिथूनही गायब आहेत. या दोघांनी महिन्याभरापूवीर्च ही मालिका सोडली असल्याची कबुली दिलीय.
'निर्मात्यांशी काही गोष्टीत मतभेद झाल्यामुळे आम्ही दोघांनी मालिका सोडण्याचा निर्णय घेतला',असे स्पष्टीकरण चिन्मयने दिले. मात्र निर्माती पल्लवी जोशी यांनी याचा इन्कार केला. 'ही मालिका आहे. एकच दिग्दर्शक शेवटपर्यंत राहण्याची गरज नाही. प्रत्येक मालिकेचे टेक्निशियन, कॉस्चुम डिझायनरही बदलत असतात. तेव्हा हा काही मोठा बदल नाही आणि आमच्यात काही वाद झालेले नाहीत,' असं त्या म्हणाल्या. 'निर्माती आणि आम्ही काम करण्यासाठी एक कालावधी ठरवला होता. तो संपला. काही गोष्टींवर चर्चा केली. काही गोष्टी व्यवस्थित होऊ शकत नाहीत, असं लक्षात आलं आणि आम्ही मालिकेतून बाहेर पडलो. पण आमच्यात कोणत्याही प्रकारचे भांडण झालेलं नाही', असं सतीशने सांगितलं. कुटुंबाची अतिरिक्त जबाबदारी हेही कारण त्याने दिलं.
गेली दोन वर्षांची यशस्वी टीम बदलण्याचं कारण विचारलं असता पल्लवी म्हणाल्या की कधी कधी चिन्मयचं स्क्रिप्ट तयार नसायचं, ते आम्ही इतरांकडून करून घ्यायचो. कधी सतीश डिरेक्ट करायचा नाही तर त्याचा असिस्टण्ट डिरेक्टर करायचा, असंही झालंय. अशा गोष्टी होतच असतात.' सतीशने मात्र 'मी ४०९ भाग एकटा उभा राहून पूर्ण केले आहेत. कधीच असिस्टण्ट डिरेक्टरवर जबाबदारी दिली नाही. एका वेळी मी एकच काम करतो. त्यामुळे दुसऱ्या कामासाठी गैरहजर राहण्याचा प्रश्ान्च येत नाही
[Satish Rajwadenni asambhav 1st July la sodli. Sodnyacha nemka karan kadhich samor ala nahi pan tyancha absence prekshkanna khup janavala. Ani eka mahinyat maharastra times ne toch prashna chapun anla jo anekanna padlela, amcha vikrant gela kuthe? Tyavelchya ma.ta. madhla he article.]
Yashacha Sambhav Marga [MUMBAI TIMES]
Q: ...ani hya varshichi sarvotkrushtha malika ahe 'asambhav'..ashi ghoshana MA TA sanmaan madhe zali tyakhsani tuzya bhavana kay hotya?
A: to kshanach mazyasathi sonyacha hota. eka vegalya vishayavar adharit malika digdarshit karna khup avhanatmak kaam hota. Tyatach tharavik vishayanchya chalti madhe prayog karna mhanje dhadasach hota. Matra nirmatya mhanun pallavi joshi pathishi ubhya rahilya ani amhi karu pahat aslela ha vegla prayog yashaswi zala. Kharatar hya malikechi nirmiti mhanje kaathavarcha pravaas hota.karan ti andhashraddhekade zuku dyaychi navhti, punarjanmachi katha mandtana vastavacha bhaanahi balgaycha hota, bayo chya paatratach vulgarity astanahi sophistic panacha samatol sadhaycha hota. Tyamulech hyatil kontihi ek baab ayashaswi zali asti tar malikechya apayashacha dhoka hota. Pan tarihi mi ani mazya team ne ha pravas yashaswi karat malikechya paardyat yash taku shaklo.
Q: hya malikecha tula sarvotkrushta digdarshakacha puraskar milala tyavishayi...
A: amhi digdarshak mandali MA TA sanmanachi varshabhar aturtene vaat pahat asto. Ha sanmaan milavnyachya irshene jeev otun kaam karto. MA TA sanmaan ha malikechya tantrik vibhagasathi denyat yenara ekameva puraskar ahe. Tyamule hya puraskarala mazya ayushyat khup mahatvacha sthaan ahe.varshabhar kelelya pramanik prayatnanchi hi pawti ahe.
Q: tuzya abhinayachi jadan ghadan shaley jeevanapasun?
A: khara sangaycha tar mi shalet astana kadhich kontya natkat kaam kelela nahi. Pan khup mastikhor hoto, tyamule suttit nidan 2 taas tari shantata milavi, asa v4 karun aaine mala natyashibirat ghatla ani tithech mazya ayushyala kalatni milali. Mala rangamanchachi godi lagli.keval natkaat kaam karnyachi sandhi milel mhanun mi mithibai clg madhe pravesh ghenyacha attahaas kela. Mazya clg jeevanat mi 75 ekankika kelya. Hya kaalat ek abhineta mhanun yash milat hota.ashach eka ekankikechya veli mohan wagh ani mahesh manjrekar yanni maza kaam pahila ani mala all the best natkat kaam karnyachi sandhi dili. All the best chya marathi ani hindi natkanmadhe bhumika vathavli.hya natkaat bahiryachi bhumika karat 890 prayog kele. Tyanantar art film hya veglya dhaatanichya ani kalecha kas lagnarya chitrpatatun kaam kele. Pan tyaahi veli mala asa vataycha, ki nahi aplyala fakta abhineta vhaycha nahiye. Technical kaam karaycha hota. Tyamule mi tya margachya shodhat hoto.
Q: pan abhinayat yash milat astanahi tantrik bajucha akarshan ka?
A: abhineta mhanun kaam karat astana apan cameraman vhava asa vataycha. Mi mazi hi iccha govind ji nna [govind nihalani] bolun dakhavli. Te mhanale mag he ka karto ahes, ja, shik tantrik baabi. Pan asa mhantana mazyakade shik asa mhantle nahit. Shik, asa mhanun tyanni mala dyanachya vishal saagarat sodun dila. Pan tech yogya hota ani mhanunach mi maza marga shodhu shaklo. Ek varsha vegveglya studiot kaam kela. Tyanantar B.R chopranchya studiot binpagari kaam kela. Pan hyach kalat mala mazya career chya marga sapadla. Ekda achanak tithe mala ektyala kaam sambhalnyachi vel ali ani tyanantar maza atmavishwaas vadhatach gela.
Q: ‘Mrugjal’ hya tuzya pahilya chitrapatabaddal....
A: mi natya shibirat astana mala mrugjalchi theme line milali hoti. Tevhapasunach ti mazya dokyat pakki hoti. Pan mi navin aslyamule mazyasathi katha, patakatha lihayala koni tayar hoina. Tevha maza bhau mala mhanala, ki tuzya dokyat jar tula kay sangaychay te pakka ahe, tar tuch ka nahi swataha lihit? Tyachya bolnyane maza vishwaas vadhla ani mi mrugjalchi patakatha lihili. Ya chitrapatacha lekhan, digdarshan ani sankalan mi swatahach kela ani mazya hya pahilyach chitrapatala 23 puraskar milale. Tyanantar duniyadaari, reshimgathi, kinara, uunpaus hya malika kelya.
Q: asambhavvishayi.....
A: hya malikela khup kangore ahet. Tyamulech sarva bajuncha samatol sadhat hi malika ghadvaychi hoti. Punarjanmavar aslyamule tyavar faar kami lokancha vishwaas basnyaci shakyata. Tyat maliketil flash back ha mahatvacha bhaag. Tyamulech he sagla lokanchya gali utravaycha hota. He asa nastach asahi lokanna vatnarach. Tyamulech tyanchach pratinidhitva karnara ek patra amhi amchya serial madhe sahabhaagi kela. Maliket family drama ahe, thrill ahe ani tarihi malikecha samatol sadhata ala ahe. Yashivay anek kalakar saras hote. Ekach veli junya kalatil ani vartamanatil bhumika saadhnyachi kathanakachi garajhi kalakaranni apratim saakaar keli ani tyamulech malika yashaswi zali.
Q: tula attaparyanta milalele puraskar....
A: 2001 te 2005 hya kaalavadhit mala 35 puraskar milale. Manache samajle janare V. shantaram, MA TA sanmaan, zee gaurav, rajya sarkarcha puraskar milale ahet. Yash hi keval devachi krupa ahe. Ya barobarach mi yasacha shreya mi mehnat, jidda, kashtachi tayari ani mazya kutumbala dein.
Q: kamavyatirikta chanda konte; ani tu ya kshetrat yeun icchinarya tarunanna kay salla deshil?
A: salla denyaitka mi kharach motha nahi. Pan khup mehenat karaychi tayari karun ya. Engineer, doctor hona jevdha avghad ahe tevdhach hya kshetrat yashaswi hona hi. Tyamulech khup shikaychi tayari theva ani kamavar nishta asu dya. Kaamavyatirikta mala gaani aikayala avadtat. Hindi romantic songs cha mi fan ahe. Prachanda vachan karayala mala avadta agdi zapatlyasarkha.
Q: bhavishyache plans kay? Tula swatahchi konti olakh adhik avadte?
A: khup kahi tharavla nahi. Pan mala changla kaam karaycha ahe. Agdi selective pan khup changla. Attaparyanta mala mrugjal mule olkhat hote. Ata mrugjal ani asambhav mule olakhtat. Tyamulech bhavishayt mrugjal, asambhav ani...ashi olakh nirman karaychi ahe. Swatahla, gharchyanna abhimaan vatel, asa kaam karaycha. Digdarshak, abhineta hya olkhipeksha mala ek changla manus mhanun olkhava, ashi mazi iccha.
A: to kshanach mazyasathi sonyacha hota. eka vegalya vishayavar adharit malika digdarshit karna khup avhanatmak kaam hota. Tyatach tharavik vishayanchya chalti madhe prayog karna mhanje dhadasach hota. Matra nirmatya mhanun pallavi joshi pathishi ubhya rahilya ani amhi karu pahat aslela ha vegla prayog yashaswi zala. Kharatar hya malikechi nirmiti mhanje kaathavarcha pravaas hota.karan ti andhashraddhekade zuku dyaychi navhti, punarjanmachi katha mandtana vastavacha bhaanahi balgaycha hota, bayo chya paatratach vulgarity astanahi sophistic panacha samatol sadhaycha hota. Tyamulech hyatil kontihi ek baab ayashaswi zali asti tar malikechya apayashacha dhoka hota. Pan tarihi mi ani mazya team ne ha pravas yashaswi karat malikechya paardyat yash taku shaklo.
Q: hya malikecha tula sarvotkrushta digdarshakacha puraskar milala tyavishayi...
A: amhi digdarshak mandali MA TA sanmanachi varshabhar aturtene vaat pahat asto. Ha sanmaan milavnyachya irshene jeev otun kaam karto. MA TA sanmaan ha malikechya tantrik vibhagasathi denyat yenara ekameva puraskar ahe. Tyamule hya puraskarala mazya ayushyat khup mahatvacha sthaan ahe.varshabhar kelelya pramanik prayatnanchi hi pawti ahe.
Q: tuzya abhinayachi jadan ghadan shaley jeevanapasun?
A: khara sangaycha tar mi shalet astana kadhich kontya natkat kaam kelela nahi. Pan khup mastikhor hoto, tyamule suttit nidan 2 taas tari shantata milavi, asa v4 karun aaine mala natyashibirat ghatla ani tithech mazya ayushyala kalatni milali. Mala rangamanchachi godi lagli.keval natkaat kaam karnyachi sandhi milel mhanun mi mithibai clg madhe pravesh ghenyacha attahaas kela. Mazya clg jeevanat mi 75 ekankika kelya. Hya kaalat ek abhineta mhanun yash milat hota.ashach eka ekankikechya veli mohan wagh ani mahesh manjrekar yanni maza kaam pahila ani mala all the best natkat kaam karnyachi sandhi dili. All the best chya marathi ani hindi natkanmadhe bhumika vathavli.hya natkaat bahiryachi bhumika karat 890 prayog kele. Tyanantar art film hya veglya dhaatanichya ani kalecha kas lagnarya chitrpatatun kaam kele. Pan tyaahi veli mala asa vataycha, ki nahi aplyala fakta abhineta vhaycha nahiye. Technical kaam karaycha hota. Tyamule mi tya margachya shodhat hoto.
Q: pan abhinayat yash milat astanahi tantrik bajucha akarshan ka?
A: abhineta mhanun kaam karat astana apan cameraman vhava asa vataycha. Mi mazi hi iccha govind ji nna [govind nihalani] bolun dakhavli. Te mhanale mag he ka karto ahes, ja, shik tantrik baabi. Pan asa mhantana mazyakade shik asa mhantle nahit. Shik, asa mhanun tyanni mala dyanachya vishal saagarat sodun dila. Pan tech yogya hota ani mhanunach mi maza marga shodhu shaklo. Ek varsha vegveglya studiot kaam kela. Tyanantar B.R chopranchya studiot binpagari kaam kela. Pan hyach kalat mala mazya career chya marga sapadla. Ekda achanak tithe mala ektyala kaam sambhalnyachi vel ali ani tyanantar maza atmavishwaas vadhatach gela.
Q: ‘Mrugjal’ hya tuzya pahilya chitrapatabaddal....
A: mi natya shibirat astana mala mrugjalchi theme line milali hoti. Tevhapasunach ti mazya dokyat pakki hoti. Pan mi navin aslyamule mazyasathi katha, patakatha lihayala koni tayar hoina. Tevha maza bhau mala mhanala, ki tuzya dokyat jar tula kay sangaychay te pakka ahe, tar tuch ka nahi swataha lihit? Tyachya bolnyane maza vishwaas vadhla ani mi mrugjalchi patakatha lihili. Ya chitrapatacha lekhan, digdarshan ani sankalan mi swatahach kela ani mazya hya pahilyach chitrapatala 23 puraskar milale. Tyanantar duniyadaari, reshimgathi, kinara, uunpaus hya malika kelya.
Q: asambhavvishayi.....
A: hya malikela khup kangore ahet. Tyamulech sarva bajuncha samatol sadhat hi malika ghadvaychi hoti. Punarjanmavar aslyamule tyavar faar kami lokancha vishwaas basnyaci shakyata. Tyat maliketil flash back ha mahatvacha bhaag. Tyamulech he sagla lokanchya gali utravaycha hota. He asa nastach asahi lokanna vatnarach. Tyamulech tyanchach pratinidhitva karnara ek patra amhi amchya serial madhe sahabhaagi kela. Maliket family drama ahe, thrill ahe ani tarihi malikecha samatol sadhata ala ahe. Yashivay anek kalakar saras hote. Ekach veli junya kalatil ani vartamanatil bhumika saadhnyachi kathanakachi garajhi kalakaranni apratim saakaar keli ani tyamulech malika yashaswi zali.
Q: tula attaparyanta milalele puraskar....
A: 2001 te 2005 hya kaalavadhit mala 35 puraskar milale. Manache samajle janare V. shantaram, MA TA sanmaan, zee gaurav, rajya sarkarcha puraskar milale ahet. Yash hi keval devachi krupa ahe. Ya barobarach mi yasacha shreya mi mehnat, jidda, kashtachi tayari ani mazya kutumbala dein.
Q: kamavyatirikta chanda konte; ani tu ya kshetrat yeun icchinarya tarunanna kay salla deshil?
A: salla denyaitka mi kharach motha nahi. Pan khup mehenat karaychi tayari karun ya. Engineer, doctor hona jevdha avghad ahe tevdhach hya kshetrat yashaswi hona hi. Tyamulech khup shikaychi tayari theva ani kamavar nishta asu dya. Kaamavyatirikta mala gaani aikayala avadtat. Hindi romantic songs cha mi fan ahe. Prachanda vachan karayala mala avadta agdi zapatlyasarkha.
Q: bhavishyache plans kay? Tula swatahchi konti olakh adhik avadte?
A: khup kahi tharavla nahi. Pan mala changla kaam karaycha ahe. Agdi selective pan khup changla. Attaparyanta mala mrugjal mule olkhat hote. Ata mrugjal ani asambhav mule olakhtat. Tyamulech bhavishayt mrugjal, asambhav ani...ashi olakh nirman karaychi ahe. Swatahla, gharchyanna abhimaan vatel, asa kaam karaycha. Digdarshak, abhineta hya olkhipeksha mala ek changla manus mhanun olkhava, ashi mazi iccha.
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