Eka madhyam-vargiya kutumbaat majha janma zala. Aai-vadil doghehi Railway-et hote. Tyamule majhi jababdari majha motha bhau Shirish-var padli. Majhyapeksha 6 varshanni motha. Bhai mhanto mi tyala. Ashya samanya gharaat janmala yeun ya chanderi duniyet aapla career ghadavna ek kathin swapna hota. Kutumbatla kunich hya vyavsayat naslyamule suruvaat kuthun he hi mahiti navhata.
Lahaanpana-pasun vaachanachi aavad. Tyamule goshtincha pustak, tyatil chitra, katha sangnyache prakaar nakalat ka hoi na, samju lagle.
Hya-kherij, high-way varchya naalyat utrun gappi maase pakadna, rastyavar dhaavat jaun kaaplela patanga pakadna, ghara-samorchya junya banglyachya kaacha phodna hya aavdi-nivdi hi hotyach aani mag satat fatke khayche. Mag eka suttit, majhya aai-ne majha traas nako mhanun mala baal-naatya shibiraat paathavla.
Je kaahi karaycha te ‘dil se’ ha mantra hotach. Mag kay, chukun jaana zala aani aapla janma yach goshtisathi zalay he jaanavla. Itar saglya goshti duyyam vaatu laaglya. Majhyasamor nava vishwa, nava jag, nava swapna ubha rahila. Ya kaalpanik aani make-believe jagaat mi ramlo. Mi itar kahihi vichar karma sodla. Ekun 50 kivhan tyahun adhik baal-naatyaat vegveglya bhumika kelya. Bhai Mithibai mahavidyalayat jaat hota. Tikde abhyasabarobarach naatak, ekankika spardhanna khup mahatva hota. Mi 10th honya-aadhich tharavla hota ki hyach collegela jaycha. Degree gheta gheta mi ekankika spardhet kaam karayla laglo, mala abhinayachi paaritoshika milu laagli. INT spardhet sarvotkrushta vinod abhinayacha paritoshik milavlyavar mala majha pahila vyavsayik naatak milala Kedar Shindencha punarujjivit ‘TurTur’ hya naatkache mi 50 prayog kele. Hyat majhi eka Gujratyachi bhumika hoti. Pan mala khara motha break Chandralekhachya ‘All The Best’ ne milala. Ya naatkachya dusrya sanchaat mi bahiryachi bhumika karaycho. Marathi aani English ya donhi bhaashant mi hi bhumika saadar karaycho.
Eke divshi ya naatkachya prayog-darmyan mala Govind Nihalaninchya casting directorne tipla. Abhineta mhanun mala pahila Hindi chitrapat milala. Pan mala jaanavla ki aaplyala ajun pudhe jaychay. Kuthe, kasa he mahiti navhata. He vicharnyasathi mi Govindjinna bhetayla tyanchya editing studio-t gelo aani mala jaanavla ki khara cinema ithe banto. Punha ekda majhya aayushyala kalaatni milali. Mi tharavla editor vhaycha. Je kahi karma-dharma-sanyogane milaycha hota te milala hota. Aata kashta karun milvaycha hota. Mi tyanchi parvangi gheun editingla jayla laglo. Tyanni ek-don thikani majha naav suchavla. Saglikade niyam ekach. Prashna vicharayche nahit, jitka shikta yeil titka shikaycha. Majhi hi jidda aani chikati tikvun thevayla majhi bayko Pallavi hicha mala khup support milala. Naatak sodla aani varshabhar kaslihi apeksha na thevta, ekahi paisa na milavta mi kaam karat rahilo. Darmyaan, mi, B. R Chopranchya television department madhe 8 mahine editor mhanun kaam kela, binpagari. Aaplyala jyachi aavad aahe, tech karayla milna kathin aste. Pan gharchyancha paathimba hota. Honarya baykochi ‘dil se’ saath hoti. Tichya gharchyancha vishwas hota. Kashtala paryay nahi. Jar mi karu shakto, tar kunihi karu shakta. Bas dil se karo, dost!
SATISH RAJWADE
Thursday, February 12, 2009
ASAMBHAV NAHI SAMBHAV [24th Nov 2008] [ PRAHAR]
Namaskar,sarv rasikanna majha namaskar.aaj mala tumchyashi sanvad sadhaychi sandhi milali ahe,tumchya mayemule,premamule! marathi manasasarkha chokhandal manushya nahi aani ashya chokhandal manasakadun jevha aaplya kamachi dakhal ghetli jaate,shabaskichi pavati milte,tevha tyachi nashe veglich aste.hi nashach majhyasarkhya kaikanna ankhin changla karnyas pravrutt karte.
Tar,punha ekda abhar manun mi aaplya sanvadala survaat karto.je kahi mi aplyasamor mandu ichhitto te ekdum ‘dil se’ aahe.kaaran mulat balkaduch asa milala ahe,’je karshil te manapasun kar,ardhvat nahi. karaychay mhanun karaycha asa nahi.jo bhi karma hai pure dil se.’ agdi lahanpanapasun ha kanmantra angavalni padla.khelayla gelo ki, mag jevan,ghardar visraycha,kaal-vel visaraychi.apla astitva fakt ya khelsathich aslyasarkha vagaycha.maitri keli ki mag to mitra aapla sarvasva aslyasarkha tyachyasathi jagaycha.ha jo kanmantra milala tyanech mala swatantra banavla .it made me independent.ekhadi gosht karaychi mhantli ki, ti purna hoiparyanta manapasun karaychi.mag ti jamlich pahije ani ashi tashi nahi,agdi shambhar takke aani tyamulech xtra efforts karaychi savay lagli. aaivadilanna khatri hoti ki aapla mulga gairvartan karnar nahi.je kahi karel te yogya karel aani mukhya mhanje changla kaam karel ,maan lavun karel.tyanchich shikvan na tyamule perfection chi savay lagat geli aani halu halu tyashivay gammat nahi he janavayala lagla.je kahi karaycha te ekdum ‘dil se’. mag tyt compromise nahi .hi savay halu halu attahaas banu lagli aani kadachit hi savay asel tarach aapan vegla kahi karu shaku, ashi mala khatri patu lagli.’ killer instinct’ mhantat te bahuda asach yet gela.karan manapasun keleli goshta kadhich vaya jaat nahi aani aapan je manapasun karto te lokanparyant nakkich pohochta . lok tyachi pavti detat aani hich pavati jinknyachi prerna det rahte .kaaran mag satat changla kahitari karnyachi toparyanta savay jhaleli aste na.mag satat lokanparyant sarvotkrushta sadar karaychi talmal suru hote.mag swatahshich spardha suru hote.
kuthe tari aaplya ya dil se pravruttichi maskari keli jaatech jaate. murkhat kadhtat lok,pan mag yach lokanpeksha aapan vegle aahot, mhanun tar aapan aapan aahot,he janavta.haach attitude mala majhya kamat khup upyogi padla.je karaycha te agdi ‘dil se’ swatahla jhokun deun aani mhanunach kadachit majhya pahilya filmla vividha puraskar milale anek adchanit adkunhi aani mhanunach kadachit asambhav sarkhi vegli aani kathin mallika sarvat lokpriya ahe.kaaran mulat ‘as the captain of the ship’(..... ....) saglyanna mi hach mantra dila ahe .jo bhi hai sab ‘dil se’ mag ka nahi yash milnar? tumhi pan apply karun bagha ha formula sagli ganitach badaltat.ayushyakade pahnyacha approach badalto. dil se kar dost,fir chahe voh kaam ho, pyar ho ya kuch aur dil se kar. asambhav asa kahich nahi.atta vishay nighalach ahe, tar mala sangitlashivay rahvat nahi.’asambhav’ miss karu naka. awak karnare twists ani turns pahayla milnar ahet, kahi goshti aapan lahan aslyapasun aikto,pan jya goshti kalpane palikadchya aahet tya asambhav aahet.aani tya’asambhav madhe hi aahet.
SATISH RAJWADE
Tar,punha ekda abhar manun mi aaplya sanvadala survaat karto.je kahi mi aplyasamor mandu ichhitto te ekdum ‘dil se’ aahe.kaaran mulat balkaduch asa milala ahe,’je karshil te manapasun kar,ardhvat nahi. karaychay mhanun karaycha asa nahi.jo bhi karma hai pure dil se.’ agdi lahanpanapasun ha kanmantra angavalni padla.khelayla gelo ki, mag jevan,ghardar visraycha,kaal-vel visaraychi.apla astitva fakt ya khelsathich aslyasarkha vagaycha.maitri keli ki mag to mitra aapla sarvasva aslyasarkha tyachyasathi jagaycha.ha jo kanmantra milala tyanech mala swatantra banavla .it made me independent.ekhadi gosht karaychi mhantli ki, ti purna hoiparyanta manapasun karaychi.mag ti jamlich pahije ani ashi tashi nahi,agdi shambhar takke aani tyamulech xtra efforts karaychi savay lagli. aaivadilanna khatri hoti ki aapla mulga gairvartan karnar nahi.je kahi karel te yogya karel aani mukhya mhanje changla kaam karel ,maan lavun karel.tyanchich shikvan na tyamule perfection chi savay lagat geli aani halu halu tyashivay gammat nahi he janavayala lagla.je kahi karaycha te ekdum ‘dil se’. mag tyt compromise nahi .hi savay halu halu attahaas banu lagli aani kadachit hi savay asel tarach aapan vegla kahi karu shaku, ashi mala khatri patu lagli.’ killer instinct’ mhantat te bahuda asach yet gela.karan manapasun keleli goshta kadhich vaya jaat nahi aani aapan je manapasun karto te lokanparyant nakkich pohochta . lok tyachi pavti detat aani hich pavati jinknyachi prerna det rahte .kaaran mag satat changla kahitari karnyachi toparyanta savay jhaleli aste na.mag satat lokanparyant sarvotkrushta sadar karaychi talmal suru hote.mag swatahshich spardha suru hote.
kuthe tari aaplya ya dil se pravruttichi maskari keli jaatech jaate. murkhat kadhtat lok,pan mag yach lokanpeksha aapan vegle aahot, mhanun tar aapan aapan aahot,he janavta.haach attitude mala majhya kamat khup upyogi padla.je karaycha te agdi ‘dil se’ swatahla jhokun deun aani mhanunach kadachit majhya pahilya filmla vividha puraskar milale anek adchanit adkunhi aani mhanunach kadachit asambhav sarkhi vegli aani kathin mallika sarvat lokpriya ahe.kaaran mulat ‘as the captain of the ship’(..... ....) saglyanna mi hach mantra dila ahe .jo bhi hai sab ‘dil se’ mag ka nahi yash milnar? tumhi pan apply karun bagha ha formula sagli ganitach badaltat.ayushyakade pahnyacha approach badalto. dil se kar dost,fir chahe voh kaam ho, pyar ho ya kuch aur dil se kar. asambhav asa kahich nahi.atta vishay nighalach ahe, tar mala sangitlashivay rahvat nahi.’asambhav’ miss karu naka. awak karnare twists ani turns pahayla milnar ahet, kahi goshti aapan lahan aslyapasun aikto,pan jya goshti kalpane palikadchya aahet tya asambhav aahet.aani tya’asambhav madhe hi aahet.
SATISH RAJWADE
MUMBAI TIMES [ 28th Oct 2008]
An article has appeared in 28th Oct’s Mumbai Times. I could not find its link. Here is what the article quotes…
‘Saas-bahu’nchya malikanmadhun break milvun denari ‘asambhav’ hi malika prekshakan madhye khupach lokpriya aahe. Hya lokapriyatemagcha ek kaaran mhanje hya maliketil abhineta & digdarshak Satish Rajwade aani malikecha lekhak chinmay mandlekar. Pan production house barobar zalelya vaadanmule madhyantarach hya doghanchi hi gacchanti zali aani malikecha trp ghasarayla suruvaat zali.
Hya doghachyahi exit mule maliketil interest tar kami zalach, pan tyach barobar malika banda kara mhanun orad hi suru zali. Sarteshevti channel aani production housela prekshakanchi dakhal ghyavich lagli. Hya mule asambhav madhun anek diwas haravlela chehra insp. Vikrant Bhosle mhanjech Satish Rajwade diwalichya muhurtavar punha entry ghetoy. Ya babat tyala vicharlyavar “mi asambhavcha avibhajya bhag aahe. Madhlya kaalat kahi tantrik karnane mi malikebaher aslo tari malikeshi matra mi kaayamach nigadit aahe. Ya pudhe anek goshti ghadnaar asun tyatla natya prekshakanna khelvun thevel” asa Satish Rajwadenni Mumbai Times chi boltana sangitle.
Malika pakad ghet astanach tyachya achanak adrushya honyala anek artha lavle gele. Itkach navhe tar to digdarshan karat astana malikevar asleli pakad tyachya janyane dhili padlyachahi bolla jaat hota. Pan ya pudhe tyala parat yenya barobarach maliketil anek rahasymay ukalali jayla suruvaat honaar aahe.
[Finally ti baatmi ali jyachi sarvach jan khup vaat pahat hote. Satish Rajwadenni punha ekda Asambhav chya direction chi jababdaari swikarli. And to quote the Satish Rajwade himself: Mi asambhavcha avibhajya bhag aahe. He je Satish na ani aplyala mahit hota te producers na dekhil patla ani Asambhav chi rulavarun ghasarleli gaadi punha halu halu rulavar yeu lagli. Chaar mahinyat jyanni asambhav baghna sodlela ashya anekanni punha serial baghayala suruvat keli. Digdarshak: Satish Rajwade he pahun aplya sarvanna kay vatla he mala ithe lihaychi garaj nahi. Ani Priya ani Vikrant chi ti pahili bhet tar apan kadhich visaru shaknar nahi. Tyachveli fanclub che members suddha 10 divsat 100ni vaadhle!! Mumbai Times madhe ‘te’ article]
‘Saas-bahu’nchya malikanmadhun break milvun denari ‘asambhav’ hi malika prekshakan madhye khupach lokpriya aahe. Hya lokapriyatemagcha ek kaaran mhanje hya maliketil abhineta & digdarshak Satish Rajwade aani malikecha lekhak chinmay mandlekar. Pan production house barobar zalelya vaadanmule madhyantarach hya doghanchi hi gacchanti zali aani malikecha trp ghasarayla suruvaat zali.
Hya doghachyahi exit mule maliketil interest tar kami zalach, pan tyach barobar malika banda kara mhanun orad hi suru zali. Sarteshevti channel aani production housela prekshakanchi dakhal ghyavich lagli. Hya mule asambhav madhun anek diwas haravlela chehra insp. Vikrant Bhosle mhanjech Satish Rajwade diwalichya muhurtavar punha entry ghetoy. Ya babat tyala vicharlyavar “mi asambhavcha avibhajya bhag aahe. Madhlya kaalat kahi tantrik karnane mi malikebaher aslo tari malikeshi matra mi kaayamach nigadit aahe. Ya pudhe anek goshti ghadnaar asun tyatla natya prekshakanna khelvun thevel” asa Satish Rajwadenni Mumbai Times chi boltana sangitle.
Malika pakad ghet astanach tyachya achanak adrushya honyala anek artha lavle gele. Itkach navhe tar to digdarshan karat astana malikevar asleli pakad tyachya janyane dhili padlyachahi bolla jaat hota. Pan ya pudhe tyala parat yenya barobarach maliketil anek rahasymay ukalali jayla suruvaat honaar aahe.
[Finally ti baatmi ali jyachi sarvach jan khup vaat pahat hote. Satish Rajwadenni punha ekda Asambhav chya direction chi jababdaari swikarli. And to quote the Satish Rajwade himself: Mi asambhavcha avibhajya bhag aahe. He je Satish na ani aplyala mahit hota te producers na dekhil patla ani Asambhav chi rulavarun ghasarleli gaadi punha halu halu rulavar yeu lagli. Chaar mahinyat jyanni asambhav baghna sodlela ashya anekanni punha serial baghayala suruvat keli. Digdarshak: Satish Rajwade he pahun aplya sarvanna kay vatla he mala ithe lihaychi garaj nahi. Ani Priya ani Vikrant chi ti pahili bhet tar apan kadhich visaru shaknar nahi. Tyachveli fanclub che members suddha 10 divsat 100ni vaadhle!! Mumbai Times madhe ‘te’ article]
'ASAMBHAV’ punha Satish Rajwadenkade [SAKAL] 19th Sept 2008
Natyapurna ghadamodi:vikrant bhoslenche punaragman
zee marathi varil asambhav ya malikeche bhavitavya kitpat sambhav aahe,ashi charcha T.V industryit chalu astanach aata natyapurna ghadamodi ya maliket ghadnar aahet.yapurvi ya maliketun baher gelele lekhak chinmay mandlekar punha paratla ahe.tyachyapathopat aata digdarshak satish rajwadedekhil punha hi malika take over karnar ahe;shivay vikrant bhoslechi bhumikahi to sakarnar ahe.
‘atharva communication’ya bannerkhali pallavi joshi yani ‘asambhav’ hi malika anli.punarjanmavar adharit asleli hi malika sadhya janmansat changlich lokpriya tharli ahe;matra madhyantarichya kalat ya malikela vadache galbot lagle hote.digdarshak satish rajwade aani lekhak chinmay mandlekar yanni ya maliketun baher padne pasant kele hote. tyamule avadhoot kadam yanni ya malikechya digdarshanachi; tar ambar hadap yanni lekhanachi javabdari sambhalli hoti.tarihi aata hi malika aapla gasha lavkarach gundalnar, ashihi ek aavai uthli hoti.
abhimanchi bhumika sakarnara chinmayhi paratla aahe aani tyachyapathopat aata vikrant bhoslechi bhumika sakarnara satish rajwadedekhil paratnar aahe.abhinayabarobarach digdarshanachi sutre dekhil to hati ghenar ahe,yababat zee marathi che programming head nikhil sane mhanale,ki satish chitrapatat busy hota mhanun to ya malikepasun thode diwas dur rahila hota.aata tyachyashi aamchi charcha jhali ahe.to ya malikesathi vel denar ahe.
[Chaar mahine asambhav pasun satish rajwade door rahile. Ani hya chaar mahinyat hya lokpriya serial chi adhogati apan saglyanich baghitli. Hya kaalat anek rumours hotya, satish chya punaraagamanachya. Ani mhanunach kadachit Sakal madhe satish chya punaraagamanachi baatmi chapun ali asun suddha lokanni tyachyavar sahaj vishwaas thevla nahi. Te fakta vaat baghat hote ki Satish aplya chahtyanna swataha tyanich suru kelelya community var [ Asamabhav with Satish Rajwade] kalavtil. Sakal madhla to lekh]
zee marathi varil asambhav ya malikeche bhavitavya kitpat sambhav aahe,ashi charcha T.V industryit chalu astanach aata natyapurna ghadamodi ya maliket ghadnar aahet.yapurvi ya maliketun baher gelele lekhak chinmay mandlekar punha paratla ahe.tyachyapathopat aata digdarshak satish rajwadedekhil punha hi malika take over karnar ahe;shivay vikrant bhoslechi bhumikahi to sakarnar ahe.
‘atharva communication’ya bannerkhali pallavi joshi yani ‘asambhav’ hi malika anli.punarjanmavar adharit asleli hi malika sadhya janmansat changlich lokpriya tharli ahe;matra madhyantarichya kalat ya malikela vadache galbot lagle hote.digdarshak satish rajwade aani lekhak chinmay mandlekar yanni ya maliketun baher padne pasant kele hote. tyamule avadhoot kadam yanni ya malikechya digdarshanachi; tar ambar hadap yanni lekhanachi javabdari sambhalli hoti.tarihi aata hi malika aapla gasha lavkarach gundalnar, ashihi ek aavai uthli hoti.
abhimanchi bhumika sakarnara chinmayhi paratla aahe aani tyachyapathopat aata vikrant bhoslechi bhumika sakarnara satish rajwadedekhil paratnar aahe.abhinayabarobarach digdarshanachi sutre dekhil to hati ghenar ahe,yababat zee marathi che programming head nikhil sane mhanale,ki satish chitrapatat busy hota mhanun to ya malikepasun thode diwas dur rahila hota.aata tyachyashi aamchi charcha jhali ahe.to ya malikesathi vel denar ahe.
[Chaar mahine asambhav pasun satish rajwade door rahile. Ani hya chaar mahinyat hya lokpriya serial chi adhogati apan saglyanich baghitli. Hya kaalat anek rumours hotya, satish chya punaraagamanachya. Ani mhanunach kadachit Sakal madhe satish chya punaraagamanachi baatmi chapun ali asun suddha lokanni tyachyavar sahaj vishwaas thevla nahi. Te fakta vaat baghat hote ki Satish aplya chahtyanna swataha tyanich suru kelelya community var [ Asamabhav with Satish Rajwade] kalavtil. Sakal madhla to lekh]
A Blog: 14th Aug 2008
Director Satish Rajwade’s sudden exit from the popular Marathi TV serial “Asambhav” has deprived a good story of its great story teller. Sudhir Raikar spoke to the unassuming talent whose innovative style statement in editing and direction marks a new chapter in Marathi entertainment.
At 34, Satish Rajwade wears the reassuring smile of a seasoned professional. He’s unassuming to the core, unfazed by success and controversies but ask him about his trade and the conviction comes alive in his gleaming eyes. “I love my work. Whatever little I have achieved till date has been the result of my unflinching devotion to my work. Nothing else matters”
Rajwade’s arrival in the entertainment industry seemed destined in an unlikely way, ever since he participated in an acting workshop in suburban Ville Parle as a kid of 12. School and college years were replete with awards and mementos that recognized his acting skills.
“I joined the commerce stream of Mithibai College only for its conducive theatre environment. Thanks to my passion, I acted in over 158 one-act plays in English, Hindi, Marathi and Gujarathi” He reveals.
His first tryst with success came in the form of the Marathi play “All the best” where his co-artiste was class mate Shreyas Talpade, long before the latter stuck gold in tinsel town. “It was director Mahesh Manjrekar, my mentor and well wisher, who was instrumental in offering me the Hindi version of “All the best”. The Marathi version followed, for a good 890 shows.”
During one of these shows, Rajwade won the attention of director Govind Nihalani’s crew. Before he knew, he bagged a role in Nihalani’s offbeat film “Sanshodhan” alongside the likes of Manoj Vajpayee. This was followed by two-bit roles in “Hazaar Chourasi ki Maa” and Manjrekar’s “Vastaav” and “Nidaan”. The association with Nihalani introduced Rajwade to the world of film editing and he found his purpose, waiting for him at the cross roads.
“I suddenly realized this is where the actual film happens. The sheer thrill ignited my passion and I began learning the ropes, assisting Nihalani as a trainee editor sans stipend and conveyance”
This marked the second innings of Rajwade – as a director. His debut happened through a music album “Na Jaane Kyun” starring model Samir Dharmadhikari. The album was well received and the producers, happy with the unexpected success, urged Rajwade to direct a Hindi film.
“I suggested a cost effective route in the form of a Marathi film – such that if it bombed, the loss, like the profit, would be lower. This argument got the buy-in and work on “Mrigjal” began.” But the cakewalk ended there.
Rajwade never realized “Mrigjal” could be such a litmus test of his tenacity. At the eleventh hour, he found his prospective screen play writers shying away. “In the heat of the moment, I wrote the story myself. If this was not enough, my cameraman did a vanishing act – I had to pull my personal contacts to rope in Suhas Gujarathi at the last minute”
Even as Rajwade took things in his stride with bated breath, “Mrigjal” bagged 23 awards including story, screenplay and cinematography – all products of accidental afterthought. This was the first grand proof of Rajwade’s genius.
“Mrigjal” won critical acclaim for Rajwade but the offers that followed were not heartening. They came either from fly-by-night operators trying to make hay or from one-time directors looking to utilize government grants, employing shoe-string budgets only to fill their pockets. Rajwade chose to stay away, at the cost of being without work for a substantial time. “It was my family that saw me through these difficult times. I owe my success to them”
Zee TV played his savior too, offering him serials like “Duniyadari” and “Oon Pawus”. Then “Asambhav” happened. And the rest is history.
Rarely has any Marathi serial won worldwide attention for the quality of its production. It was Rajwade’s astute direction and debutant Chinmay Mandlekar’s dialogues that has made “Asambhav” such a huge hit, even among non-maharashtrian households. For an audience nauseating in the overdose of mindless melodrama, “Asambhav” proved a breather. In a record achievement, it bagged five awards at the 33rd Radio and Television Advertising Practitioners’ Association of India (RAPA) awards function. The serial won Rajwade celebrity fans including the veteran composer Pyarelal of Laxmikant-Pyarelal fame who called him to his residence to congratulate him.
The story deals with the controversial and tabooed theme of rebirth but thanks to Rajwade’s treatment, the story is an entertaining mix of tradition and innovation. On one hand, it upholds traditional values seeped in religious thought. On the other, it questions beliefs and dogmas. In exploring the abnormal, normal and the paranormal, all in the same breath, it does not make any exclusive claims to truth.
Rajwade intersperses a dark sinister look of a racy whodunit plot and a sober family drama with amazing flair and authority. The serial does lose its rhythm at times, led by a wayward storyline and some mediocre players, but few enduring performances – notably that of Sharvari Patankar (Priya), Sagar Talashilkar (Chandu), Kishore Kadam (Saranjame), Chinmay Mandlekar (Abhimaan), Rajwade himself (Inspector Bhonsale) and to some extent, Anand Abhyankar (Dinanath Shastri) - are of such high quality that they unknowingly raise the bar for Marathi television, otherwise known for its shallow production values.
In a recent development, Rajwade has chosen to part ways with the team, close on the heels of Mandlekar’s exit. He asserts his reasons are purely personal and do not stem from any hostile difference of opinion with the producers, as media reports blatantly conclude. Though emotional, he is not bitter in the aftermath of the separation.
“I have thoroughly enjoyed the “Asambhav” experience and I am indebted to Nikhil Sane of Zee Marathi for this wonderful opportunity. I also thank my well wishers and the audience from the world over who have appreciated my work” he acknowledges.
His admirers want him back as the captain of the “Asambhav” ship and they have formed fan clubs on social networking sites like Orkut, urging the producers to call back their “director” hero.
For Rajwade however, this exit, though painful, is not a full stop. He is busy on some interesting projects and chooses to look ahead. One of his much-talked about Hindi venture was “Akhand” – a story set in pre-independent India that was to cast super star Akshay Kumar in a negative role, besides Abhishek Bachchan and Suneil Shetty in pivotal roles. “Unfortunately, the project had to be shelved. But the subject being so close to my heart, I hope to revive it soon. I keep my fingers crossed”
“Akhand” or no “Akhand”, “Asambhav” or no “Asambhav”, Satish Rajwade has arrived. A director by choice, he has no qualms about sacrificing the fine actor in him. In the process, he brings with him such finesse which would make the stalwarts proud.
[A blog entry by Sudhir Raikar wherein we again find a mention of the fact that Satish Rajwade’s absence is as much felt as his presence[in asambhav] was appreciated.
A BLOG: [http://www.coastaldelights.blogspot.com/ ] ]
At 34, Satish Rajwade wears the reassuring smile of a seasoned professional. He’s unassuming to the core, unfazed by success and controversies but ask him about his trade and the conviction comes alive in his gleaming eyes. “I love my work. Whatever little I have achieved till date has been the result of my unflinching devotion to my work. Nothing else matters”
Rajwade’s arrival in the entertainment industry seemed destined in an unlikely way, ever since he participated in an acting workshop in suburban Ville Parle as a kid of 12. School and college years were replete with awards and mementos that recognized his acting skills.
“I joined the commerce stream of Mithibai College only for its conducive theatre environment. Thanks to my passion, I acted in over 158 one-act plays in English, Hindi, Marathi and Gujarathi” He reveals.
His first tryst with success came in the form of the Marathi play “All the best” where his co-artiste was class mate Shreyas Talpade, long before the latter stuck gold in tinsel town. “It was director Mahesh Manjrekar, my mentor and well wisher, who was instrumental in offering me the Hindi version of “All the best”. The Marathi version followed, for a good 890 shows.”
During one of these shows, Rajwade won the attention of director Govind Nihalani’s crew. Before he knew, he bagged a role in Nihalani’s offbeat film “Sanshodhan” alongside the likes of Manoj Vajpayee. This was followed by two-bit roles in “Hazaar Chourasi ki Maa” and Manjrekar’s “Vastaav” and “Nidaan”. The association with Nihalani introduced Rajwade to the world of film editing and he found his purpose, waiting for him at the cross roads.
“I suddenly realized this is where the actual film happens. The sheer thrill ignited my passion and I began learning the ropes, assisting Nihalani as a trainee editor sans stipend and conveyance”
This marked the second innings of Rajwade – as a director. His debut happened through a music album “Na Jaane Kyun” starring model Samir Dharmadhikari. The album was well received and the producers, happy with the unexpected success, urged Rajwade to direct a Hindi film.
“I suggested a cost effective route in the form of a Marathi film – such that if it bombed, the loss, like the profit, would be lower. This argument got the buy-in and work on “Mrigjal” began.” But the cakewalk ended there.
Rajwade never realized “Mrigjal” could be such a litmus test of his tenacity. At the eleventh hour, he found his prospective screen play writers shying away. “In the heat of the moment, I wrote the story myself. If this was not enough, my cameraman did a vanishing act – I had to pull my personal contacts to rope in Suhas Gujarathi at the last minute”
Even as Rajwade took things in his stride with bated breath, “Mrigjal” bagged 23 awards including story, screenplay and cinematography – all products of accidental afterthought. This was the first grand proof of Rajwade’s genius.
“Mrigjal” won critical acclaim for Rajwade but the offers that followed were not heartening. They came either from fly-by-night operators trying to make hay or from one-time directors looking to utilize government grants, employing shoe-string budgets only to fill their pockets. Rajwade chose to stay away, at the cost of being without work for a substantial time. “It was my family that saw me through these difficult times. I owe my success to them”
Zee TV played his savior too, offering him serials like “Duniyadari” and “Oon Pawus”. Then “Asambhav” happened. And the rest is history.
Rarely has any Marathi serial won worldwide attention for the quality of its production. It was Rajwade’s astute direction and debutant Chinmay Mandlekar’s dialogues that has made “Asambhav” such a huge hit, even among non-maharashtrian households. For an audience nauseating in the overdose of mindless melodrama, “Asambhav” proved a breather. In a record achievement, it bagged five awards at the 33rd Radio and Television Advertising Practitioners’ Association of India (RAPA) awards function. The serial won Rajwade celebrity fans including the veteran composer Pyarelal of Laxmikant-Pyarelal fame who called him to his residence to congratulate him.
The story deals with the controversial and tabooed theme of rebirth but thanks to Rajwade’s treatment, the story is an entertaining mix of tradition and innovation. On one hand, it upholds traditional values seeped in religious thought. On the other, it questions beliefs and dogmas. In exploring the abnormal, normal and the paranormal, all in the same breath, it does not make any exclusive claims to truth.
Rajwade intersperses a dark sinister look of a racy whodunit plot and a sober family drama with amazing flair and authority. The serial does lose its rhythm at times, led by a wayward storyline and some mediocre players, but few enduring performances – notably that of Sharvari Patankar (Priya), Sagar Talashilkar (Chandu), Kishore Kadam (Saranjame), Chinmay Mandlekar (Abhimaan), Rajwade himself (Inspector Bhonsale) and to some extent, Anand Abhyankar (Dinanath Shastri) - are of such high quality that they unknowingly raise the bar for Marathi television, otherwise known for its shallow production values.
In a recent development, Rajwade has chosen to part ways with the team, close on the heels of Mandlekar’s exit. He asserts his reasons are purely personal and do not stem from any hostile difference of opinion with the producers, as media reports blatantly conclude. Though emotional, he is not bitter in the aftermath of the separation.
“I have thoroughly enjoyed the “Asambhav” experience and I am indebted to Nikhil Sane of Zee Marathi for this wonderful opportunity. I also thank my well wishers and the audience from the world over who have appreciated my work” he acknowledges.
His admirers want him back as the captain of the “Asambhav” ship and they have formed fan clubs on social networking sites like Orkut, urging the producers to call back their “director” hero.
For Rajwade however, this exit, though painful, is not a full stop. He is busy on some interesting projects and chooses to look ahead. One of his much-talked about Hindi venture was “Akhand” – a story set in pre-independent India that was to cast super star Akshay Kumar in a negative role, besides Abhishek Bachchan and Suneil Shetty in pivotal roles. “Unfortunately, the project had to be shelved. But the subject being so close to my heart, I hope to revive it soon. I keep my fingers crossed”
“Akhand” or no “Akhand”, “Asambhav” or no “Asambhav”, Satish Rajwade has arrived. A director by choice, he has no qualms about sacrificing the fine actor in him. In the process, he brings with him such finesse which would make the stalwarts proud.
[A blog entry by Sudhir Raikar wherein we again find a mention of the fact that Satish Rajwade’s absence is as much felt as his presence[in asambhav] was appreciated.
A BLOG: [http://www.coastaldelights.blogspot.co
'अभिमान', 'विक्रांत' गेले तरी कुठे? 29/06/08 ma.ta
गेली दोन वर्षं दररोज न चुकता साडेआठ वाजता टीव्हीवर 'असंभव' मालिका लावून बसणाऱ्या मराठी प्रेक्षकांना गेले दोन आठवडे 'अभिमान सरंजामे' आणि 'इन्स्पेक्टर विक्रांत भोसले' यांचे दर्शनच झाले नाही. ही कॅरॅक्टर्स गेली कुठे, याबाबत प्रेक्षकांच्या मनात शंकेची पाल चुकचुकली असतानाच 'अभिमान' चिन्मय मांडलेकर यांनी पटकथा, संवादलेखक म्हणून तर 'विक्रांत' सतीश राजवाडे यांनी दिग्दर्शक म्हणून 'असंभव'मधून अंग काढून घेतल्याचे खात्रीशीररित्या समजले आहे. त्यामुळे, या गूढ मालिकेचे गूढ अजून वाढले आहे.
लोकप्रियतेच्या शिखरावर असणारी 'असंभव' दोन महिन्यांत संपणार, अशी बातमी 'मुंबई टाइम्स'ने दिली होती. तेव्हा 'झी मराठी'ने याचा इन्कार केला होता. मालिका महत्त्वाच्या वळणावर आली असताना अभिमान आणि विक्रांत गायब झाले आहेत. हा कथेचाच भाग असेल, असे वाटत असेल, तर मालिकेची श्रेयनामावली पाहा. लेखक चिन्मय मांडलेकर आणि दिग्दर्शक सतीश राजवाडे यांची नावे दोन दिवसांपासून तिथूनही गायब आहेत. या दोघांनी महिन्याभरापूवीर्च ही मालिका सोडली असल्याची कबुली दिलीय.
'निर्मात्यांशी काही गोष्टीत मतभेद झाल्यामुळे आम्ही दोघांनी मालिका सोडण्याचा निर्णय घेतला',असे स्पष्टीकरण चिन्मयने दिले. मात्र निर्माती पल्लवी जोशी यांनी याचा इन्कार केला. 'ही मालिका आहे. एकच दिग्दर्शक शेवटपर्यंत राहण्याची गरज नाही. प्रत्येक मालिकेचे टेक्निशियन, कॉस्चुम डिझायनरही बदलत असतात. तेव्हा हा काही मोठा बदल नाही आणि आमच्यात काही वाद झालेले नाहीत,' असं त्या म्हणाल्या. 'निर्माती आणि आम्ही काम करण्यासाठी एक कालावधी ठरवला होता. तो संपला. काही गोष्टींवर चर्चा केली. काही गोष्टी व्यवस्थित होऊ शकत नाहीत, असं लक्षात आलं आणि आम्ही मालिकेतून बाहेर पडलो. पण आमच्यात कोणत्याही प्रकारचे भांडण झालेलं नाही', असं सतीशने सांगितलं. कुटुंबाची अतिरिक्त जबाबदारी हेही कारण त्याने दिलं.
गेली दोन वर्षांची यशस्वी टीम बदलण्याचं कारण विचारलं असता पल्लवी म्हणाल्या की कधी कधी चिन्मयचं स्क्रिप्ट तयार नसायचं, ते आम्ही इतरांकडून करून घ्यायचो. कधी सतीश डिरेक्ट करायचा नाही तर त्याचा असिस्टण्ट डिरेक्टर करायचा, असंही झालंय. अशा गोष्टी होतच असतात.' सतीशने मात्र 'मी ४०९ भाग एकटा उभा राहून पूर्ण केले आहेत. कधीच असिस्टण्ट डिरेक्टरवर जबाबदारी दिली नाही. एका वेळी मी एकच काम करतो. त्यामुळे दुसऱ्या कामासाठी गैरहजर राहण्याचा प्रश्ान्च येत नाही
[Satish Rajwadenni asambhav 1st July la sodli. Sodnyacha nemka karan kadhich samor ala nahi pan tyancha absence prekshkanna khup janavala. Ani eka mahinyat maharastra times ne toch prashna chapun anla jo anekanna padlela, amcha vikrant gela kuthe? Tyavelchya ma.ta. madhla he article.]
लोकप्रियतेच्या शिखरावर असणारी 'असंभव' दोन महिन्यांत संपणार, अशी बातमी 'मुंबई टाइम्स'ने दिली होती. तेव्हा 'झी मराठी'ने याचा इन्कार केला होता. मालिका महत्त्वाच्या वळणावर आली असताना अभिमान आणि विक्रांत गायब झाले आहेत. हा कथेचाच भाग असेल, असे वाटत असेल, तर मालिकेची श्रेयनामावली पाहा. लेखक चिन्मय मांडलेकर आणि दिग्दर्शक सतीश राजवाडे यांची नावे दोन दिवसांपासून तिथूनही गायब आहेत. या दोघांनी महिन्याभरापूवीर्च ही मालिका सोडली असल्याची कबुली दिलीय.
'निर्मात्यांशी काही गोष्टीत मतभेद झाल्यामुळे आम्ही दोघांनी मालिका सोडण्याचा निर्णय घेतला',असे स्पष्टीकरण चिन्मयने दिले. मात्र निर्माती पल्लवी जोशी यांनी याचा इन्कार केला. 'ही मालिका आहे. एकच दिग्दर्शक शेवटपर्यंत राहण्याची गरज नाही. प्रत्येक मालिकेचे टेक्निशियन, कॉस्चुम डिझायनरही बदलत असतात. तेव्हा हा काही मोठा बदल नाही आणि आमच्यात काही वाद झालेले नाहीत,' असं त्या म्हणाल्या. 'निर्माती आणि आम्ही काम करण्यासाठी एक कालावधी ठरवला होता. तो संपला. काही गोष्टींवर चर्चा केली. काही गोष्टी व्यवस्थित होऊ शकत नाहीत, असं लक्षात आलं आणि आम्ही मालिकेतून बाहेर पडलो. पण आमच्यात कोणत्याही प्रकारचे भांडण झालेलं नाही', असं सतीशने सांगितलं. कुटुंबाची अतिरिक्त जबाबदारी हेही कारण त्याने दिलं.
गेली दोन वर्षांची यशस्वी टीम बदलण्याचं कारण विचारलं असता पल्लवी म्हणाल्या की कधी कधी चिन्मयचं स्क्रिप्ट तयार नसायचं, ते आम्ही इतरांकडून करून घ्यायचो. कधी सतीश डिरेक्ट करायचा नाही तर त्याचा असिस्टण्ट डिरेक्टर करायचा, असंही झालंय. अशा गोष्टी होतच असतात.' सतीशने मात्र 'मी ४०९ भाग एकटा उभा राहून पूर्ण केले आहेत. कधीच असिस्टण्ट डिरेक्टरवर जबाबदारी दिली नाही. एका वेळी मी एकच काम करतो. त्यामुळे दुसऱ्या कामासाठी गैरहजर राहण्याचा प्रश्ान्च येत नाही
[Satish Rajwadenni asambhav 1st July la sodli. Sodnyacha nemka karan kadhich samor ala nahi pan tyancha absence prekshkanna khup janavala. Ani eka mahinyat maharastra times ne toch prashna chapun anla jo anekanna padlela, amcha vikrant gela kuthe? Tyavelchya ma.ta. madhla he article.]
Yashacha Sambhav Marga [MUMBAI TIMES]
Q: ...ani hya varshichi sarvotkrushtha malika ahe 'asambhav'..ashi ghoshana MA TA sanmaan madhe zali tyakhsani tuzya bhavana kay hotya?
A: to kshanach mazyasathi sonyacha hota. eka vegalya vishayavar adharit malika digdarshit karna khup avhanatmak kaam hota. Tyatach tharavik vishayanchya chalti madhe prayog karna mhanje dhadasach hota. Matra nirmatya mhanun pallavi joshi pathishi ubhya rahilya ani amhi karu pahat aslela ha vegla prayog yashaswi zala. Kharatar hya malikechi nirmiti mhanje kaathavarcha pravaas hota.karan ti andhashraddhekade zuku dyaychi navhti, punarjanmachi katha mandtana vastavacha bhaanahi balgaycha hota, bayo chya paatratach vulgarity astanahi sophistic panacha samatol sadhaycha hota. Tyamulech hyatil kontihi ek baab ayashaswi zali asti tar malikechya apayashacha dhoka hota. Pan tarihi mi ani mazya team ne ha pravas yashaswi karat malikechya paardyat yash taku shaklo.
Q: hya malikecha tula sarvotkrushta digdarshakacha puraskar milala tyavishayi...
A: amhi digdarshak mandali MA TA sanmanachi varshabhar aturtene vaat pahat asto. Ha sanmaan milavnyachya irshene jeev otun kaam karto. MA TA sanmaan ha malikechya tantrik vibhagasathi denyat yenara ekameva puraskar ahe. Tyamule hya puraskarala mazya ayushyat khup mahatvacha sthaan ahe.varshabhar kelelya pramanik prayatnanchi hi pawti ahe.
Q: tuzya abhinayachi jadan ghadan shaley jeevanapasun?
A: khara sangaycha tar mi shalet astana kadhich kontya natkat kaam kelela nahi. Pan khup mastikhor hoto, tyamule suttit nidan 2 taas tari shantata milavi, asa v4 karun aaine mala natyashibirat ghatla ani tithech mazya ayushyala kalatni milali. Mala rangamanchachi godi lagli.keval natkaat kaam karnyachi sandhi milel mhanun mi mithibai clg madhe pravesh ghenyacha attahaas kela. Mazya clg jeevanat mi 75 ekankika kelya. Hya kaalat ek abhineta mhanun yash milat hota.ashach eka ekankikechya veli mohan wagh ani mahesh manjrekar yanni maza kaam pahila ani mala all the best natkat kaam karnyachi sandhi dili. All the best chya marathi ani hindi natkanmadhe bhumika vathavli.hya natkaat bahiryachi bhumika karat 890 prayog kele. Tyanantar art film hya veglya dhaatanichya ani kalecha kas lagnarya chitrpatatun kaam kele. Pan tyaahi veli mala asa vataycha, ki nahi aplyala fakta abhineta vhaycha nahiye. Technical kaam karaycha hota. Tyamule mi tya margachya shodhat hoto.
Q: pan abhinayat yash milat astanahi tantrik bajucha akarshan ka?
A: abhineta mhanun kaam karat astana apan cameraman vhava asa vataycha. Mi mazi hi iccha govind ji nna [govind nihalani] bolun dakhavli. Te mhanale mag he ka karto ahes, ja, shik tantrik baabi. Pan asa mhantana mazyakade shik asa mhantle nahit. Shik, asa mhanun tyanni mala dyanachya vishal saagarat sodun dila. Pan tech yogya hota ani mhanunach mi maza marga shodhu shaklo. Ek varsha vegveglya studiot kaam kela. Tyanantar B.R chopranchya studiot binpagari kaam kela. Pan hyach kalat mala mazya career chya marga sapadla. Ekda achanak tithe mala ektyala kaam sambhalnyachi vel ali ani tyanantar maza atmavishwaas vadhatach gela.
Q: ‘Mrugjal’ hya tuzya pahilya chitrapatabaddal....
A: mi natya shibirat astana mala mrugjalchi theme line milali hoti. Tevhapasunach ti mazya dokyat pakki hoti. Pan mi navin aslyamule mazyasathi katha, patakatha lihayala koni tayar hoina. Tevha maza bhau mala mhanala, ki tuzya dokyat jar tula kay sangaychay te pakka ahe, tar tuch ka nahi swataha lihit? Tyachya bolnyane maza vishwaas vadhla ani mi mrugjalchi patakatha lihili. Ya chitrapatacha lekhan, digdarshan ani sankalan mi swatahach kela ani mazya hya pahilyach chitrapatala 23 puraskar milale. Tyanantar duniyadaari, reshimgathi, kinara, uunpaus hya malika kelya.
Q: asambhavvishayi.....
A: hya malikela khup kangore ahet. Tyamulech sarva bajuncha samatol sadhat hi malika ghadvaychi hoti. Punarjanmavar aslyamule tyavar faar kami lokancha vishwaas basnyaci shakyata. Tyat maliketil flash back ha mahatvacha bhaag. Tyamulech he sagla lokanchya gali utravaycha hota. He asa nastach asahi lokanna vatnarach. Tyamulech tyanchach pratinidhitva karnara ek patra amhi amchya serial madhe sahabhaagi kela. Maliket family drama ahe, thrill ahe ani tarihi malikecha samatol sadhata ala ahe. Yashivay anek kalakar saras hote. Ekach veli junya kalatil ani vartamanatil bhumika saadhnyachi kathanakachi garajhi kalakaranni apratim saakaar keli ani tyamulech malika yashaswi zali.
Q: tula attaparyanta milalele puraskar....
A: 2001 te 2005 hya kaalavadhit mala 35 puraskar milale. Manache samajle janare V. shantaram, MA TA sanmaan, zee gaurav, rajya sarkarcha puraskar milale ahet. Yash hi keval devachi krupa ahe. Ya barobarach mi yasacha shreya mi mehnat, jidda, kashtachi tayari ani mazya kutumbala dein.
Q: kamavyatirikta chanda konte; ani tu ya kshetrat yeun icchinarya tarunanna kay salla deshil?
A: salla denyaitka mi kharach motha nahi. Pan khup mehenat karaychi tayari karun ya. Engineer, doctor hona jevdha avghad ahe tevdhach hya kshetrat yashaswi hona hi. Tyamulech khup shikaychi tayari theva ani kamavar nishta asu dya. Kaamavyatirikta mala gaani aikayala avadtat. Hindi romantic songs cha mi fan ahe. Prachanda vachan karayala mala avadta agdi zapatlyasarkha.
Q: bhavishyache plans kay? Tula swatahchi konti olakh adhik avadte?
A: khup kahi tharavla nahi. Pan mala changla kaam karaycha ahe. Agdi selective pan khup changla. Attaparyanta mala mrugjal mule olkhat hote. Ata mrugjal ani asambhav mule olakhtat. Tyamulech bhavishayt mrugjal, asambhav ani...ashi olakh nirman karaychi ahe. Swatahla, gharchyanna abhimaan vatel, asa kaam karaycha. Digdarshak, abhineta hya olkhipeksha mala ek changla manus mhanun olkhava, ashi mazi iccha.
A: to kshanach mazyasathi sonyacha hota. eka vegalya vishayavar adharit malika digdarshit karna khup avhanatmak kaam hota. Tyatach tharavik vishayanchya chalti madhe prayog karna mhanje dhadasach hota. Matra nirmatya mhanun pallavi joshi pathishi ubhya rahilya ani amhi karu pahat aslela ha vegla prayog yashaswi zala. Kharatar hya malikechi nirmiti mhanje kaathavarcha pravaas hota.karan ti andhashraddhekade zuku dyaychi navhti, punarjanmachi katha mandtana vastavacha bhaanahi balgaycha hota, bayo chya paatratach vulgarity astanahi sophistic panacha samatol sadhaycha hota. Tyamulech hyatil kontihi ek baab ayashaswi zali asti tar malikechya apayashacha dhoka hota. Pan tarihi mi ani mazya team ne ha pravas yashaswi karat malikechya paardyat yash taku shaklo.
Q: hya malikecha tula sarvotkrushta digdarshakacha puraskar milala tyavishayi...
A: amhi digdarshak mandali MA TA sanmanachi varshabhar aturtene vaat pahat asto. Ha sanmaan milavnyachya irshene jeev otun kaam karto. MA TA sanmaan ha malikechya tantrik vibhagasathi denyat yenara ekameva puraskar ahe. Tyamule hya puraskarala mazya ayushyat khup mahatvacha sthaan ahe.varshabhar kelelya pramanik prayatnanchi hi pawti ahe.
Q: tuzya abhinayachi jadan ghadan shaley jeevanapasun?
A: khara sangaycha tar mi shalet astana kadhich kontya natkat kaam kelela nahi. Pan khup mastikhor hoto, tyamule suttit nidan 2 taas tari shantata milavi, asa v4 karun aaine mala natyashibirat ghatla ani tithech mazya ayushyala kalatni milali. Mala rangamanchachi godi lagli.keval natkaat kaam karnyachi sandhi milel mhanun mi mithibai clg madhe pravesh ghenyacha attahaas kela. Mazya clg jeevanat mi 75 ekankika kelya. Hya kaalat ek abhineta mhanun yash milat hota.ashach eka ekankikechya veli mohan wagh ani mahesh manjrekar yanni maza kaam pahila ani mala all the best natkat kaam karnyachi sandhi dili. All the best chya marathi ani hindi natkanmadhe bhumika vathavli.hya natkaat bahiryachi bhumika karat 890 prayog kele. Tyanantar art film hya veglya dhaatanichya ani kalecha kas lagnarya chitrpatatun kaam kele. Pan tyaahi veli mala asa vataycha, ki nahi aplyala fakta abhineta vhaycha nahiye. Technical kaam karaycha hota. Tyamule mi tya margachya shodhat hoto.
Q: pan abhinayat yash milat astanahi tantrik bajucha akarshan ka?
A: abhineta mhanun kaam karat astana apan cameraman vhava asa vataycha. Mi mazi hi iccha govind ji nna [govind nihalani] bolun dakhavli. Te mhanale mag he ka karto ahes, ja, shik tantrik baabi. Pan asa mhantana mazyakade shik asa mhantle nahit. Shik, asa mhanun tyanni mala dyanachya vishal saagarat sodun dila. Pan tech yogya hota ani mhanunach mi maza marga shodhu shaklo. Ek varsha vegveglya studiot kaam kela. Tyanantar B.R chopranchya studiot binpagari kaam kela. Pan hyach kalat mala mazya career chya marga sapadla. Ekda achanak tithe mala ektyala kaam sambhalnyachi vel ali ani tyanantar maza atmavishwaas vadhatach gela.
Q: ‘Mrugjal’ hya tuzya pahilya chitrapatabaddal....
A: mi natya shibirat astana mala mrugjalchi theme line milali hoti. Tevhapasunach ti mazya dokyat pakki hoti. Pan mi navin aslyamule mazyasathi katha, patakatha lihayala koni tayar hoina. Tevha maza bhau mala mhanala, ki tuzya dokyat jar tula kay sangaychay te pakka ahe, tar tuch ka nahi swataha lihit? Tyachya bolnyane maza vishwaas vadhla ani mi mrugjalchi patakatha lihili. Ya chitrapatacha lekhan, digdarshan ani sankalan mi swatahach kela ani mazya hya pahilyach chitrapatala 23 puraskar milale. Tyanantar duniyadaari, reshimgathi, kinara, uunpaus hya malika kelya.
Q: asambhavvishayi.....
A: hya malikela khup kangore ahet. Tyamulech sarva bajuncha samatol sadhat hi malika ghadvaychi hoti. Punarjanmavar aslyamule tyavar faar kami lokancha vishwaas basnyaci shakyata. Tyat maliketil flash back ha mahatvacha bhaag. Tyamulech he sagla lokanchya gali utravaycha hota. He asa nastach asahi lokanna vatnarach. Tyamulech tyanchach pratinidhitva karnara ek patra amhi amchya serial madhe sahabhaagi kela. Maliket family drama ahe, thrill ahe ani tarihi malikecha samatol sadhata ala ahe. Yashivay anek kalakar saras hote. Ekach veli junya kalatil ani vartamanatil bhumika saadhnyachi kathanakachi garajhi kalakaranni apratim saakaar keli ani tyamulech malika yashaswi zali.
Q: tula attaparyanta milalele puraskar....
A: 2001 te 2005 hya kaalavadhit mala 35 puraskar milale. Manache samajle janare V. shantaram, MA TA sanmaan, zee gaurav, rajya sarkarcha puraskar milale ahet. Yash hi keval devachi krupa ahe. Ya barobarach mi yasacha shreya mi mehnat, jidda, kashtachi tayari ani mazya kutumbala dein.
Q: kamavyatirikta chanda konte; ani tu ya kshetrat yeun icchinarya tarunanna kay salla deshil?
A: salla denyaitka mi kharach motha nahi. Pan khup mehenat karaychi tayari karun ya. Engineer, doctor hona jevdha avghad ahe tevdhach hya kshetrat yashaswi hona hi. Tyamulech khup shikaychi tayari theva ani kamavar nishta asu dya. Kaamavyatirikta mala gaani aikayala avadtat. Hindi romantic songs cha mi fan ahe. Prachanda vachan karayala mala avadta agdi zapatlyasarkha.
Q: bhavishyache plans kay? Tula swatahchi konti olakh adhik avadte?
A: khup kahi tharavla nahi. Pan mala changla kaam karaycha ahe. Agdi selective pan khup changla. Attaparyanta mala mrugjal mule olkhat hote. Ata mrugjal ani asambhav mule olakhtat. Tyamulech bhavishayt mrugjal, asambhav ani...ashi olakh nirman karaychi ahe. Swatahla, gharchyanna abhimaan vatel, asa kaam karaycha. Digdarshak, abhineta hya olkhipeksha mala ek changla manus mhanun olkhava, ashi mazi iccha.
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